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June 12th
4 shows
4 tapes
Years
2026
49.4k
PlaybackListensHours
48h2.1k367
7d5.8k1k
30d49.4k8.8k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.4k243
7d2.9k511
30d17.1k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h31863
7d1.2k220
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h25840
7d810130
30d4.2k696
45 shows
45 tapes
2022
8k
PlaybackListensHours
48h24942
7d739121
30d8k1.3k
47 shows
48 tapes
2021
4k
PlaybackListensHours
48h37862
7d772138
30d4k726
35 shows
35 tapes
2020
352
PlaybackListensHours
48h336m
7d9213
30d35248
4 shows
4 tapes
2019
3.3k
PlaybackListensHours
48h52981
7d730105
30d3.3k475
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h16826
7d54782
30d4.2k636
39 shows
39 tapes
2017
2.7k
PlaybackListensHours
48h19639
7d552102
30d2.7k464
28 shows
28 tapes
2016
2.4k
PlaybackListensHours
48h23028
7d58977
30d2.4k315
45 shows
45 tapes
2015
1.9k
PlaybackListensHours
48h17727
7d42262
30d1.9k307
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h14921
7d38354
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h14823
7d22936
30d1.5k231
41 shows
41 tapes
2012
4.2k
PlaybackListensHours
48h80898
7d2.3k308
30d4.2k556
37 shows
37 tapes
2011
9.3k
PlaybackListensHours
48h822110
7d1.5k207
30d9.3k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h50670
7d49568
30d2.5k331
50 shows
50 tapes
2009
5.9k
PlaybackListensHours
48h46363
7d2.1k297
30d5.9k822
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h5213
7d28458
30d1.8k349
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h27150
7d736138
30d5.2k999
45 shows
45 tapes
2002
262
PlaybackListensHours
48h416
7d335
30d26238
3 shows
3 tapes
2000
16.1k
PlaybackListensHours
48h1.2k224
7d2.6k483
30d16.1k2.7k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h990187
7d2.8k503
30d17.3k3.2k
64 shows
64 tapes
1998
21.2k
PlaybackListensHours
48h1.3k214
7d3.7k611
30d21.2k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.7k298
7d4.3k743
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h52873
7d2.3k324
30d9.2k1.3k
71 shows
71 tapes
1995
13.7k
PlaybackListensHours
48h1.6k233
7d3.8k546
30d13.7k2k
82 shows
82 tapes
1994
27.6k
PlaybackListensHours
48h3.4k456
7d3.5k423
30d27.6k3.4k
124 shows
124 tapes
1993
12.5k
PlaybackListensHours
48h77192
7d2k235
30d12.5k1.5k
109 shows
109 tapes
1992
8.3k
PlaybackListensHours
48h41749
7d950113
30d8.3k940
109 shows
109 tapes
1991
5.9k
PlaybackListensHours
48h32433
7d79285
30d5.9k625
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h16920
7d938102
30d5.1k578
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h18124
7d30339
30d2k262
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h13918
7d39248
30d2.7k355
44 shows
44 tapes
1987
584
PlaybackListensHours
48h12816
7d324
30d58473
18 shows
18 tapes
1986
359
PlaybackListensHours
48h151
7d465
30d35938
7 shows
7 tapes
1985
249
PlaybackListensHours
48h115m
7d376
30d24937
7 shows
7 tapes
1984
130
PlaybackListensHours
48h19m
7d81
30d13018
2 shows
2 tapes
1983
75
PlaybackListensHours
48h18m
7d132
30d7511
1 show
1 tape
1990
Sources
Source 1 of 1
2:26:26
Dot Net:
8.45 / 50 ratings
SHNID:
729
Taper Notes:
View NotesPhish University of Massachusetts Amherst, MA 09/22/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: There was a very bad humming noise for the 1st 2 minutes of the show, I removed it with X-Noise, there was also some sortof adjustment made during Buried Alive after which everything sounds really nice. For the tuning and first minute of Buried Alive I adjusted volume (gain from the FA770) and bass levels (BBE lo contour) to make it somewhat listenable, there is a tiny crossfade at the switch point to make it smooth. The tape was stopped in Wilson, it picks back up almost right away, I deleted the blank spot and bumped the 2 sections together. There is a crossfade in Landlady to cover the tapeflip. The tape flip right after Coil before Tweezer was quick, you can't tell it's there with the crossfade in place. The final tapeflip after Bouncin' cut no music, only crowd noise. 2dB was added to the second set to match the levels from the first. The following mastering processes were rendered: Waves REQ (rolloff @ 40Hz), FA770 Compressor, BBE Sonic Maximizer (0.5, 2.5, -1), Waves L2 Ultramaximzer. The 192kHz stereo resampler was used to downsample, UV22 HR was used to dither to 16-bits. Transfer>24bit FLAC files by Weave - [email protected] on 10/23/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/03/03. DISC ONE set I: 01. intro/tuning 02. Buried Alive 03. My Sweet One 04. Divided Sky 05. Tela 06. Oh Kee Pah > 07. Suzy Greenberg 08. Magilla 09. Wilson 10. The// Landlady 11. I Did'nt Know 12. David Bowie > Mo' Better Blues > David Bowie DISC TWO set II: 01. tuning/crowd 02. Squirming Coil 03. //Tweezer 04. Destiny Unbound 05. Fee 06. Uncle Pen 07. Bouncin' 08. Stash 09. Lizards 10. Lawn Boy 11. Possum encore: 12. The Asse Festival 13. Golgi Apparatus Notes: Trey must have been listening to Vangelis on the way to the gig; Golgi, Possum, Suzy Greenberg, Magilla and David Bowie all have Chariots of Fire teases. A really nice jam opens up after the first teases in the (very playful) David Bowie intro. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)