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June 7th
5 shows
5 tapes
Years
2026
62.9k
PlaybackListensHours
48h2.4k425
7d6.8k1.2k
30d62.9k11.2k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.2k206
7d2.9k515
30d17.1k3.1k
42 shows
42 tapes
2024
6.1k
PlaybackListensHours
48h52695
7d1.4k253
30d6.1k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h39368
7d934159
30d4.2k696
45 shows
45 tapes
2022
7.7k
PlaybackListensHours
48h45072
7d3.7k579
30d7.7k1.2k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h25450
7d776135
30d3.8k675
35 shows
35 tapes
2020
320
PlaybackListensHours
48h91
7d497
30d32045
4 shows
4 tapes
2019
3.1k
PlaybackListensHours
48h25535
7d683101
30d3.1k452
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h14523
7d48676
30d4.3k659
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h20736
7d53993
30d2.4k409
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h17124
7d48367
30d2.2k293
45 shows
45 tapes
2015
1.7k
PlaybackListensHours
48h18428
7d39561
30d1.7k281
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h19227
7d34548
30d1.6k229
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h8815
7d22334
30d1.5k234
41 shows
41 tapes
2012
2.1k
PlaybackListensHours
48h46062
7d67191
30d2.1k293
37 shows
37 tapes
2011
8.2k
PlaybackListensHours
48h60886
7d3.7k532
30d8.2k1.2k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h17325
7d45662
30d2.5k325
50 shows
50 tapes
2009
4.1k
PlaybackListensHours
48h910121
7d1.8k250
30d4.1k575
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h9019
7d26155
30d1.8k353
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h34870
7d1.1k200
30d5.2k1k
45 shows
45 tapes
2002
320
PlaybackListensHours
48h254
7d335
30d32047
3 shows
3 tapes
2000
14.8k
PlaybackListensHours
48h557102
7d1.9k342
30d14.8k2.5k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1.1k205
7d3.3k599
30d17.3k3.2k
64 shows
64 tapes
1998
20.3k
PlaybackListensHours
48h1.3k223
7d4k657
30d20.3k3.4k
70 shows
70 tapes
1997
21k
PlaybackListensHours
48h1.8k294
7d3.9k702
30d21k3.8k
81 shows
81 tapes
1996
8.6k
PlaybackListensHours
48h1.4k194
7d1.3k189
30d8.6k1.2k
71 shows
71 tapes
1995
11.6k
PlaybackListensHours
48h705106
7d2.5k364
30d11.6k1.7k
82 shows
82 tapes
1994
28.7k
PlaybackListensHours
48h1.1k134
7d3k372
30d28.7k3.6k
124 shows
124 tapes
1993
13.6k
PlaybackListensHours
48h80996
7d2k238
30d13.6k1.6k
109 shows
109 tapes
1992
9.4k
PlaybackListensHours
48h39748
7d935107
30d9.4k1.1k
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h35937
7d95199
30d6.8k733
117 shows
119 tapes
1990
5k
PlaybackListensHours
48h28329
7d1.3k147
30d5k570
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h456
7d14519
30d2k265
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h12514
7d33341
30d2.6k342
44 shows
44 tapes
1987
783
PlaybackListensHours
48h212
7d9712
30d78395
18 shows
18 tapes
1986
419
PlaybackListensHours
48h960m
7d809
30d41945
7 shows
7 tapes
1985
267
PlaybackListensHours
48h142
7d527
30d26738
7 shows
7 tapes
1984
166
PlaybackListensHours
48h428m
7d142
30d16623
2 shows
2 tapes
1983
77
PlaybackListensHours
48h91
7d112
30d7711
1 show
1 tape
1990
Sources
Source 1 of 1
2:26:26
SHNID:
729
Taper Notes:
View NotesPhish University of Massachusetts Amherst, MA 09/22/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: There was a very bad humming noise for the 1st 2 minutes of the show, I removed it with X-Noise, there was also some sortof adjustment made during Buried Alive after which everything sounds really nice. For the tuning and first minute of Buried Alive I adjusted volume (gain from the FA770) and bass levels (BBE lo contour) to make it somewhat listenable, there is a tiny crossfade at the switch point to make it smooth. The tape was stopped in Wilson, it picks back up almost right away, I deleted the blank spot and bumped the 2 sections together. There is a crossfade in Landlady to cover the tapeflip. The tape flip right after Coil before Tweezer was quick, you can't tell it's there with the crossfade in place. The final tapeflip after Bouncin' cut no music, only crowd noise. 2dB was added to the second set to match the levels from the first. The following mastering processes were rendered: Waves REQ (rolloff @ 40Hz), FA770 Compressor, BBE Sonic Maximizer (0.5, 2.5, -1), Waves L2 Ultramaximzer. The 192kHz stereo resampler was used to downsample, UV22 HR was used to dither to 16-bits. Transfer>24bit FLAC files by Weave - [email protected] on 10/23/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/03/03. DISC ONE set I: 01. intro/tuning 02. Buried Alive 03. My Sweet One 04. Divided Sky 05. Tela 06. Oh Kee Pah > 07. Suzy Greenberg 08. Magilla 09. Wilson 10. The// Landlady 11. I Did'nt Know 12. David Bowie > Mo' Better Blues > David Bowie DISC TWO set II: 01. tuning/crowd 02. Squirming Coil 03. //Tweezer 04. Destiny Unbound 05. Fee 06. Uncle Pen 07. Bouncin' 08. Stash 09. Lizards 10. Lawn Boy 11. Possum encore: 12. The Asse Festival 13. Golgi Apparatus Notes: Trey must have been listening to Vangelis on the way to the gig; Golgi, Possum, Suzy Greenberg, Magilla and David Bowie all have Chariots of Fire teases. A really nice jam opens up after the first teases in the (very playful) David Bowie intro. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)