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June 9th
Years
2026
57.1k
PlaybackListensHours
48h2.1k376
7d6.7k1.2k
30d57.1k10.2k
13 shows
13 tapes
2025
17.2k
PlaybackListensHours
48h1.1k188
7d3.2k567
30d17.2k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h48888
7d1.4k249
30d6.3k1.2k
39 shows
39 tapes
2023
4.4k
PlaybackListensHours
48h29144
7d938163
30d4.4k721
45 shows
45 tapes
2022
7.8k
PlaybackListensHours
48h21334
7d3k484
30d7.8k1.3k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h27652
7d773141
30d3.8k689
35 shows
35 tapes
2020
308
PlaybackListensHours
48h395
7d405
30d30843
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h25537
7d64593
30d3.2k451
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h24838
7d42968
30d4.2k646
39 shows
39 tapes
2017
2.5k
PlaybackListensHours
48h17432
7d53191
30d2.5k426
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h21228
7d49167
30d2.2k293
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h14120
7d39559
30d1.8k292
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h9515
7d38654
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h10316
7d27542
30d1.5k230
41 shows
41 tapes
2012
2.8k
PlaybackListensHours
48h1.5k198
7d1.2k159
30d2.8k381
37 shows
37 tapes
2011
8.6k
PlaybackListensHours
48h70192
7d3.2k461
30d8.6k1.2k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h19627
7d45563
30d2.5k336
50 shows
50 tapes
2009
5k
PlaybackListensHours
48h682100
7d2.1k283
30d5k701
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h15528
7d26855
30d1.8k355
20 shows
20 tapes
2003
5.4k
PlaybackListensHours
48h29254
7d1k192
30d5.4k1k
45 shows
45 tapes
2002
282
PlaybackListensHours
48h274
7d517
30d28242
3 shows
3 tapes
2000
14.9k
PlaybackListensHours
48h688123
7d1.9k333
30d14.9k2.5k
56 shows
56 tapes
1999
17.5k
PlaybackListensHours
48h1.1k191
7d3.2k584
30d17.5k3.3k
64 shows
64 tapes
1998
20.9k
PlaybackListensHours
48h1.3k216
7d3.7k614
30d20.9k3.4k
70 shows
70 tapes
1997
21.8k
PlaybackListensHours
48h1.5k269
7d4.3k734
30d21.8k3.9k
81 shows
81 tapes
1996
9.5k
PlaybackListensHours
48h741103
7d2.3k330
30d9.5k1.4k
71 shows
71 tapes
1995
11.9k
PlaybackListensHours
48h1.5k215
7d2.4k348
30d11.9k1.8k
82 shows
82 tapes
1994
28.5k
PlaybackListensHours
48h968118
7d2.8k350
30d28.5k3.5k
124 shows
124 tapes
1993
13.2k
PlaybackListensHours
48h60375
7d2.1k254
30d13.2k1.6k
109 shows
109 tapes
1992
8.6k
PlaybackListensHours
48h41848
7d1k119
30d8.6k983
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h30233
7d1k105
30d6.8k722
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h36741
7d968103
30d5.1k576
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h648
7d11915
30d1.9k251
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h20325
7d23328
30d2.7k345
44 shows
44 tapes
1987
711
PlaybackListensHours
48h81
7d588
30d71186
18 shows
18 tapes
1986
398
PlaybackListensHours
48h202
7d8710
30d39842
7 shows
7 tapes
1985
272
PlaybackListensHours
48h285
7d589
30d27240
7 shows
7 tapes
1984
157
PlaybackListensHours
48h110m
7d111
30d15722
2 shows
2 tapes
1983
80
PlaybackListensHours
48h71
7d152
30d8012
1 show
1 tape
1990
Sources
Source 1 of 1
2:26:26
Dot Net:
8.45 / 50 ratings
SHNID:
729
Taper Notes:
View NotesPhish University of Massachusetts Amherst, MA 09/22/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: There was a very bad humming noise for the 1st 2 minutes of the show, I removed it with X-Noise, there was also some sortof adjustment made during Buried Alive after which everything sounds really nice. For the tuning and first minute of Buried Alive I adjusted volume (gain from the FA770) and bass levels (BBE lo contour) to make it somewhat listenable, there is a tiny crossfade at the switch point to make it smooth. The tape was stopped in Wilson, it picks back up almost right away, I deleted the blank spot and bumped the 2 sections together. There is a crossfade in Landlady to cover the tapeflip. The tape flip right after Coil before Tweezer was quick, you can't tell it's there with the crossfade in place. The final tapeflip after Bouncin' cut no music, only crowd noise. 2dB was added to the second set to match the levels from the first. The following mastering processes were rendered: Waves REQ (rolloff @ 40Hz), FA770 Compressor, BBE Sonic Maximizer (0.5, 2.5, -1), Waves L2 Ultramaximzer. The 192kHz stereo resampler was used to downsample, UV22 HR was used to dither to 16-bits. Transfer>24bit FLAC files by Weave - [email protected] on 10/23/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/03/03. DISC ONE set I: 01. intro/tuning 02. Buried Alive 03. My Sweet One 04. Divided Sky 05. Tela 06. Oh Kee Pah > 07. Suzy Greenberg 08. Magilla 09. Wilson 10. The// Landlady 11. I Did'nt Know 12. David Bowie > Mo' Better Blues > David Bowie DISC TWO set II: 01. tuning/crowd 02. Squirming Coil 03. //Tweezer 04. Destiny Unbound 05. Fee 06. Uncle Pen 07. Bouncin' 08. Stash 09. Lizards 10. Lawn Boy 11. Possum encore: 12. The Asse Festival 13. Golgi Apparatus Notes: Trey must have been listening to Vangelis on the way to the gig; Golgi, Possum, Suzy Greenberg, Magilla and David Bowie all have Chariots of Fire teases. A really nice jam opens up after the first teases in the (very playful) David Bowie intro. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)