RELISTENTOmoe.
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moe.
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Today In History
June 11th
3 shows
6 tapes
Years
2026
4.7k
PlaybackListensHours
48h12317
7d56984
30d4.7k704
31 shows
63 tapes
2025
246
PlaybackListensHours
48h285
7d12721
30d24639
59 shows
133 tapes
2024
118
PlaybackListensHours
48h16m
7d00m
30d11818
43 shows
70 tapes
2023
406
PlaybackListensHours
48h8813
7d6910
30d40664
65 shows
145 tapes
2022
47
PlaybackListensHours
48h00m
7d00m
30d4710
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
114
PlaybackListensHours
48h00m
7d00m
30d11420
40 shows
76 tapes
2018
117
PlaybackListensHours
48h112m
7d335m
30d11721
53 shows
114 tapes
2017
203
PlaybackListensHours
48h173
7d355
30d20331
32 shows
66 tapes
2016
157
PlaybackListensHours
48h835m
7d574
30d15720
40 shows
105 tapes
2015
110
PlaybackListensHours
48h234
7d92
30d11017
40 shows
115 tapes
2014
105
PlaybackListensHours
48h00m
7d152
30d10515
76 shows
192 tapes
2013
109
PlaybackListensHours
48h00m
7d00m
30d10917
62 shows
179 tapes
2012
144
PlaybackListensHours
48h00m
7d183
30d14426
73 shows
210 tapes
2011
75
PlaybackListensHours
48h315
7d92
30d7513
59 shows
167 tapes
2010
251
PlaybackListensHours
48h00m
7d11120
30d25143
68 shows
203 tapes
2009
305
PlaybackListensHours
48h82
7d447
30d30550
61 shows
177 tapes
2008
138
PlaybackListensHours
48h232m
7d7212
30d13824
62 shows
154 tapes
2007
117
PlaybackListensHours
48h228m
7d287
30d11723
77 shows
180 tapes
2006
243
PlaybackListensHours
48h335
7d9216
30d24340
73 shows
193 tapes
2005
242
PlaybackListensHours
48h00m
7d296
30d24247
78 shows
199 tapes
2004
311
PlaybackListensHours
48h174
7d538
30d31147
83 shows
199 tapes
2003
233
PlaybackListensHours
48h533m
7d6011
30d23347
90 shows
206 tapes
2002
593
PlaybackListensHours
48h4010
7d9224
30d593141
67 shows
175 tapes
2001
281
PlaybackListensHours
48h82
7d4110
30d28164
98 shows
184 tapes
2000
198
PlaybackListensHours
48h398
7d6613
30d19840
70 shows
122 tapes
1999
234
PlaybackListensHours
48h860m
7d7512
30d23443
94 shows
170 tapes
1998
239
PlaybackListensHours
48h112m
7d7112
30d23941
68 shows
120 tapes
1997
480
PlaybackListensHours
48h71
7d709
30d48069
138 shows
245 tapes
1996
179
PlaybackListensHours
48h91
7d00m
30d17930
75 shows
126 tapes
1995
81
PlaybackListensHours
48h00m
7d172
30d8111
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d223
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
27
PlaybackListensHours
48h00m
7d218m
30d273
4 shows
4 tapes
2008
6/16/08
./-intro-
1:11
Water >
12:30
Bearsong
12:30
Queen Of Everything
8:09
Jazz Wank >
9:11
Runaway Overlude >
6:47
Mexico
16:53
./-banter-
3:07
Nebraska >
8:05
Blue Jeans Pizza >
10:43
Nebraska
4:29
Crab Eyes
9:18
The Pit >
17:41
Big World >
9:43
Moth
17:57
./-al.nouncements-
5:15
Threw It All Away
5:24
FIN
View on archive.org
Sources
Taper: T.J. Samulis
2:38:53
SBD
Taper:
T.J. Samulis
Transferrer:
T.J. Samulis
SHNID:
moe2008-06-16.mk4.nbox.r09.16bit
Source:
Schoeps mk4(FOH@SBD/DFC/DIN) > actives > Nbox+ > Edirol R-09(24/48) > SDHC
Lineage:
SDHC > USB > Wavelab 5.0a(+3.1dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000/Tag&Rename
Taper Notes:
View NotesNOTES Set I was an acoustic show benefiting the Headcount Organization
Taper: Jon Merin
2:42:10
Rating:
9.71 / 8 ratings
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
moe2008-06-16.flac16
Source:
Schoeps MK41(DINA)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96)
Lineage:
wave editor (resample/Dither)>Sound Studio (Track)> Xact(Flac)
Taper: Scott Bernstein
37:07
Rating:
10.00 / 2 ratings
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac16
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a higher quality 24 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein
Taper: Scott Bernstein
37:07
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac24
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which were to benefit HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering with only the slightest tweak to this 24 bit recording, using the knowledge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second). It's probably not audible, but I did it anyway and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a normal CD quality 16 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein