RELISTENTOmoe.
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moe.
RecentTopVenues
Today In History
June 9th
5 shows
14 tapes
Years
2026
4.7k
PlaybackListensHours
48h19829
7d46772
30d4.7k710
31 shows
63 tapes
2025
258
PlaybackListensHours
48h366
7d10117
30d25840
59 shows
133 tapes
2024
119
PlaybackListensHours
48h00m
7d71
30d11919
43 shows
70 tapes
2023
344
PlaybackListensHours
48h638
7d61
30d34456
65 shows
145 tapes
2022
68
PlaybackListensHours
48h00m
7d00m
30d6815
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
115
PlaybackListensHours
48h00m
7d110m
30d11520
40 shows
76 tapes
2018
117
PlaybackListensHours
48h00m
7d335m
30d11721
53 shows
114 tapes
2017
188
PlaybackListensHours
48h153
7d203
30d18828
32 shows
66 tapes
2016
140
PlaybackListensHours
48h282
7d505
30d14019
40 shows
105 tapes
2015
110
PlaybackListensHours
48h00m
7d507
30d11017
40 shows
115 tapes
2014
100
PlaybackListensHours
48h530m
7d102
30d10015
76 shows
192 tapes
2013
109
PlaybackListensHours
48h00m
7d00m
30d10917
62 shows
179 tapes
2012
145
PlaybackListensHours
48h00m
7d183
30d14526
73 shows
210 tapes
2011
77
PlaybackListensHours
48h00m
7d153
30d7713
59 shows
167 tapes
2010
246
PlaybackListensHours
48h204
7d11520
30d24642
68 shows
203 tapes
2009
297
PlaybackListensHours
48h82
7d558
30d29748
61 shows
177 tapes
2008
80
PlaybackListensHours
48h6110
7d112
30d8014
62 shows
154 tapes
2007
125
PlaybackListensHours
48h31
7d245
30d12523
77 shows
180 tapes
2006
224
PlaybackListensHours
48h264
7d8214
30d22437
73 shows
193 tapes
2005
231
PlaybackListensHours
48h184
7d144
30d23145
78 shows
199 tapes
2004
318
PlaybackListensHours
48h92
7d619
30d31848
83 shows
199 tapes
2003
214
PlaybackListensHours
48h183
7d5711
30d21444
90 shows
206 tapes
2002
580
PlaybackListensHours
48h267
7d8321
30d580138
67 shows
175 tapes
2001
262
PlaybackListensHours
48h195
7d307
30d26259
98 shows
184 tapes
2000
160
PlaybackListensHours
48h5212
7d162
30d16032
70 shows
122 tapes
1999
244
PlaybackListensHours
48h274
7d499
30d24447
94 shows
170 tapes
1998
231
PlaybackListensHours
48h214
7d509
30d23140
68 shows
120 tapes
1997
464
PlaybackListensHours
48h122
7d709
30d46467
138 shows
245 tapes
1996
191
PlaybackListensHours
48h00m
7d71
30d19133
75 shows
126 tapes
1995
91
PlaybackListensHours
48h00m
7d283
30d9112
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d223
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
25
PlaybackListensHours
48h218m
7d00m
30d253
4 shows
4 tapes
2008
6/16/08
./-intro-
1:11
Water >
12:30
Bearsong
12:30
Queen Of Everything
8:09
Jazz Wank >
9:11
Runaway Overlude >
6:47
Mexico
16:53
./-banter-
3:07
Nebraska >
8:05
Blue Jeans Pizza >
10:43
Nebraska
4:29
Crab Eyes
9:18
The Pit >
17:41
Big World >
9:43
Moth
17:57
./-al.nouncements-
5:15
Threw It All Away
5:24
FIN
View on archive.org
Sources
Taper: T.J. Samulis
2:38:53
SBD
Taper:
T.J. Samulis
Transferrer:
T.J. Samulis
SHNID:
moe2008-06-16.mk4.nbox.r09.16bit
Source:
Schoeps mk4(FOH@SBD/DFC/DIN) > actives > Nbox+ > Edirol R-09(24/48) > SDHC
Lineage:
SDHC > USB > Wavelab 5.0a(+3.1dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000/Tag&Rename
Taper Notes:
View NotesNOTES Set I was an acoustic show benefiting the Headcount Organization
Taper: Jon Merin
2:42:10
Rating:
9.71 / 8 ratings
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
moe2008-06-16.flac16
Source:
Schoeps MK41(DINA)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96)
Lineage:
wave editor (resample/Dither)>Sound Studio (Track)> Xact(Flac)
Taper: Scott Bernstein
37:07
Rating:
10.00 / 2 ratings
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac16
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a higher quality 24 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein
Taper: Scott Bernstein
37:07
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac24
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which were to benefit HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering with only the slightest tweak to this 24 bit recording, using the knowledge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second). It's probably not audible, but I did it anyway and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a normal CD quality 16 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein