RELISTENTOmoe.
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moe.
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Today In History
June 15th
6 shows
17 tapes
Years
2026
4.2k
PlaybackListensHours
48h19328
7d50872
30d4.2k634
31 shows
65 tapes
2025
250
PlaybackListensHours
48h528
7d5910
30d25040
59 shows
133 tapes
2024
114
PlaybackListensHours
48h523m
7d27m
30d11417
43 shows
70 tapes
2023
429
PlaybackListensHours
48h225m
7d10517
30d42969
65 shows
145 tapes
2022
42
PlaybackListensHours
48h12m
7d12m
30d429
18 shows
33 tapes
2021
24
PlaybackListensHours
48h19m
7d142
30d245
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
121
PlaybackListensHours
48h203
7d71
30d12121
40 shows
76 tapes
2018
130
PlaybackListensHours
48h00m
7d204
30d13023
53 shows
114 tapes
2017
223
PlaybackListensHours
48h00m
7d285
30d22334
32 shows
66 tapes
2016
154
PlaybackListensHours
48h750m
7d335
30d15420
40 shows
105 tapes
2015
140
PlaybackListensHours
48h91
7d326
30d14023
40 shows
115 tapes
2014
117
PlaybackListensHours
48h316
7d142
30d11717
76 shows
192 tapes
2013
86
PlaybackListensHours
48h00m
7d00m
30d8614
62 shows
179 tapes
2012
121
PlaybackListensHours
48h349m
7d00m
30d12122
73 shows
210 tapes
2011
155
PlaybackListensHours
48h00m
7d8013
30d15526
59 shows
167 tapes
2010
249
PlaybackListensHours
48h238m
7d123m
30d24942
68 shows
203 tapes
2009
304
PlaybackListensHours
48h122
7d284
30d30448
61 shows
177 tapes
2008
132
PlaybackListensHours
48h265
7d234
30d13223
62 shows
154 tapes
2007
94
PlaybackListensHours
48h218m
7d228m
30d9419
77 shows
180 tapes
2006
266
PlaybackListensHours
48h115m
7d6510
30d26645
73 shows
193 tapes
2005
211
PlaybackListensHours
48h319m
7d122
30d21140
78 shows
199 tapes
2004
274
PlaybackListensHours
48h211m
7d326
30d27442
83 shows
199 tapes
2003
189
PlaybackListensHours
48h81
7d101
30d18938
90 shows
206 tapes
2002
578
PlaybackListensHours
48h103
7d8823
30d578137
67 shows
175 tapes
2001
226
PlaybackListensHours
48h183
7d153
30d22651
98 shows
184 tapes
2000
192
PlaybackListensHours
48h00m
7d418
30d19238
70 shows
122 tapes
1999
212
PlaybackListensHours
48h00m
7d338
30d21241
94 shows
170 tapes
1998
276
PlaybackListensHours
48h456
7d8113
30d27645
68 shows
120 tapes
1997
447
PlaybackListensHours
48h172
7d284
30d44763
138 shows
245 tapes
1996
186
PlaybackListensHours
48h162
7d375
30d18628
75 shows
126 tapes
1995
47
PlaybackListensHours
48h00m
7d00m
30d476
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d00m
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
28
PlaybackListensHours
48h00m
7d11m
30d283
4 shows
4 tapes
2008
6/16/08
./-intro-
1:11
Water >
12:30
Bearsong
12:30
Queen Of Everything
8:09
Jazz Wank >
9:11
Runaway Overlude >
6:47
Mexico
16:53
./-banter-
3:07
Nebraska >
8:05
Blue Jeans Pizza >
10:43
Nebraska
4:29
Crab Eyes
9:18
The Pit >
17:41
Big World >
9:43
Moth
17:57
./-al.nouncements-
5:15
Threw It All Away
5:24
FIN
View on archive.org
Sources
Taper: T.J. Samulis
2:38:53
SBD
Taper:
T.J. Samulis
Transferrer:
T.J. Samulis
SHNID:
moe2008-06-16.mk4.nbox.r09.16bit
Source:
Schoeps mk4(FOH@SBD/DFC/DIN) > actives > Nbox+ > Edirol R-09(24/48) > SDHC
Lineage:
SDHC > USB > Wavelab 5.0a(+3.1dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000/Tag&Rename
Taper Notes:
View NotesNOTES Set I was an acoustic show benefiting the Headcount Organization
Taper: Jon Merin
2:42:10
Rating:
9.71 / 8 ratings
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
moe2008-06-16.flac16
Source:
Schoeps MK41(DINA)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96)
Lineage:
wave editor (resample/Dither)>Sound Studio (Track)> Xact(Flac)
Taper: Scott Bernstein
37:07
Rating:
10.00 / 2 ratings
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac16
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a higher quality 24 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein
Taper: Scott Bernstein
37:07
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac24
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which were to benefit HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering with only the slightest tweak to this 24 bit recording, using the knowledge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second). It's probably not audible, but I did it anyway and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a normal CD quality 16 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein