RELISTENTOmoe.
Re
Bands
Featured
Bands
moe.
RecentTopVenues
Today In History
June 14th
6 shows
10 tapes
Years
2026
4.3k
PlaybackListensHours
48h25938
7d49570
30d4.3k642
31 shows
65 tapes
2025
247
PlaybackListensHours
48h285
7d6710
30d24739
59 shows
133 tapes
2024
113
PlaybackListensHours
48h11m
7d16m
30d11317
43 shows
70 tapes
2023
429
PlaybackListensHours
48h330m
7d10517
30d42969
65 shows
145 tapes
2022
41
PlaybackListensHours
48h12m
7d00m
30d419
18 shows
33 tapes
2021
21
PlaybackListensHours
48h112
7d112
30d214
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
114
PlaybackListensHours
48h71
7d00m
30d11420
40 shows
76 tapes
2018
118
PlaybackListensHours
48h153
7d534m
30d11821
53 shows
114 tapes
2017
226
PlaybackListensHours
48h650m
7d386
30d22635
32 shows
66 tapes
2016
148
PlaybackListensHours
48h244
7d404
30d14819
40 shows
105 tapes
2015
132
PlaybackListensHours
48h112
7d245
30d13222
40 shows
115 tapes
2014
107
PlaybackListensHours
48h305
7d740m
30d10715
76 shows
192 tapes
2013
107
PlaybackListensHours
48h00m
7d00m
30d10717
62 shows
179 tapes
2012
133
PlaybackListensHours
48h00m
7d00m
30d13324
73 shows
210 tapes
2011
155
PlaybackListensHours
48h102
7d8013
30d15526
59 shows
167 tapes
2010
249
PlaybackListensHours
48h123m
7d275
30d24942
68 shows
203 tapes
2009
298
PlaybackListensHours
48h263
7d183
30d29849
61 shows
177 tapes
2008
124
PlaybackListensHours
48h133
7d6911
30d12421
62 shows
154 tapes
2007
94
PlaybackListensHours
48h218m
7d62
30d9419
77 shows
180 tapes
2006
262
PlaybackListensHours
48h213
7d7713
30d26244
73 shows
193 tapes
2005
213
PlaybackListensHours
48h319m
7d255
30d21341
78 shows
199 tapes
2004
274
PlaybackListensHours
48h112
7d224
30d27442
83 shows
199 tapes
2003
191
PlaybackListensHours
48h00m
7d213
30d19139
90 shows
206 tapes
2002
582
PlaybackListensHours
48h4612
7d8221
30d582137
67 shows
175 tapes
2001
241
PlaybackListensHours
48h00m
7d287
30d24154
98 shows
184 tapes
2000
199
PlaybackListensHours
48h114m
7d7014
30d19940
70 shows
122 tapes
1999
222
PlaybackListensHours
48h215
7d5411
30d22242
94 shows
170 tapes
1998
261
PlaybackListensHours
48h498
7d5710
30d26144
68 shows
120 tapes
1997
460
PlaybackListensHours
48h173
7d315
30d46066
138 shows
245 tapes
1996
199
PlaybackListensHours
48h293
7d223
30d19933
75 shows
126 tapes
1995
47
PlaybackListensHours
48h00m
7d00m
30d476
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d00m
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
28
PlaybackListensHours
48h00m
7d319m
30d283
4 shows
4 tapes
2008
6/16/08
Intro
3:24
Water>
13:47
Bearsong
11:13
Queen of Everything
8:09
Jazz wank >
9:10
Runaway Overlude >
7:08
Mexico
16:46
Intro
3:47
Nebraska >
9:00
BJP >
9:50
Nebraska
4:28
Crab Eyes
9:17
The Pit >
18:30
Big World >
8:57
Moth
15:06
crowd/announcements
8:06
Threw it All Away (encore)
5:32
FIN
View on archive.org
Sources
Taper: T.J. Samulis
2:38:53
SBD
Taper:
T.J. Samulis
Transferrer:
T.J. Samulis
SHNID:
moe2008-06-16.mk4.nbox.r09.16bit
Source:
Schoeps mk4(FOH@SBD/DFC/DIN) > actives > Nbox+ > Edirol R-09(24/48) > SDHC
Lineage:
SDHC > USB > Wavelab 5.0a(+3.1dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000/Tag&Rename
Taper Notes:
View NotesNOTES Set I was an acoustic show benefiting the Headcount Organization
Taper: Jon Merin
2:42:10
Rating:
9.71 / 8 ratings
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
moe2008-06-16.flac16
Source:
Schoeps MK41(DINA)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96)
Lineage:
wave editor (resample/Dither)>Sound Studio (Track)> Xact(Flac)
Taper: Scott Bernstein
37:07
Rating:
10.00 / 2 ratings
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac16
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a higher quality 24 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein
Taper: Scott Bernstein
37:07
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac24
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which were to benefit HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering with only the slightest tweak to this 24 bit recording, using the knowledge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second). It's probably not audible, but I did it anyway and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a normal CD quality 16 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein