RELISTENTOmoe.
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moe.
RecentTopVenues
Today In History
June 6th
4 shows
10 tapes
Years
2026
4.7k
PlaybackListensHours
48h26239
7d51879
30d4.7k720
31 shows
63 tapes
2025
185
PlaybackListensHours
48h182
7d558
30d18527
59 shows
133 tapes
2024
128
PlaybackListensHours
48h00m
7d387
30d12820
43 shows
70 tapes
2023
341
PlaybackListensHours
48h61
7d223m
30d34156
65 shows
145 tapes
2022
68
PlaybackListensHours
48h00m
7d449m
30d6815
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
115
PlaybackListensHours
48h00m
7d6411
30d11520
40 shows
76 tapes
2018
119
PlaybackListensHours
48h00m
7d223
30d11921
53 shows
114 tapes
2017
172
PlaybackListensHours
48h81
7d478
30d17226
32 shows
66 tapes
2016
204
PlaybackListensHours
48h00m
7d254
30d20431
40 shows
105 tapes
2015
101
PlaybackListensHours
48h41
7d537
30d10115
40 shows
115 tapes
2014
90
PlaybackListensHours
48h102
7d559m
30d9013
76 shows
192 tapes
2013
110
PlaybackListensHours
48h00m
7d397
30d11017
62 shows
179 tapes
2012
128
PlaybackListensHours
48h101
7d122
30d12823
73 shows
210 tapes
2011
71
PlaybackListensHours
48h92
7d102
30d7112
59 shows
167 tapes
2010
174
PlaybackListensHours
48h5210
7d10318
30d17430
68 shows
203 tapes
2009
263
PlaybackListensHours
48h365
7d5510
30d26345
61 shows
177 tapes
2008
71
PlaybackListensHours
48h216m
7d660m
30d7113
62 shows
154 tapes
2007
163
PlaybackListensHours
48h133
7d92
30d16327
77 shows
180 tapes
2006
158
PlaybackListensHours
48h132
7d346
30d15825
73 shows
193 tapes
2005
227
PlaybackListensHours
48h102
7d215
30d22743
78 shows
199 tapes
2004
277
PlaybackListensHours
48h122
7d365
30d27742
83 shows
199 tapes
2003
217
PlaybackListensHours
48h234
7d427
30d21743
90 shows
206 tapes
2002
537
PlaybackListensHours
48h267
7d11826
30d537128
67 shows
175 tapes
2001
273
PlaybackListensHours
48h153
7d215
30d27361
98 shows
184 tapes
2000
181
PlaybackListensHours
48h00m
7d92
30d18139
70 shows
122 tapes
1999
246
PlaybackListensHours
48h336
7d336
30d24646
94 shows
170 tapes
1998
205
PlaybackListensHours
48h203
7d375
30d20535
68 shows
120 tapes
1997
442
PlaybackListensHours
48h425
7d7511
30d44264
138 shows
245 tapes
1996
192
PlaybackListensHours
48h00m
7d6410
30d19233
75 shows
126 tapes
1995
89
PlaybackListensHours
48h172
7d293
30d8911
40 shows
46 tapes
1994
39
PlaybackListensHours
48h223
7d00m
30d393
8 shows
9 tapes
1993
1 show
1 tape
1992
25
PlaybackListensHours
48h00m
7d00m
30d253
4 shows
4 tapes
2008
6/16/08
Intro
3:24
Water>
13:47
Bearsong
11:13
Queen of Everything
8:09
Jazz wank >
9:10
Runaway Overlude >
7:08
Mexico
16:46
Intro
3:47
Nebraska >
9:00
BJP >
9:50
Nebraska
4:28
Crab Eyes
9:17
The Pit >
18:30
Big World >
8:57
Moth
15:06
crowd/announcements
8:06
Threw it All Away (encore)
5:32
FIN
View on archive.org
Sources
Taper: T.J. Samulis
2:38:53
SBD
Taper:
T.J. Samulis
Transferrer:
T.J. Samulis
SHNID:
moe2008-06-16.mk4.nbox.r09.16bit
Source:
Schoeps mk4(FOH@SBD/DFC/DIN) > actives > Nbox+ > Edirol R-09(24/48) > SDHC
Lineage:
SDHC > USB > Wavelab 5.0a(+3.1dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000/Tag&Rename
Taper Notes:
View NotesNOTES Set I was an acoustic show benefiting the Headcount Organization
Taper: Jon Merin
2:42:10
Rating:
9.71 / 8 ratings
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
moe2008-06-16.flac16
Source:
Schoeps MK41(DINA)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96)
Lineage:
wave editor (resample/Dither)>Sound Studio (Track)> Xact(Flac)
Taper: Scott Bernstein
37:07
Rating:
10.00 / 2 ratings
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac16
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a higher quality 24 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein
Taper: Scott Bernstein
37:07
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac24
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which were to benefit HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering with only the slightest tweak to this 24 bit recording, using the knowledge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second). It's probably not audible, but I did it anyway and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a normal CD quality 16 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein