RELISTENTO
Re
Bands
Featured
Bands
Jacob Fred Jazz Odyssey
RecentTopVenues
Today In History
June 7th
1 show
1 tape
Years
2026
2 shows
5 tapes
2024
3 shows
3 tapes
2023
1 show
1 tape
2022
3 shows
4 tapes
2019
1 show
1 tape
2016
1 show
1 tape
2015
1 show
1 tape
2014
7 shows
7 tapes
2013
3 shows
3 tapes
2012
1 show
2 tapes
2011
3 shows
4 tapes
2010
6 shows
7 tapes
2009
18 shows
28 tapes
2008
12 shows
16 tapes
2007
5 shows
5 tapes
2006
16 shows
18 tapes
2005
22 shows
25 tapes
2004
17 shows
20 tapes
2003
40 shows
46 tapes
2002
3
PlaybackListensHours
48h00m
7d00m
30d324m
40 shows
46 tapes
2001
1
PlaybackListensHours
48h00m
7d00m
30d113m
22 shows
26 tapes
2000
2 shows
2 tapes
1997
1 show
1 tape
2003
10/31/03
?
10:22
?
7:52
?
3:21
?
18:12
?
8:12
?
6:17
?
11:24
?
6:33
?
10:02
?
8:09
?
10:21
?
6:20
?
13:40
?
5:05
Johnny B. Goode
2:50
FIN
View on archive.org
Sources
Taper: Blake Phillips, Kris Anderson
2:08:40
SBD
Rating:
10.00 / 1 rating
Taper:
Blake Phillips, Kris Anderson
Transferrer:
Kris Anderson
SHNID:
jfjo2003-10-31.shnf
Source:
Matrix (SBD + AT-882 ) > Behringer 16 channel mixer > US-422
Lineage:
CDWAV > CD-R > EAC > SHN
Taper Notes:
View NotesNotes: this is one of two matrix shows recorded by myself and a friend in an attempt to start a Instant Live clone. We since decided to abandon the business after we finished school, and decided to turn over what recordings we had over to the greater good. the band arrived late for the gig, and i believe we were forced to set levels and whatnot on the fly, so dont bitch if you think it sounds like ass. also, the track cutting is "creative" at best.
Taper: phishmmw, trustthex
2:08:40
SBD
Taper:
phishmmw, trustthex
Transferrer:
trustthex
SHNID:
jfjo2003-10-31.matrix.flac16
Source:
Matrix (SBD + AT-822) > Behringer 16 channel mixer > US-422 > CDWave
Lineage:
CDWave > CD-R(M) > (via duplicator) CD-R(1) > EAC > Flac (level 8)
Taper Notes:
View Notes* - Aka "George Bush is a Lying Murderer" ***Original Notes*** Notes: this is one of two matrix shows recorded by myself and a friend in an attempt to start a Instant Live clone. We since decided to abandon the business after we finished school, and decided to turn over what recordings we had over to the greater good. the band arrived late for the gig, and i believe we were forced to set levels and whatnot on the fly, so dont bitch if you think it sounds like ass. also, the track cutting is "creative" at best. ***End Orig Notes*** I apparently x-fered these both before, with the intent of uploading them (2003-10-30, Antones, Austin, TX (and it appears at least one of them made it to StG, because its on the archive - http://www.archive.org/details/jfjo2003-10-31.shnf)). I reripped the same discs I ripped previously, except this time I have more source info & log files galore. The files are also encoded to flac(lvl8) opposed to shn; I guess that would make these an upgrade. I am torrenting them both together (to TTD) because I can. :-P If you originally paid money for these, I would like to thank you for helping 2 crazy kids dream. Sure it was a miserable failure, but, you own a piece of history. My Memories: Jake's Nightclub is a small venue built inside a larger sportsbar. The night we were there (Halloween) was the opening show for the Nightclub, so there was a pretty big turnout. I (personally) believe that most of the crowd wasnt really prepared for what they got with the fred, which is why the recording sounds almost audience sterile at times. The venue's soundboard was above and behind the bar, and our Aud mike setup for this wasn't exactly ideal either (over/near the bar). I also remember this being a show were the band had a case of Shiner on stage (which probably caused the band/audience interaction). Enjoy! Archive.org Review: Reviewer: pjustus - 5 out of 5 stars - October 28, 2005 Subject: Magic Contrary to the notes left by the taper, this show sounds excellent. I may be biased -- I was there -- but the playing is magical; it's a real split between their mellower music and the more angular stuff. Sound-wise, this show is beautiful -- when the mix is balanced! There are a few moments where it's off-kilter, but they are brief. When the mix is centered, the instrumental detail is incredible. The bass, RHODES, and especially the drums sound amazing; Jason's drums have never sounded so good. I'm not sure why the indices are labeled "creative at best"; there are no segues and it all seems fine to me. This show contains my favorite versions of "Time is Now," "Three Splattered Eggs," and "Lovejoy." There is a a rarely played Pat Metheny tune; not only that, but the fabled "Johnny B. Goode" is there!