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Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.3k316
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69499
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.7k638
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.1k151
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.7k358
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k359
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.8k477
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k149
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k290
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h83292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k234
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.5k191
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k227
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k280
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k184
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.7k857
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.7k2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.7k1.1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85971
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k524
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k566
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k386
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k232
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k740
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h58973
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13720
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h47134
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h493
7d1277
30d57234
2 shows
2 tapes
1995
Sources
Transferrer: Charlie Miller
2:44:17
SBD
Rating:
7.67 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1995-03-17.sbd.miller.97658.flac16
Source:
SBD -> Dat -> Cassette Master -> Dat
Lineage:
Dat-> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- There is some occasional quiet static from the master Dat
Transferrer: Dolphinmile Production
2:44:27
SBD
Transferrer:
Dolphinmile Production
SHNID:
gd1995-03-17.150765.dsbd.dolphinsmile.flac1648
Source:
DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8
Transferrer: Marc Pujol
42:20
SBD
Rating:
7.43 / 8 ratings
Transferrer:
Marc Pujol
SHNID:
gd95-03-17.soundcheck.sbd.17951.sbeok.shnf
Source:
Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Taper Notes:
View NotesRehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Source 4 of 12
2:44:14
SBD
Rating:
6.44 / 10 ratings
SHNID:
gd95-03-17.sbd.16057.sbeok.shnf
Source:
Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN.Secondary audience source (Schoeps MK4) used for drums > space.This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamles
Taper Notes:
View NotesSources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
Taper: Ray Ackerman
2:46:43
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1995-03-17.141505.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesPatch info: - shnid 92087 (Nakamichi CM-300 CP-4) supplies - s1t01; start - 1:30 Notes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - Grateful to Greg Holtz for providing the patch source - features Weir on acoustic guitar
Taper: Dave Boedicker
2:48:58
Rating:
8.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1995-03-17.142982.Boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View NotesNotes: 1)Tape Flip After "Lazy River Road" (No Music Missed On Next Song "Eternity") 2)Tape Flip During Drums.
Transferrer: Pete Ebel
2:49:06
Transferrer:
Pete Ebel
SHNID:
gd1995-03-17.141179.FOB-BK4011.ebel.flac1644
Source:
<b/>flac16/44.1</b> Source Info:FOB B&K 4011-> DATTransfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * Set #2 is Seamless
Taper: Greg Holtz
2:50:49
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1995-03-17.nak300.holtz.jaz.92087.flac16
Source:
Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz
Lineage:
Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain, 16/44.1kHz-> Traders Little Helper, flac8
Taper Notes:
View NotesNote: * Weir on acoustic
Taper: John Bleich
2:46:04
Taper:
John Bleich
Transferrer:
B. Green
SHNID:
gd1995-03-17.aud.bleich.91840.flac16
Source:
Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
Taper Notes:
View Notes------------------------------------------------------- Notes: - This is a nice source of this show. There is some sporadic over saturation in the low end that I've done my best to attenuate. All tape flips are cross faded,EQ and plugins added to flavor. - Huge Thanks to John "the wild man" Bleich for supplying his source tapes - Transfer and edit by Bgreen
Transferrer: Paul B. and Candyman
2:45:42
Rating:
6.50 / 8 ratings
Transferrer:
Paul B. and Candyman
SHNID:
gd95-03-17.schoeps.13400.sbeok.shnf
Source:
Audience: Schoeps MK4's
Lineage:
Schoeps MK4's > DAT > CDR > EAC 0.9 beta 4 > Soundforge 5 (dropout repair) > CD Wave > SHN
Taper Notes:
View NotesMinor to moderate crowd intrusiveness. Fairly decent audience recording considering the venue. d1t01 - beginning of Here Comes Sunshine missing. d3t02 - SOTM d/o @ 03:45. D2>D3 transition restored to seamlessness.
Taper: Mark Van Blunk
2:43:57
Taper:
Mark Van Blunk
Transferrer:
Mark Van Blunk
SHNID:
gd-1995-03-17MVBtapes
Source:
Senheizer 421 mics> Sony D5 Master Analog Cassette 2 x Maxell MX-90
Lineage:
Master Analog Cassette playback on Sony D5>CDR> Windows Media Player FLAC Level 8.
Transferrer: James Toland
1:10:02
Transferrer:
James Toland
SHNID:
gd1995-03-17.sndchk.fm.toland.1366.shnf
Source:
FM Analog>DAT>Macromedia Sound Edit>SHN
Taper Notes:
View NotesThis recording, until now, was coveted by only 4 tapers that I know of. It was recorded using a portable boom box with a FM radio. The band was using a low frequency FM signal to power the monitors. What we have here is Phil's signal intercepted by our Boom box! It was then mastered to DAT. Enjoy this rare treat, take notice of the banter between band members and sound people. It will give you a glimps of the dynamics of the worlds greatest band! FM Analog>DAT>Macromedia Sound Edit>SHN Track 1-10 are all different takes of Unbroken Chain. It was debuted that very night for the first time ever! Enjoy James Toland [email protected] Additional comments from Cosmic Chuck [email protected]: > The soundcheck did get around during the late spring of that tour, and > of course I have an analog tape of it (high gen and lots of hiss). I > was specifically told to wait at least a number of months before I could > trade it in my area (sometimes us tapers have particular rules that are > forced upon us, although I have gotten a few jems that had these > "restrictions"). > > As for the banter between the band members, rumour has it (from a > reliable personal friend and dead productions source, whose name I can > not reveal) that Phil pushed very hard to get Unbroken Chain out during > this Philly run. A bunch of the band members were disappointed with > Jerry at that time due to his "getting" back on the train (heroin), and > his lackluster performance during the rehearsals and you can actually > hear hardly any jerry during that recording (yeah, I know it was Phil's > monitor mix).