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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1995
3/17/95
Here Comes Sunshine
6:47
Wang Dang Doodle
6:17
Peggy-O
2:01
tuning
7:48
Queen Jane Approximately
7:41
Lazy River Road
6:45
tuning
2:27
Eternity *
9:40
Loose Lucy
7:21
China Cat Sunflower ->
6:15
I Know You Rider
5:36
Samba in the Rain->
7:26
Truckin' ->
9:35
New Speedway Boogie->
12:36
Drums ->
13:50
Space ->
19:52
All Along the Watchtower->
9:03
Standing on the Moon->
8:32
Sugar Magnolia
8:12
encore break
1:05
Lucy In The Sky With Diamonds
7:54
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:44:17
SBD
Rating:
7.67 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1995-03-17.sbd.miller.97658.flac16
Source:
SBD -> Dat -> Cassette Master -> Dat
Lineage:
Dat-> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- There is some occasional quiet static from the master Dat
Transferrer: Dolphinmile Production
2:44:27
SBD
Transferrer:
Dolphinmile Production
SHNID:
gd1995-03-17.150765.dsbd.dolphinsmile.flac1648
Source:
DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8
Transferrer: Marc Pujol
42:20
SBD
Rating:
7.43 / 8 ratings
Transferrer:
Marc Pujol
SHNID:
gd95-03-17.soundcheck.sbd.17951.sbeok.shnf
Source:
Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Taper Notes:
View NotesRehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Source 4 of 12
2:44:14
SBD
Rating:
6.44 / 10 ratings
SHNID:
gd95-03-17.sbd.16057.sbeok.shnf
Source:
Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN.Secondary audience source (Schoeps MK4) used for drums > space.This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamles
Taper Notes:
View NotesSources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
Taper: Ray Ackerman
2:46:43
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1995-03-17.141505.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesPatch info: - shnid 92087 (Nakamichi CM-300 CP-4) supplies - s1t01; start - 1:30 Notes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - Grateful to Greg Holtz for providing the patch source - features Weir on acoustic guitar
Taper: Dave Boedicker
2:48:58
Rating:
8.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1995-03-17.142982.Boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View NotesNotes: 1)Tape Flip After "Lazy River Road" (No Music Missed On Next Song "Eternity") 2)Tape Flip During Drums.
Transferrer: Pete Ebel
2:49:06
Transferrer:
Pete Ebel
SHNID:
gd1995-03-17.141179.FOB-BK4011.ebel.flac1644
Source:
<b/>flac16/44.1</b> Source Info:FOB B&K 4011-> DATTransfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * Set #2 is Seamless
Taper: Greg Holtz
2:50:49
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1995-03-17.nak300.holtz.jaz.92087.flac16
Source:
Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz
Lineage:
Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain, 16/44.1kHz-> Traders Little Helper, flac8
Taper Notes:
View NotesNote: * Weir on acoustic
Taper: John Bleich
2:46:04
Taper:
John Bleich
Transferrer:
B. Green
SHNID:
gd1995-03-17.aud.bleich.91840.flac16
Source:
Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
Taper Notes:
View Notes------------------------------------------------------- Notes: - This is a nice source of this show. There is some sporadic over saturation in the low end that I've done my best to attenuate. All tape flips are cross faded,EQ and plugins added to flavor. - Huge Thanks to John "the wild man" Bleich for supplying his source tapes - Transfer and edit by Bgreen
Transferrer: Paul B. and Candyman
2:45:42
Rating:
6.50 / 8 ratings
Transferrer:
Paul B. and Candyman
SHNID:
gd95-03-17.schoeps.13400.sbeok.shnf
Source:
Audience: Schoeps MK4's
Lineage:
Schoeps MK4's > DAT > CDR > EAC 0.9 beta 4 > Soundforge 5 (dropout repair) > CD Wave > SHN
Taper Notes:
View NotesMinor to moderate crowd intrusiveness. Fairly decent audience recording considering the venue. d1t01 - beginning of Here Comes Sunshine missing. d3t02 - SOTM d/o @ 03:45. D2>D3 transition restored to seamlessness.
Taper: Mark Van Blunk
2:43:57
Taper:
Mark Van Blunk
Transferrer:
Mark Van Blunk
SHNID:
gd-1995-03-17MVBtapes
Source:
Senheizer 421 mics> Sony D5 Master Analog Cassette 2 x Maxell MX-90
Lineage:
Master Analog Cassette playback on Sony D5>CDR> Windows Media Player FLAC Level 8.
Transferrer: James Toland
1:10:02
Transferrer:
James Toland
SHNID:
gd1995-03-17.sndchk.fm.toland.1366.shnf
Source:
FM Analog>DAT>Macromedia Sound Edit>SHN
Taper Notes:
View NotesThis recording, until now, was coveted by only 4 tapers that I know of. It was recorded using a portable boom box with a FM radio. The band was using a low frequency FM signal to power the monitors. What we have here is Phil's signal intercepted by our Boom box! It was then mastered to DAT. Enjoy this rare treat, take notice of the banter between band members and sound people. It will give you a glimps of the dynamics of the worlds greatest band! FM Analog>DAT>Macromedia Sound Edit>SHN Track 1-10 are all different takes of Unbroken Chain. It was debuted that very night for the first time ever! Enjoy James Toland [email protected] Additional comments from Cosmic Chuck [email protected]: > The soundcheck did get around during the late spring of that tour, and > of course I have an analog tape of it (high gen and lots of hiss). I > was specifically told to wait at least a number of months before I could > trade it in my area (sometimes us tapers have particular rules that are > forced upon us, although I have gotten a few jems that had these > "restrictions"). > > As for the banter between the band members, rumour has it (from a > reliable personal friend and dead productions source, whose name I can > not reveal) that Phil pushed very hard to get Unbroken Chain out during > this Philly run. A bunch of the band members were disappointed with > Jerry at that time due to his "getting" back on the train (heroin), and > his lackluster performance during the rehearsals and you can actually > hear hardly any jerry during that recording (yeah, I know it was Phil's > monitor mix).