Bands
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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1995
Sources
Transferrer: Charlie Miller
2:44:17
SBD
Rating:
7.67 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1995-03-17.sbd.miller.97658.flac16
Source:
SBD -> Dat -> Cassette Master -> Dat
Lineage:
Dat-> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- There is some occasional quiet static from the master Dat
Transferrer: Dolphinmile Production
2:44:27
SBD
Transferrer:
Dolphinmile Production
SHNID:
gd1995-03-17.150765.dsbd.dolphinsmile.flac1648
Source:
DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8
Transferrer: Marc Pujol
42:20
SBD
Rating:
7.43 / 8 ratings
Transferrer:
Marc Pujol
SHNID:
gd95-03-17.soundcheck.sbd.17951.sbeok.shnf
Source:
Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Taper Notes:
View NotesRehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Source 4 of 12
2:44:14
SBD
Rating:
6.44 / 10 ratings
SHNID:
gd95-03-17.sbd.16057.sbeok.shnf
Source:
Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN.Secondary audience source (Schoeps MK4) used for drums > space.This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamles
Taper Notes:
View NotesSources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
Taper: Ray Ackerman
2:46:43
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1995-03-17.141505.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesPatch info: - shnid 92087 (Nakamichi CM-300 CP-4) supplies - s1t01; start - 1:30 Notes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - Grateful to Greg Holtz for providing the patch source - features Weir on acoustic guitar
Taper: Dave Boedicker
2:48:58
Rating:
8.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1995-03-17.142982.Boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View NotesNotes: 1)Tape Flip After "Lazy River Road" (No Music Missed On Next Song "Eternity") 2)Tape Flip During Drums.
Transferrer: Pete Ebel
2:49:06
Transferrer:
Pete Ebel
SHNID:
gd1995-03-17.141179.FOB-BK4011.ebel.flac1644
Source:
<b/>flac16/44.1</b> Source Info:FOB B&K 4011-> DATTransfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * Set #2 is Seamless
Taper: Greg Holtz
2:50:49
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1995-03-17.nak300.holtz.jaz.92087.flac16
Source:
Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz
Lineage:
Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain, 16/44.1kHz-> Traders Little Helper, flac8
Taper Notes:
View NotesNote: * Weir on acoustic
Taper: John Bleich
2:46:04
Taper:
John Bleich
Transferrer:
B. Green
SHNID:
gd1995-03-17.aud.bleich.91840.flac16
Source:
Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
Taper Notes:
View Notes------------------------------------------------------- Notes: - This is a nice source of this show. There is some sporadic over saturation in the low end that I've done my best to attenuate. All tape flips are cross faded,EQ and plugins added to flavor. - Huge Thanks to John "the wild man" Bleich for supplying his source tapes - Transfer and edit by Bgreen
Transferrer: Paul B. and Candyman
2:45:42
Rating:
6.50 / 8 ratings
Transferrer:
Paul B. and Candyman
SHNID:
gd95-03-17.schoeps.13400.sbeok.shnf
Source:
Audience: Schoeps MK4's
Lineage:
Schoeps MK4's > DAT > CDR > EAC 0.9 beta 4 > Soundforge 5 (dropout repair) > CD Wave > SHN
Taper Notes:
View NotesMinor to moderate crowd intrusiveness. Fairly decent audience recording considering the venue. d1t01 - beginning of Here Comes Sunshine missing. d3t02 - SOTM d/o @ 03:45. D2>D3 transition restored to seamlessness.
Taper: Mark Van Blunk
2:43:57
Taper:
Mark Van Blunk
Transferrer:
Mark Van Blunk
SHNID:
gd-1995-03-17MVBtapes
Source:
Senheizer 421 mics> Sony D5 Master Analog Cassette 2 x Maxell MX-90
Lineage:
Master Analog Cassette playback on Sony D5>CDR> Windows Media Player FLAC Level 8.
Transferrer: James Toland
1:10:02
Transferrer:
James Toland
SHNID:
gd1995-03-17.sndchk.fm.toland.1366.shnf
Source:
FM Analog>DAT>Macromedia Sound Edit>SHN
Taper Notes:
View NotesThis recording, until now, was coveted by only 4 tapers that I know of. It was recorded using a portable boom box with a FM radio. The band was using a low frequency FM signal to power the monitors. What we have here is Phil's signal intercepted by our Boom box! It was then mastered to DAT. Enjoy this rare treat, take notice of the banter between band members and sound people. It will give you a glimps of the dynamics of the worlds greatest band! FM Analog>DAT>Macromedia Sound Edit>SHN Track 1-10 are all different takes of Unbroken Chain. It was debuted that very night for the first time ever! Enjoy James Toland [email protected] Additional comments from Cosmic Chuck [email protected]: > The soundcheck did get around during the late spring of that tour, and > of course I have an analog tape of it (high gen and lots of hiss). I > was specifically told to wait at least a number of months before I could > trade it in my area (sometimes us tapers have particular rules that are > forced upon us, although I have gotten a few jems that had these > "restrictions"). > > As for the banter between the band members, rumour has it (from a > reliable personal friend and dead productions source, whose name I can > not reveal) that Phil pushed very hard to get Unbroken Chain out during > this Philly run. A bunch of the band members were disappointed with > Jerry at that time due to his "getting" back on the train (heroin), and > his lackluster performance during the rehearsals and you can actually > hear hardly any jerry during that recording (yeah, I know it was Phil's > monitor mix).