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June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h893126
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h51874
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.4k724
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.4k847
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.8k370
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3k372
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k152
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.4k267
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85195
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k224
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k158
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k174
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k219
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k291
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k561
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.6k344
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.3k593
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79066
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k552
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k629
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k434
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k234
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.5k988
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.7k464
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41549
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9214
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1995
3/17/95
Phil practices base line by himself
2:01
it would really help to have Vinny here...Bob did you give that disc to Steve?
0:32
mostly dead air, drummers start to come in
2:19
Phil, Vince, and drummers practice
1:46
Phil gives directions
0:09
Vince- Let me here the groove of the body of the song
0:06
Phil to Bobby -I want to do it in Philadelphia MAN
0:20
Let's do the verses from A-Minor C - Take 1
0:30
more from the A-minor C - Take 2
2:24
Phil - That tempo is too fast
0:38
next take from same spot - Take 3
0:32
Phil - If I have to go lookin fo famila fafes
1:04
Take 4
3:43
Vince -Is there one of those elevens at the end of the threes
0:16
Phil counts out the changes
2:29
Learning the part after the first verse
2:15
Vince - Where in the bar are you starting that three
3:13
Back to the intro - Take 1
0:53
intro - Take 2
1:20
intro - Take 3 - Phil explains the timing
1:45
Phil works with Steve on the tele-prompter
0:27
Well then get your God damn earphones tunred up man
0:33
Take 4 intro - whole song
5:59
Phil explains ending
0:44
Ending - Take 2
0:47
What are the stumbling blocks -- Jerry - Not Knowing It
0:43
Let's do something else for a while
0:52
Here Comes Sunshine - Take 1
1:11
Here Comes Sunshine - Take 2
2:49
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:44:17
SBD
Rating:
7.67 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1995-03-17.sbd.miller.97658.flac16
Source:
SBD -> Dat -> Cassette Master -> Dat
Lineage:
Dat-> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- There is some occasional quiet static from the master Dat
Transferrer: Dolphinmile Production
2:44:27
SBD
Transferrer:
Dolphinmile Production
SHNID:
gd1995-03-17.150765.dsbd.dolphinsmile.flac1648
Source:
DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8
Transferrer: Marc Pujol
42:20
SBD
Rating:
7.43 / 8 ratings
Transferrer:
Marc Pujol
SHNID:
gd95-03-17.soundcheck.sbd.17951.sbeok.shnf
Source:
Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Taper Notes:
View NotesRehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Source 4 of 12
2:44:14
SBD
Rating:
6.44 / 10 ratings
SHNID:
gd95-03-17.sbd.16057.sbeok.shnf
Source:
Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN.Secondary audience source (Schoeps MK4) used for drums > space.This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamles
Taper Notes:
View NotesSources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
Taper: Ray Ackerman
2:46:43
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1995-03-17.141505.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesPatch info: - shnid 92087 (Nakamichi CM-300 CP-4) supplies - s1t01; start - 1:30 Notes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - Grateful to Greg Holtz for providing the patch source - features Weir on acoustic guitar
Taper: Dave Boedicker
2:48:58
Rating:
8.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1995-03-17.142982.Boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View NotesNotes: 1)Tape Flip After "Lazy River Road" (No Music Missed On Next Song "Eternity") 2)Tape Flip During Drums.
Transferrer: Pete Ebel
2:49:06
Transferrer:
Pete Ebel
SHNID:
gd1995-03-17.141179.FOB-BK4011.ebel.flac1644
Source:
<b/>flac16/44.1</b> Source Info:FOB B&K 4011-> DATTransfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * Set #2 is Seamless
Taper: Greg Holtz
2:50:49
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1995-03-17.nak300.holtz.jaz.92087.flac16
Source:
Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz
Lineage:
Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain, 16/44.1kHz-> Traders Little Helper, flac8
Taper Notes:
View NotesNote: * Weir on acoustic
Taper: John Bleich
2:46:04
Taper:
John Bleich
Transferrer:
B. Green
SHNID:
gd1995-03-17.aud.bleich.91840.flac16
Source:
Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
Taper Notes:
View Notes------------------------------------------------------- Notes: - This is a nice source of this show. There is some sporadic over saturation in the low end that I've done my best to attenuate. All tape flips are cross faded,EQ and plugins added to flavor. - Huge Thanks to John "the wild man" Bleich for supplying his source tapes - Transfer and edit by Bgreen
Transferrer: Paul B. and Candyman
2:45:42
Rating:
6.50 / 8 ratings
Transferrer:
Paul B. and Candyman
SHNID:
gd95-03-17.schoeps.13400.sbeok.shnf
Source:
Audience: Schoeps MK4's
Lineage:
Schoeps MK4's > DAT > CDR > EAC 0.9 beta 4 > Soundforge 5 (dropout repair) > CD Wave > SHN
Taper Notes:
View NotesMinor to moderate crowd intrusiveness. Fairly decent audience recording considering the venue. d1t01 - beginning of Here Comes Sunshine missing. d3t02 - SOTM d/o @ 03:45. D2>D3 transition restored to seamlessness.
Taper: Mark Van Blunk
2:43:57
Taper:
Mark Van Blunk
Transferrer:
Mark Van Blunk
SHNID:
gd-1995-03-17MVBtapes
Source:
Senheizer 421 mics> Sony D5 Master Analog Cassette 2 x Maxell MX-90
Lineage:
Master Analog Cassette playback on Sony D5>CDR> Windows Media Player FLAC Level 8.
Transferrer: James Toland
1:10:02
Transferrer:
James Toland
SHNID:
gd1995-03-17.sndchk.fm.toland.1366.shnf
Source:
FM Analog>DAT>Macromedia Sound Edit>SHN
Taper Notes:
View NotesThis recording, until now, was coveted by only 4 tapers that I know of. It was recorded using a portable boom box with a FM radio. The band was using a low frequency FM signal to power the monitors. What we have here is Phil's signal intercepted by our Boom box! It was then mastered to DAT. Enjoy this rare treat, take notice of the banter between band members and sound people. It will give you a glimps of the dynamics of the worlds greatest band! FM Analog>DAT>Macromedia Sound Edit>SHN Track 1-10 are all different takes of Unbroken Chain. It was debuted that very night for the first time ever! Enjoy James Toland [email protected] Additional comments from Cosmic Chuck [email protected]: > The soundcheck did get around during the late spring of that tour, and > of course I have an analog tape of it (high gen and lots of hiss). I > was specifically told to wait at least a number of months before I could > trade it in my area (sometimes us tapers have particular rules that are > forced upon us, although I have gotten a few jems that had these > "restrictions"). > > As for the banter between the band members, rumour has it (from a > reliable personal friend and dead productions source, whose name I can > not reveal) that Phil pushed very hard to get Unbroken Chain out during > this Philly run. A bunch of the band members were disappointed with > Jerry at that time due to his "getting" back on the train (heroin), and > his lackluster performance during the rehearsals and you can actually > hear hardly any jerry during that recording (yeah, I know it was Phil's > monitor mix).