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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h47665
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k381
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k311
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k372
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k382
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k354
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k163
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.6k957
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h971110
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.8k325
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k562
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k229
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k985
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k199
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k248
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.9k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.7k467
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k375
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k176
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k268
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h832102
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12118
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22017
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1995
Sources
Transferrer: Charlie Miller
2:44:17
SBD
Rating:
7.67 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1995-03-17.sbd.miller.97658.flac16
Source:
SBD -> Dat -> Cassette Master -> Dat
Lineage:
Dat-> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- There is some occasional quiet static from the master Dat
Transferrer: Dolphinmile Production
2:44:27
SBD
Transferrer:
Dolphinmile Production
SHNID:
gd1995-03-17.150765.dsbd.dolphinsmile.flac1648
Source:
DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8
Transferrer: Marc Pujol
42:20
SBD
Rating:
7.43 / 8 ratings
Transferrer:
Marc Pujol
SHNID:
gd95-03-17.soundcheck.sbd.17951.sbeok.shnf
Source:
Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Taper Notes:
View NotesRehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
Source 4 of 12
2:44:14
SBD
Rating:
6.44 / 10 ratings
SHNID:
gd95-03-17.sbd.16057.sbeok.shnf
Source:
Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN.Secondary audience source (Schoeps MK4) used for drums > space.This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamles
Taper Notes:
View NotesSources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
Taper: Ray Ackerman
2:46:43
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1995-03-17.141505.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesPatch info: - shnid 92087 (Nakamichi CM-300 CP-4) supplies - s1t01; start - 1:30 Notes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - Grateful to Greg Holtz for providing the patch source - features Weir on acoustic guitar
Taper: Dave Boedicker
2:48:58
Rating:
8.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1995-03-17.142982.Boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View NotesNotes: 1)Tape Flip After "Lazy River Road" (No Music Missed On Next Song "Eternity") 2)Tape Flip During Drums.
Transferrer: Pete Ebel
2:49:06
Transferrer:
Pete Ebel
SHNID:
gd1995-03-17.141179.FOB-BK4011.ebel.flac1644
Source:
<b/>flac16/44.1</b> Source Info:FOB B&K 4011-> DATTransfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * Set #2 is Seamless
Taper: Greg Holtz
2:50:49
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1995-03-17.nak300.holtz.jaz.92087.flac16
Source:
Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz
Lineage:
Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain, 16/44.1kHz-> Traders Little Helper, flac8
Taper Notes:
View NotesNote: * Weir on acoustic
Taper: John Bleich
2:46:04
Taper:
John Bleich
Transferrer:
B. Green
SHNID:
gd1995-03-17.aud.bleich.91840.flac16
Source:
Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
Taper Notes:
View Notes------------------------------------------------------- Notes: - This is a nice source of this show. There is some sporadic over saturation in the low end that I've done my best to attenuate. All tape flips are cross faded,EQ and plugins added to flavor. - Huge Thanks to John "the wild man" Bleich for supplying his source tapes - Transfer and edit by Bgreen
Transferrer: Paul B. and Candyman
2:45:42
Rating:
6.50 / 8 ratings
Transferrer:
Paul B. and Candyman
SHNID:
gd95-03-17.schoeps.13400.sbeok.shnf
Source:
Audience: Schoeps MK4's
Lineage:
Schoeps MK4's > DAT > CDR > EAC 0.9 beta 4 > Soundforge 5 (dropout repair) > CD Wave > SHN
Taper Notes:
View NotesMinor to moderate crowd intrusiveness. Fairly decent audience recording considering the venue. d1t01 - beginning of Here Comes Sunshine missing. d3t02 - SOTM d/o @ 03:45. D2>D3 transition restored to seamlessness.
Taper: Mark Van Blunk
2:43:57
Taper:
Mark Van Blunk
Transferrer:
Mark Van Blunk
SHNID:
gd-1995-03-17MVBtapes
Source:
Senheizer 421 mics> Sony D5 Master Analog Cassette 2 x Maxell MX-90
Lineage:
Master Analog Cassette playback on Sony D5>CDR> Windows Media Player FLAC Level 8.
Transferrer: James Toland
1:10:02
Transferrer:
James Toland
SHNID:
gd1995-03-17.sndchk.fm.toland.1366.shnf
Source:
FM Analog>DAT>Macromedia Sound Edit>SHN
Taper Notes:
View NotesThis recording, until now, was coveted by only 4 tapers that I know of. It was recorded using a portable boom box with a FM radio. The band was using a low frequency FM signal to power the monitors. What we have here is Phil's signal intercepted by our Boom box! It was then mastered to DAT. Enjoy this rare treat, take notice of the banter between band members and sound people. It will give you a glimps of the dynamics of the worlds greatest band! FM Analog>DAT>Macromedia Sound Edit>SHN Track 1-10 are all different takes of Unbroken Chain. It was debuted that very night for the first time ever! Enjoy James Toland [email protected] Additional comments from Cosmic Chuck [email protected]: > The soundcheck did get around during the late spring of that tour, and > of course I have an analog tape of it (high gen and lots of hiss). I > was specifically told to wait at least a number of months before I could > trade it in my area (sometimes us tapers have particular rules that are > forced upon us, although I have gotten a few jems that had these > "restrictions"). > > As for the banter between the band members, rumour has it (from a > reliable personal friend and dead productions source, whose name I can > not reveal) that Phil pushed very hard to get Unbroken Chain out during > this Philly run. A bunch of the band members were disappointed with > Jerry at that time due to his "getting" back on the train (heroin), and > his lackluster performance during the rehearsals and you can actually > hear hardly any jerry during that recording (yeah, I know it was Phil's > monitor mix).