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June 14th
Years
1995
30.1k
PlaybackListensHours
48h53071
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.6k268
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k359
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k561
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h4k523
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k395
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k379
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k173
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8k968
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k126
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.8k210
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.7k655
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k190
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k199
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k235
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.1k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k255
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k277
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.7k2k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40542
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k519
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k714
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k379
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k208
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k221
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k208
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h54368
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14220
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33224
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h302
7d1037
30d62737
2 shows
2 tapes
1994
9/29/94
Hell In A Bucket
6:16
Peggy-O
7:05
Wang Dang Doodle
6:44
Ramble On Rose
9:13
When I Paint My Masterpiece
6:00
Brown Eyed Women
7:12
Let It Grow
13:03
Playing In The Band
8:23
Eyes Of The World
16:12
Estimated Prophet
12:33
He's Gone
12:45
Drums
15:35
Space
6:44
Spanish Jam
4:33
The Other One
8:35
Wharf Rat
12:16
Sugar Magnolia
9:16
I Fought The Law
3:15
FIN
View on archive.org
Sources
Transferrer: Matrix by Roger Eichorn
2:54:49
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1994-09-29.125635.mtx.eichorn.sbeok.t-flac16
Source:
Matrix Source 1: Dsbd>D>C>D>CD, Source 2: (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz);
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav and Source 3: Taper Dave Minor; Source: PMB Microphones (German)(1) > Sony D7 @ 48k; Transfer 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - It's all about the second set with this one. Gotta love the "Eyes." Real laid back. And the "Other One." Not laid back at all. Technical Notes: This matrix was extremely difficult to make. The soundboard source is riddled with serious problems. First, it's slow. Second, the speed fluctuates throughout both sets. Finally, in a number of places the audio jumps *back* and repeats the same section. These jumps can be small: after "Hell In a Bucket," the source repeats a single second. Or they can be more substantial: during "Brown-Eyed Women," the source repeats about 42 seconds of the guitar solo; and during "Drums," the source repeats about a minute (an extremely difficult-to-locate minute, I might add). All of this means that I had to put *a lot* of work into this matrix, in particular in trying to sync the SBD source with the AUD sources. (Both of the AUD sources were virtually identical, speed-wise.) The result is far from perfect, but it's the best I can do at present. Despite my many hours of fine-tuning, the speed-fluctation in the SBD source is still audible, especially if you listen for it. I urge you *not* to listen for it. - The sources were remastered and mixed in Logic Pro 9. Final mastering and clean-up was done in iZotope RX 2 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - The SBD source was split into numerous sub-sections, each of which was speed- and pitch-corrected individually using the iZotope Radius alogithim (via Adobe Audition). The corrections range from +0.11% to +0.37%. Much further fine-tune syncing was done in Logic Pro 9. - The SBD source is missing approximately 10 seconds of "Space." - A few digital artifacts remain. They proved resistant to my considerable charms. Nothing too bad, though. The vast majority of the little 'pops' you might notice are actually clapping (from the Sobel source). - I ran Set 2 of the Pujol source through iZotope RX's Declip function prior to remastering it. - I resampled the Sobel source from 48kHz to 44.1kHz using iZotope RX. Roger Eichorn [email protected] September 6, 2013
Source 2 of 10
2:45:40
SBD
Rating:
8.82 / 18 ratings
SHNID:
gd94-09-29.sbd.larson.12100.sbeok.shnf
Source:
Dsbd>D>C>D>CD
Taper Notes:
View NotesDsbd>D>C>D>CD; Seeded to etree by Chris Larson
Transferrer: Nick Georges
5:24:33
SBD
Transferrer:
Nick Georges
Source:
M:D>dick latvala's cass>D>cooledit>cdwav>shn
Taper Notes:
View NotesSolid show. Very juicy Eyes, slower than normal.
Taper: Dan Rogosa
2:50:36
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1994-09-29.152490.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesComments - Acoustic Weir @ Thanks to Dan Rogosa for providing his recording. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick May 2021
Taper: Rich Gastwirt
1:52:03
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1994-09-29.140241.FOB.s2.Schoeps.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller
Lineage:
DAT > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #96403 (Schoeps mk4) - s2t10; 3:07 - 3:18 Notes: - the first set suffered from water damage & didn't make the cut :(. - Set two did not suffer the same ill fate. Very minor static in the first few minutes. - a beautiful moment in a dark place.
Taper: Ace Cubby and Carrion Crow
2:56:07
Taper:
Ace Cubby and Carrion Crow
Transferrer:
Jason Sobel
SHNID:
gd1994-09-29.fob.schoeps.crow-cubby.sobel.96403.flac1648
Source:
(FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz). Recorded from the floor, section CC, row 17, seats 1 and 2, mics were located in seat next to center aisle.
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav
Taper Notes:
View Notes** 48 Khz sources cannot be burned to CD-ROM without conversion to 44.1 Khz
Taper: Carrion Crow (hat) and Ace Cubby (levels)
2:54:57
Taper:
Carrion Crow (hat) and Ace Cubby (levels)
Transferrer:
Jason Sobel
SHNID:
gd1994-09-29.fob.schoeps.carrioncrow-cubby.sobel.84947.flac16
Source:
(FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz)
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8)
Taper Notes:
View Notesnotes: Recorded from the floor, section CC, row 17, seats 1 and 2, mics were located in seat next to center aisle The original 48 kHz .wav files from the DAT transfer have been archived, and are available upon request.
Taper: Dave Flaschner
2:55:07
Taper:
Dave Flaschner
Transferrer:
Jason Sobel
SHNID:
gd1994-09-29.akg460.flaschner.sobel.83297.flac16
Source:
AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz)
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8)
Taper Notes:
View Notesnotes: The original DAT recording was made with pre-emphasis. The Waves Q10 Paragraphic EQ v5.0 plug-in was used to de-emphasize the recording. The original 48 kHz .wav files from the DAT transfer have been archived, and are available upon request. Big thanks to Dave for letting me borrow the master DAT tape! * Bob on acoustic
Taper: Dave Minor
2:51:25
Rating:
9.20 / 5 ratings
Taper:
Dave Minor
Transferrer:
Marc Pujol
SHNID:
gd94-09-29.pmb.pujol.15078.sbeok.shnf
Source:
Audience: PMB Microphones
Lineage:
PMB Mics > Sony D7 > Sony PCM-R300 > Monster S/PDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, resample) > CD Wave (splits) > shntool > mkwACT > SHN (seekable)
Taper Notes:
View Notes"PMB mics were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic. They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days."
Transferrer: Nick Georges
2:57:57
Transferrer:
Nick Georges
Lineage:
DAT clone > PCM-M1 > Edirol UA-5 > CE2K > CD-WAV > MKW-Act