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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1994
3/21/94
01 - Greatest Story Ever Told >
3:43
02 - Bertha
8:53
03 - The Same Thing
7:20
04 - Peggy-O
7:23
05 - Queen Jane Approximately
6:12
06 - West L.A. Fadeaway
7:22
07 - Eternity >
12:12
08 - Tennessee Jed
7:31
09 - Picasso Moon >
7:08
10 - New Speedway Boogie >
7:49
11 - Victim Or The Crime >
9:28
12 - He's Gone >
23:49
13 - Drums >
12:32
14 - Space >
12:15
15 - Turn On Your Lovelight >
5:19
16 - Stella Blue >
8:10
17 - Turn On Your Lovelight
3:13
18 - Liberty
8:00
FIN
View on archive.org
Sources
Taper: Tapes made for Vince Welnick by Dick Latvala
2:38:19
SBD
Rating:
9.00 / 2 ratings
Taper:
Tapes made for Vince Welnick by Dick Latvala
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 15, 2022
SHNID:
gd1994-03-21.158173.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes made for Vince Welnick by Dick Latvala -- Thanks to David Beckwith for supplying the tapes -- Thanks to Mike Babyak for his input on this project -- Thanks to Scott Clugston for doing the pitch correction -- This is 158160 2496 > 1644
Taper: Tapes made for Vince Welnick by Dick Latvala, supplied by David Beckwith
2:38:20
SBD
Taper:
Tapes made for Vince Welnick by Dick Latvala, supplied by David Beckwith
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 15, 2022
SHNID:
gd1994-03-21.158160.sbd.miller.flac2448
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes made for Vince Welnick by Dick Latvala -- Thanks to David Beckwith for supplying the tapes -- Thanks to Mike Babyak for his input on this project -- Thanks to Scott Clugston for doing the pitch correction
Taper: Jim Wise
1:39:07
SBD
Rating:
10.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1994-03-21.140296.set2.dsbd.wise.miller.clugston.flac1644
Source:
Master Soundboard Dat > Dat
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the Dat source and the transfer - Thanks to Charlie Miller for coordinating this effort - The 2nd set of the soundboard in general circulation (shnid6258) has a cassette generation - Thanks to the folks responsible for the shnid110568 B&K 4011 source which supplies the "Encore Break" as well as the "Liberty" encore - "He's Gone" (including Jam) clocks in at 23:50 Mastered by Scott Clugston 12/19/17
Transferrer: Matrix by Roger Eichorn
2:44:05
SBD
Rating:
7.00 / 5 ratings
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1994-03-21.125739.mtx.eichorn.sbeok.t-flac16
Source:
Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Lineage:
DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - Stella Blue, Stella Blue, STELLA BLUE!!! (The first set is pretty good, too. "Bertha, Bertha -- OH MY GOD!" Hilarious. We learn the rest of the story after the song: apparently he'd been on tour for some time and had never heard a Bertha. Good for him!) Technical Notes: - The sources were remastered and mixed in Logic Pro 9. A bunch of clean-up was done, at various stages, using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Conversions to and from .flac and .wav were done using dbPowerAmp. - The SBD source is missing a small portion of "Drums" as well as the encore. - The SBD source is weird. The first set is nearly perfect (esp. in terms of speed), but the second set has numerous problems. First of all, it's slow -- indeed, it's progressively slow as the set goes on. It starts out around 1% slow and ends up about 2% slow. This might not sound like a lot, but it is. I mention this especially because the undisputed highlight of the show is the Stella Blue. But the Stella Blue appears late in the second set, which means that the SBD source is nearly 2% slow during that track. In other words, any of you out there who have, like me, listened to this version of Stella many, many times, we've always been hearing it slow. Now, unless we have perfect pitch, we've never listened to it and thought, "Boy, that sure is slow!" But it sounds *even better* heard at the proper speed, whether or not you have perfect pitch. For this reason alone, I think this matrix is a serious upgrade over the SBD copy. - Another problem with the SBD: the second set is noisy. There's harsh hiss and crackling throughout. It's especially noticeable during any quiet parts. I tried to tame it where I could, but it seems that these problems came out of the SBD that night (since you can hear them in the AUD copy). So they're not artifacts of a faulty transfer, and they're pretty much impossible to get rid of entirely (if you're me, at least). - For the first set, I slowed the AUD source down by 0.01% using the iZotope Radius algorithm. For the second set, I split it into small sections and speed- and pitch-corrected them all individually. Further fine-tune syncing was done in Logic Pro 9. Roger Eichorn [email protected] September 23, 2013
Source 5 of 7
2:44:51
SBD
Rating:
8.16 / 50 ratings
SHNID:
gd94-03-21.sbd.ladner.6258.sbeok.shnf
Source:
SBD > DAT > CDR > SHNv3
Taper Notes:
View NotesSBD > DAT > CDR > SHNv3; via johnathan miller, candyman
Taper: Dave Boedicker
2:45:26
Rating:
10.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1994-03-21.130919.boedicker.flac16
Source:
Sony WM-D6C Cassette Deck>Cassette Master>Nakamichi 300 Micsd W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View Notes1)Quality IS About A Or A-(Subjective Of Course).Samples Included.I Thought The Sound Was Better This Night Than The Previous Night.Better Performance Also. 2)Tape Flip After "Queen jane Approximately"(No Music missed On Next Song "West LA Fadeaway". 3)Tape Flip During "Drums" Enjoy!!!!
Taper: Alan Schmit
2:44:51
Rating:
9.00 / 3 ratings
Taper:
Alan Schmit
Transferrer:
Terry Watts
SHNID:
gd1994-03-21.110568.bk.schmit.sbeok.flac16
Source:
Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Lineage:
DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts