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Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1994
9/29/94
Hell In A Bucket
6:23
Hell In A Bucket
6:23
Peggy-O
6:52
Peggy-O
6:52
Wang Dang Doodle
6:40
Wang Dang Doodle
6:40
Ramble On Rose
9:22
Ramble On Rose
9:22
When I Paint My Masterpiece
6:01
When I Paint My Masterpiece
6:02
Brown Eyed Women
6:29
Brown Eyed Women
6:29
Let It Grow
13:01
Let It Grow
13:01
Playin\' in the Band -\>
8:27
Playin' in the Band ->
8:27
Eyes Of The World -\>
16:14
Eyes Of The World ->
16:14
Estimated Prophet -\>
6:28
Estimated Prophet ->
12:31
He\'s Gone -\>
12:53
He's Gone ->
12:54
Drums -\>
13:31
Drums ->
13:31
Space -\>
9:35
Space ->
9:35
Spanish Jam -\>
4:06
Spanish Jam ->
4:06
The Other One -\>
8:41
The Other One ->
8:41
Wharf Rat -\>
12:01
Wharf Rat ->
12:01
Sugar Magnolia
9:18
Sugar Magnolia
9:19
I Fought The Law
3:10
I Fought The Law
3:13
FIN
View on archive.org
Sources
Transferrer: Matrix by Roger Eichorn
2:54:49
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1994-09-29.125635.mtx.eichorn.sbeok.t-flac16
Source:
Matrix Source 1: Dsbd>D>C>D>CD, Source 2: (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz);
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav and Source 3: Taper Dave Minor; Source: PMB Microphones (German)(1) > Sony D7 @ 48k; Transfer 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - It's all about the second set with this one. Gotta love the "Eyes." Real laid back. And the "Other One." Not laid back at all. Technical Notes: This matrix was extremely difficult to make. The soundboard source is riddled with serious problems. First, it's slow. Second, the speed fluctuates throughout both sets. Finally, in a number of places the audio jumps *back* and repeats the same section. These jumps can be small: after "Hell In a Bucket," the source repeats a single second. Or they can be more substantial: during "Brown-Eyed Women," the source repeats about 42 seconds of the guitar solo; and during "Drums," the source repeats about a minute (an extremely difficult-to-locate minute, I might add). All of this means that I had to put *a lot* of work into this matrix, in particular in trying to sync the SBD source with the AUD sources. (Both of the AUD sources were virtually identical, speed-wise.) The result is far from perfect, but it's the best I can do at present. Despite my many hours of fine-tuning, the speed-fluctation in the SBD source is still audible, especially if you listen for it. I urge you *not* to listen for it. - The sources were remastered and mixed in Logic Pro 9. Final mastering and clean-up was done in iZotope RX 2 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - The SBD source was split into numerous sub-sections, each of which was speed- and pitch-corrected individually using the iZotope Radius alogithim (via Adobe Audition). The corrections range from +0.11% to +0.37%. Much further fine-tune syncing was done in Logic Pro 9. - The SBD source is missing approximately 10 seconds of "Space." - A few digital artifacts remain. They proved resistant to my considerable charms. Nothing too bad, though. The vast majority of the little 'pops' you might notice are actually clapping (from the Sobel source). - I ran Set 2 of the Pujol source through iZotope RX's Declip function prior to remastering it. - I resampled the Sobel source from 48kHz to 44.1kHz using iZotope RX. Roger Eichorn [email protected] September 6, 2013
Source 2 of 10
2:45:40
SBD
Rating:
8.82 / 18 ratings
SHNID:
gd94-09-29.sbd.larson.12100.sbeok.shnf
Source:
Dsbd>D>C>D>CD
Taper Notes:
View NotesDsbd>D>C>D>CD; Seeded to etree by Chris Larson
Transferrer: Nick Georges
5:24:33
SBD
Transferrer:
Nick Georges
Source:
M:D>dick latvala's cass>D>cooledit>cdwav>shn
Taper Notes:
View NotesSolid show. Very juicy Eyes, slower than normal.
Taper: Dan Rogosa
2:50:36
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1994-09-29.152490.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesComments - Acoustic Weir @ Thanks to Dan Rogosa for providing his recording. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick May 2021
Taper: Rich Gastwirt
1:52:03
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1994-09-29.140241.FOB.s2.Schoeps.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller
Lineage:
DAT > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #96403 (Schoeps mk4) - s2t10; 3:07 - 3:18 Notes: - the first set suffered from water damage & didn't make the cut :(. - Set two did not suffer the same ill fate. Very minor static in the first few minutes. - a beautiful moment in a dark place.
Taper: Ace Cubby and Carrion Crow
2:56:07
Taper:
Ace Cubby and Carrion Crow
Transferrer:
Jason Sobel
SHNID:
gd1994-09-29.fob.schoeps.crow-cubby.sobel.96403.flac1648
Source:
(FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz). Recorded from the floor, section CC, row 17, seats 1 and 2, mics were located in seat next to center aisle.
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav
Taper Notes:
View Notes** 48 Khz sources cannot be burned to CD-ROM without conversion to 44.1 Khz
Taper: Carrion Crow (hat) and Ace Cubby (levels)
2:54:57
Taper:
Carrion Crow (hat) and Ace Cubby (levels)
Transferrer:
Jason Sobel
SHNID:
gd1994-09-29.fob.schoeps.carrioncrow-cubby.sobel.84947.flac16
Source:
(FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz)
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8)
Taper Notes:
View Notesnotes: Recorded from the floor, section CC, row 17, seats 1 and 2, mics were located in seat next to center aisle The original 48 kHz .wav files from the DAT transfer have been archived, and are available upon request.
Taper: Dave Flaschner
2:55:07
Taper:
Dave Flaschner
Transferrer:
Jason Sobel
SHNID:
gd1994-09-29.akg460.flaschner.sobel.83297.flac16
Source:
AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz)
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8)
Taper Notes:
View Notesnotes: The original DAT recording was made with pre-emphasis. The Waves Q10 Paragraphic EQ v5.0 plug-in was used to de-emphasize the recording. The original 48 kHz .wav files from the DAT transfer have been archived, and are available upon request. Big thanks to Dave for letting me borrow the master DAT tape! * Bob on acoustic
Taper: Dave Minor
2:51:25
Rating:
9.20 / 5 ratings
Taper:
Dave Minor
Transferrer:
Marc Pujol
SHNID:
gd94-09-29.pmb.pujol.15078.sbeok.shnf
Source:
Audience: PMB Microphones
Lineage:
PMB Mics > Sony D7 > Sony PCM-R300 > Monster S/PDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, resample) > CD Wave (splits) > shntool > mkwACT > SHN (seekable)
Taper Notes:
View Notes"PMB mics were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic. They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days."
Transferrer: Nick Georges
2:57:57
Transferrer:
Nick Georges
Lineage:
DAT clone > PCM-M1 > Edirol UA-5 > CE2K > CD-WAV > MKW-Act