RELISTENTOTHE Grateful Dead
Re
1994
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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1994
9/29/94
tuning
0:48
Playing in the Band - >
7:58
Eyes Of The World ->
16:12
Estimated Prophet ->
12:26
He's Gone ->
12:34
Drums ->
15:18
Space ->
7:17
Spanish Jam ->
4:34
The Other One ->
8:42
Wharf Rat ->
12:08
Sugar Magnolia
9:11
encore break
1:41
I Fought the Law
3:14
FIN
View on archive.org
Sources
Transferrer: Matrix by Roger Eichorn
2:54:49
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1994-09-29.125635.mtx.eichorn.sbeok.t-flac16
Source:
Matrix Source 1: Dsbd>D>C>D>CD, Source 2: (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz);
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav and Source 3: Taper Dave Minor; Source: PMB Microphones (German)(1) > Sony D7 @ 48k; Transfer 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - It's all about the second set with this one. Gotta love the "Eyes." Real laid back. And the "Other One." Not laid back at all. Technical Notes: This matrix was extremely difficult to make. The soundboard source is riddled with serious problems. First, it's slow. Second, the speed fluctuates throughout both sets. Finally, in a number of places the audio jumps *back* and repeats the same section. These jumps can be small: after "Hell In a Bucket," the source repeats a single second. Or they can be more substantial: during "Brown-Eyed Women," the source repeats about 42 seconds of the guitar solo; and during "Drums," the source repeats about a minute (an extremely difficult-to-locate minute, I might add). All of this means that I had to put *a lot* of work into this matrix, in particular in trying to sync the SBD source with the AUD sources. (Both of the AUD sources were virtually identical, speed-wise.) The result is far from perfect, but it's the best I can do at present. Despite my many hours of fine-tuning, the speed-fluctation in the SBD source is still audible, especially if you listen for it. I urge you *not* to listen for it. - The sources were remastered and mixed in Logic Pro 9. Final mastering and clean-up was done in iZotope RX 2 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - The SBD source was split into numerous sub-sections, each of which was speed- and pitch-corrected individually using the iZotope Radius alogithim (via Adobe Audition). The corrections range from +0.11% to +0.37%. Much further fine-tune syncing was done in Logic Pro 9. - The SBD source is missing approximately 10 seconds of "Space." - A few digital artifacts remain. They proved resistant to my considerable charms. Nothing too bad, though. The vast majority of the little 'pops' you might notice are actually clapping (from the Sobel source). - I ran Set 2 of the Pujol source through iZotope RX's Declip function prior to remastering it. - I resampled the Sobel source from 48kHz to 44.1kHz using iZotope RX. Roger Eichorn [email protected] September 6, 2013
Taper: Dave Minor
2:51:25
Rating:
9.20 / 5 ratings
Taper:
Dave Minor
Transferrer:
Marc Pujol
SHNID:
gd94-09-29.pmb.pujol.15078.sbeok.shnf
Source:
Audience: PMB Microphones
Lineage:
PMB Mics > Sony D7 > Sony PCM-R300 > Monster S/PDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, resample) > CD Wave (splits) > shntool > mkwACT > SHN (seekable)
Taper Notes:
View Notes"PMB mics were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic. They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days."