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Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.2k304
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67896
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.9k659
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.3k166
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3k395
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k360
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.7k466
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k289
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82792
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k194
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k188
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k230
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.4k817
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.3k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.4k1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k528
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k568
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k391
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k238
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.8k764
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59874
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13820
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h44432
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h483
7d1277
30d57234
2 shows
2 tapes
1990
12/31/90
gd90-12-31 s2 t01 Midnight Countdown
2:29
gd90-12-31 s2 t02 Not Fade Away
7:47
gd90-12-31 s2 t03 Eyes Of The World
15:54
gd90-12-31 s2 t04 Dark Star
20:38
gd90-12-31 s2 t05 Drums
16:39
gd90-12-31 s2 t06 Space
6:53
gd90-12-31 s2 t07 The Other One
12:08
gd90-12-31 s2 t08 Wharf Rat
10:31
gd90-12-31 s2 t09 Not Fade Away
5:09
gd90-12-31 s2 t10 Not Fade Away Chant
4:54
gd90-12-31 s2 t11 The Weight
8:21
gd90-12-31 s2 t12 Johnny B. Goode
8:23
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:00:16
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-31.141868.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Bird Song through end of the show with Branford Marsalis -- Drums with Hamza El-Din -- This file set is 16 bit
Transferrer: Charlie Miller
3:00:16
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-31.141792.sbd.ultra.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Bird Song through end of the show with Branford Marsalis -- Drums with Hamza El-Din
Transferrer: Charlie Miller
1:59:44
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-12-31.140720.set2.sbd.pcm.miller.flac1644
Source:
SBD > PCM
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 (WAV 16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- With Branford Marsalis -- Drums with Hamza El-Din -- Those are balloons you hear popping
Transferrer: Charlie Miller
1:59:46
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-31.138744.4-track_mix.miller.flac16
Source:
SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG)Audience Recording Info:AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG)Soundboard
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)Audience Transfer Info:VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)Mastering Info:KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- With Branford Marsalis -- Drums with Hamza El-Din -- Those are balloons you hear popping -- I mixed this from a 4-track VHS tape -- The ambient (m/s) mics had one set as figure 8 and the other was omni -- 4-track tape cloned in GD Vault January 8, 1991 -- This is 138723 24bit -> 16 bit
Transferrer: Charlie Miller
1:59:45
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-31.138723.set2.4track-mix.flac24
Source:
Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
Taper Notes:
View Notes-- With Branford Marsalis -- Drums with Hamza El-Din -- Those are balloons you hear popping -- I mixed this from a 4-track VHS tape -- 4-track tape cloned in GD Vault January 8, 1991
Transferrer: Kevin Tobin
3:00:34
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1990-12-31.121790.mtx.tobin.flac16
Source:
Matrix 3 Source Mix - SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + AUD2 (no shn id) Audience recording from Vidoe soundtrack - matrix mixing by Kevin Tobin
Taper Notes:
View Notesnotes: * W/ Branford Marsalis ** W/ Hamza El-Din SBD1 Source: Shnid = 90102 Pre-FM > DAT > CD > EAC > CD > EAC > FLAC Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. Notes: - Thanks to David Gans and David Bucholtz for providing the audio CDs. - A **GEMS Production** February 2008 - Originally Seeded at Lossless Legs AUD1 Source: Shnid = 116141 Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files Part of Bird Song and all of Promised Land are mono due to a cable problem. AUD2 Source: No Shnid Audio from video soundtrack - used mainly to correct mono audience problem for Bird Song/Promised Land --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 31-AUG-2012 - Trader Little Helper -Tagged 31-AUG-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD +1 SET TWO Stereo Matrix SBD -1 AUD +1 --------------------------------------------------------- Audio Patches: 1) 39.055 seconds added to AUD1 soundtrack at the beginning of set 1 from AUD2 in order to match the video and the soundboard. 2) Between Hell In A Bucket and Jack-A-Roe, 1 minute and 41.624 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 3) Between Jack-A-Roe and Wang Dang Doodle, 24.797 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 4) Between Wang Dang Doodle and Jimmy Row, 1 minute and 50.041 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 5) Between Jimmy Row and Mexicali Blues, 1 minute and 17.859 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 6) Between Mexicali Blues and Bird Song, 1 minute and 38.835 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 7) The audience version of the end of Bird Song and all of The Promised Land was mono due to a "cable problem" - I corrected this by mixing the audience soundtrack from the video into the right channnel so while not a true stereo, there is now a contrast between the channels. 8) About a minute into Drums, 4 minutes and 15.889 seconds added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 9) I used the video soundtrack as the timing reference and while the SBD1 was almost right on timewise the AUD1 was very fast averaging about 1 second a minute faster than the video. Brokedown House Production
Source 7 of 15
3:11:01
SBD
Rating:
9.64 / 29 ratings
SHNID:
gd90-12-31.sbd-satellitefeed.hall.1688.sbeok.shnf
Source:
Soundboard
Lineage:
Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR
Taper Notes:
View NotesSatellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall
Taper: David Gans
1:59:46
Taper:
David Gans
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1990-12-31.140734.set2.akg.c42.ambient.mics.gans.miller.clugston.flac2496
Source:
Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS (dubbed by David Gans, January 1991)
Taper Notes:
View NotesNotes: - Thanks to David Gans for the 1st gen Hi-Fi VHS source - Thanks to Charlie Miller for the transfer - This is the ambient mic source used for the ultramatrix - General weirdness during "Midnight Countdown" and beginning of "Not Fade Away" - Pops throughout are not flaws in the recording - With Branford Marsalis - Drums with Hamza El Din - Other One space included in "The Other One" Mastered by Scott Clugston January 19, 2018
Taper: David Gans
1:59:46
Taper:
David Gans
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1990-12-31.140733.set2.akg.c42.ambient.mics.gans.miller.clugston.flac1644
Source:
Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS (dubbed by David Gans, January 1991)
Taper Notes:
View NotesNotes: - Thanks to David Gans for the 1st gen Hi-Fi VHS source - Thanks to Charlie Miller for the transfer - This is the ambient mic source used for the ultramatrix - General weirdness during "Midnight Countdown" and beginning of "Not Fade Away" - Pops throughout are not flaws in the recording - With Branford Marsalis - Drums with Hamza El Din - Other One space included in "The Other One" Mastered by Scott Clugston January 19, 2018
Taper: Rob Darroch
3:06:01
Taper:
Rob Darroch
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-12-31.138041.BK4011.Darroch.Ammons.flac1648
Source:
<b>flac16/48kHz</b>; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesCold, wet & dreary with a chance of incarceration is how I remember this NYE run. I was lucky enough to be in the right place at the right time for the show on the 27th & got a ticket for being part of a clean-up crew. It was a good thing I had tickets for the rest of the run cause those clean-up crew tickets were the only extras to be found for the four shows. There was a serious strain put on the area with the extra 10k+ that showed up looking for the miracle. The wait to get into Denny’s was 30 minutes at 3am & as long as two hours during peak hours. Floor space at the area hotel notels was at an all time premium. So there I was, on the 30th, tending to business, when this fine gentlemen skirted next to me, in these cheap black sneakers. He showed me what looked like a high school photo of a girl that looked like my new girlfriend, "L". He asked if I knew this person. That’s when those billion & one questions that only take a millisecond to go through your mind come out the mouth disguised as a brain fart. I was taken by complete surprise by this narc looking, fed, wannabe & his past their prime sneakers. That’s the part I think that freaked me out the most, this guy made no pretenses to disguise who he was. He came complete with the CHiPs mustache, polyester slacks, thin black leather belt & windbreaker. After he asked me a few more questions he went his way. I immediately went to find "L". Luckily my Spidey senses kicked in & when I turned around, I saw that the wannabe fed was fallowing me. Now, I was freaked out! I didn’t have any idea what this guy wanted. Adding to my tension I was carrying, with intent. So I skipped outta the lot & headed over to Denny’s, where I forced a seat at the table of some heads from back East. After explaining my situation my favorite Jersey Girl, being the smart hippie that she is, asked the million dollar question. She looked me dead in the eyes & asked “How old is L??” I hadn’t a clue & bless her heart for being the one at the table asking the tough question. She hit the nail on the head. Turns out "L" was a runaway & that fine gentlemen was a private detective hired by her mother hoping to locate her 15 year old daughter. Long story short, that set the tone for this show. I never saw "L" after these shows & have no idea what happened to her. As a result, this show doesn't get a lot of air time on my end, mainly 'cause the experience sadly fallowed me back home & festered for a few months, & the memories are still there. When John presented me with the opportunity to work the raw wave files I jumped at the chance. Making it all good, cause this is an exceptional recording. To quote the taper, " the B&Ks were mercilessly clinical. So on a night where the PA and taper position were perfectly aligned, the B&K's could absolutely blow doors…" That literally happens here. The second set begins with fire breathing stilt dancers, percussions & bungie jumpers that lead to a huge explosion. The mics were about 10 yards from the big bang, so watch your levels here. The sound in this recording is as good as it gets. The thing that impresses me the most with this recording is the demeanor of the taper during the second set opener. The rafters concealed thousands of balloons that were dropped after the midnight countdown as the band was playing. Seeing how the taper was FOB, his capture is in the midst of these balloons dropping & popping. Once you get through the balloon popping festival, you are rewarded handsomely. - Joe.
Taper: Jeff Bowen
3:05:50
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1990-12-31.127388.nak300.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotguns > Sony TC-153SD (TDK SA-X Masters); Cassette Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 111, Row N, Seat #3; Recorded/Transferred By: Jeff Bowen
Taper Notes:
View NotesBranford Marsalis performed on Bird Song > Promised on through 2nd set Hamza El-Din performed during Drums This show was an FM broadcast nationwide. Tapers Notes: This was the final night of my first four-night NYE run, and the very last time that I used the Sony TC-153SD to master a show with. This was probably the best of the NYE shows that I have recorded. Enjoy! Do NOT Sell, Do NOT convert to MP3 Photos by Oldneumanntapr: Pentax MX w/80-200 f/4.5/5.6 Maraxar Zoom Kodak TMAX 3200 B&W Film Shot & Processed @ 12,500 ASA (Extreme Grain) (Shot From Tapers Section) Scanned w/Plustek 8200i AI Film Scanner
Source 12 of 15
3:04:47
SHNID:
gd1990-12-31.126823.FM.flac16
Source:
FM live stereo broadcast (not pre-recorded) > Yamaha 500 reciever with digital tuner and wire antenna > (tracks 10-16:) Teac 3340 reel recorder, no dolby (3.3/4 ips) > Maxell UD 7" master reel tape > played on Akai GX-77 reel deck into soundforge (wav) > (tracks 1-9 and 17-20:) Maxell MX 90 minute metal master cassette > Nak. BX- 100 cassette deck (dolby off) > played on tascam 112 into soundforge (wav) > flac (sb's aligned)
Taper Notes:
View NotesComments: Branford Marsalis joins GD on Bird Song > Promised Land and on through 2nd set. Hamza El-Din performed during Drums. This show was an FM broadcast nationwide. etree lists 6 sources for this GD show. this is not from any of those. (none of those include the Branford Marsalis opening set.) there are probably several other sources for this show. this is one of them.
Taper: DaWeez
3:02:23
Taper:
DaWeez
Transferrer:
Kevin Tobin
SHNID:
gd1990-12-31.121782.upg-aud.tobin.flac16
Source:
timing corrected and patched upgrade of (shnid 116141):Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files. Upgrade by Kevin Tobin
Taper Notes:
View Notesnotes: * W/ Branford Marsalis ** W/ Hamza El-Din AUD1 Source: Shnid = 116141 ------------------------------------------------- Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files ----------------------------------------------- *** Part of Bird Song and all of Promised Land are mono due to a cable problem. ++ featuring Bill Graham as a witch doctor accompanied by fire eaters R.I.P. Sandy - aka "Bigfoot" AUD2 Source: No Shnid Audio from video soundtrack - used mainly to correct mono audience problem for Bird Song/Promised Land, spacing between songs to match video and fm recording and major patch in drums. Audio Patches: 1) 39.055 seconds added to AUD1 soundtrack at the beginning of set 1 from AUD2 in order to match the video and the soundboard. 2) Between Hell In A Bucket and Jack-A-Roe, 1 minute and 41.624 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 3) Between Jack-A-Roe and Wang Dang Doodle, 24.797 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 4) Between Wang Dang Doodle and Jimmy Row, 1 minute and 50.041 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 5) Between Jimmy Row and Mexicali Blues, 1 minute and 17.859 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 6) Between Mexicali Blues and Bird Song, 1 minute and 38.835 seconds were added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 7) The audience version of the end of Bird Song and all of The Promised Land was mono due to a "cable problem" - I corrected this by mixing the audience soundtrack from the video into the right channnel so while not a true stereo, there is now a contrast between the channels. 8) About a minute into Drums, 4 minutes and 15.889 seconds added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard. 9) I used the video soundtrack as the timing reference and while the SBD1 was almost right on timewise the AUD1 was very fast averaging about 1 second a minute faster than the video. Brokedown House Production
Taper: Da Weez
2:52:22
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-12-31.116141.NeumannKMF4.daweez.d5scott.flac16
Source:
Recorded by "Da Weez"Transferred and mastered to .wav files by D5scottsource: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnotes: * W/ Branford Marsalis ** W/ Hamza El-Din *** Part of Bird Song and all of Promised Land are mono due to a cable problem. ++ featuring Bill Graham as a witch doctor accompanied by fire eaters --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Transferrer: Bob Abrams
3:28:19
Rating:
10.00 / 2 ratings
Transferrer:
Bob Abrams
SHNID:
gd1990-12-31.prefm.gans-bucholtz-abrams.GEMS.90102.sbeok.flac16
Source:
Pre-FM > DAT > CD > EAC > CD > EAC > FLAC
Taper Notes:
View Notes* With Branford Marsalis on Tenor & Soprano Sax ** With Hamza El Din on Percussion