Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h55073
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k187
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3k411
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.2k292
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h4.6k575
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k944
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k359
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k127
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.6k292
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h935106
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k211
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k504
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k177
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k153
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k298
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.3k265
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k215
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k251
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.3k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h19.1k2.5k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21723
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k494
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.3k1.5k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h1.9k242
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k182
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k192
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.3k168
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56472
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7811
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h47330
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h554
7d1368
30d63237
2 shows
2 tapes
1990
Sources
Transferrer: Charlie Miller
2:53:49
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.141864.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- I used a Dat Master to patch the flips and some tuning -- This file set is 16 bit
Transferrer: Charlie Miller
2:53:49
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.141848.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- I used a Dat Master to patch the flips and some tuning
Transferrer: Charlie Miller
2:53:15
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.sbd.miller.119696.flac16
Source:
SBD (Dan Healy's UltraMatrix) -> Dat (48k)
Lineage:
Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAc(3 Discs Audio / 1 DVD FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is an upgrade to my previous transfer in every possible way
Source 4 of 10
2:52:49
SBD
Rating:
8.67 / 13 ratings
SHNID:
gd90-12-30.sbd.miller.22025.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Dat (48k)
Taper Notes:
View NotesNotes: -- Static Pops removed with Cool Edit Pro -- I did the Dat > CD transfer back in 2000 -- Seemless transition between discs 2 and 3 -- Final Valley Road
Source 5 of 10
2:53:23
SBD
Rating:
8.00 / 2 ratings
SHNID:
gd90-12-30.sbd.wiley.11669.sbeok.shnf
Source:
SBD>??>DAT>CDR>WAV>SHN
Taper Notes:
View NotesSBD>??>DAT>CDR; Seeded to Etree by T. Wiley
Taper: Rob Darroch
1:15:12
Taper:
Rob Darroch
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-12-30.138190.BK4001.fob.Darrouch.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Some minor hand clapping & yelping was cleaned up in between songs. - This is all there is for this night from this team. There was an over zealous FOB bust & that was all she wrote. Grateful to: Rob Darroch for recording this show. Grateful to: John Ammons for providing the DAT clones.
Taper: Jeff Bowen
2:51:33
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1990-12-30.127333.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100)
Lineage:
SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS Taper Notes: This was the first and last time that I ever was present to record all four shows of the Grateful Dead NYE run, and the last time that I used my Sony TC-153SD cassette portable to master a show. I still miss Brent terribly, but I thought that Bruce Hornsby did a great job adding color to the band with tunes like ‘Valley Road’, to close out the first set. I remember experimenting with different microphone set ups on that run. I think I ran a different combo for the first couple of nights, but for the cavernous Oakland Coliseum, I thought that two Nakamichi CM-300 shotguns sounded best from the tapers section. It would be another eight years until I was able to upgrade to Neumann microphones so at the time, my CM-300 x 3 set was the best I had available. I still miss that trek to Oakland every December that we used to make to catch the New Years shows. Man was it cold and windy! Every time I hear Traffic’s ‘Rock And Roll Stew’, I think of tearing down my recording equipment after a Dead show in Oakland. Healy used to play that song for the house music after the show.
Taper: Da Weez
2:32:46
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-12-30.116142.NeumannKMF4.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Unknown
2:27:48
Transferrer:
Keo
SHNID:
gd1990-12-30.Aud.Unk.Keo.116105.Flac1644
Source:
First or Second Generation Tapes (I Believe); Possible
Lineage:
Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper: Unknown
2:28:04
Transferrer:
Keo
SHNID:
gd1990-12-30.Aud.Unk.Keo.116104.Flac2496
Source:
First or Second Generation Tapes (I Believe); Possible
Lineage:
Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz