Bands
Featured
Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h58177
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h763114
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k449
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.2k696
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.6k834
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k372
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k358
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k564
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k207
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k423
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k184
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k246
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.2k737
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k234
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k275
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h21.5k2.8k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k481
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.5k751
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k313
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k214
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k168
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h41953
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15119
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41530
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h181
7d1268
30d63237
2 shows
2 tapes
1990
Sources
Transferrer: Charlie Miller
2:53:49
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.141864.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- I used a Dat Master to patch the flips and some tuning -- This file set is 16 bit
Transferrer: Charlie Miller
2:53:49
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.141848.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- I used a Dat Master to patch the flips and some tuning
Transferrer: Charlie Miller
2:53:15
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.sbd.miller.119696.flac16
Source:
SBD (Dan Healy's UltraMatrix) -> Dat (48k)
Lineage:
Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAc(3 Discs Audio / 1 DVD FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is an upgrade to my previous transfer in every possible way
Source 4 of 10
2:52:49
SBD
Rating:
8.67 / 13 ratings
SHNID:
gd90-12-30.sbd.miller.22025.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Dat (48k)
Taper Notes:
View NotesNotes: -- Static Pops removed with Cool Edit Pro -- I did the Dat > CD transfer back in 2000 -- Seemless transition between discs 2 and 3 -- Final Valley Road
Source 5 of 10
2:53:23
SBD
Rating:
8.00 / 2 ratings
SHNID:
gd90-12-30.sbd.wiley.11669.sbeok.shnf
Source:
SBD>??>DAT>CDR>WAV>SHN
Taper Notes:
View NotesSBD>??>DAT>CDR; Seeded to Etree by T. Wiley
Taper: Rob Darroch
1:15:12
Taper:
Rob Darroch
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-12-30.138190.BK4001.fob.Darrouch.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Some minor hand clapping & yelping was cleaned up in between songs. - This is all there is for this night from this team. There was an over zealous FOB bust & that was all she wrote. Grateful to: Rob Darroch for recording this show. Grateful to: John Ammons for providing the DAT clones.
Taper: Jeff Bowen
2:51:33
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1990-12-30.127333.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100)
Lineage:
SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS Taper Notes: This was the first and last time that I ever was present to record all four shows of the Grateful Dead NYE run, and the last time that I used my Sony TC-153SD cassette portable to master a show. I still miss Brent terribly, but I thought that Bruce Hornsby did a great job adding color to the band with tunes like ‘Valley Road’, to close out the first set. I remember experimenting with different microphone set ups on that run. I think I ran a different combo for the first couple of nights, but for the cavernous Oakland Coliseum, I thought that two Nakamichi CM-300 shotguns sounded best from the tapers section. It would be another eight years until I was able to upgrade to Neumann microphones so at the time, my CM-300 x 3 set was the best I had available. I still miss that trek to Oakland every December that we used to make to catch the New Years shows. Man was it cold and windy! Every time I hear Traffic’s ‘Rock And Roll Stew’, I think of tearing down my recording equipment after a Dead show in Oakland. Healy used to play that song for the house music after the show.
Taper: Da Weez
2:32:46
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-12-30.116142.NeumannKMF4.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Unknown
2:27:48
Transferrer:
Keo
SHNID:
gd1990-12-30.Aud.Unk.Keo.116105.Flac1644
Source:
First or Second Generation Tapes (I Believe); Possible
Lineage:
Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper: Unknown
2:28:04
Transferrer:
Keo
SHNID:
gd1990-12-30.Aud.Unk.Keo.116104.Flac2496
Source:
First or Second Generation Tapes (I Believe); Possible
Lineage:
Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz