12
1990
Sources
Taper: Rob Darroch
1:15:12
Taper:
Rob Darroch
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-12-30.138190.BK4001.fob.Darrouch.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Some minor hand clapping & yelping was cleaned up in between songs. - This is all there is for this night from this team. There was an over zealous FOB bust & that was all she wrote. Grateful to: Rob Darroch for recording this show. Grateful to: John Ammons for providing the DAT clones.
Taper: Jeff Bowen
2:51:33
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1990-12-30.127333.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100)
Lineage:
SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS Taper Notes: This was the first and last time that I ever was present to record all four shows of the Grateful Dead NYE run, and the last time that I used my Sony TC-153SD cassette portable to master a show. I still miss Brent terribly, but I thought that Bruce Hornsby did a great job adding color to the band with tunes like ‘Valley Road’, to close out the first set. I remember experimenting with different microphone set ups on that run. I think I ran a different combo for the first couple of nights, but for the cavernous Oakland Coliseum, I thought that two Nakamichi CM-300 shotguns sounded best from the tapers section. It would be another eight years until I was able to upgrade to Neumann microphones so at the time, my CM-300 x 3 set was the best I had available. I still miss that trek to Oakland every December that we used to make to catch the New Years shows. Man was it cold and windy! Every time I hear Traffic’s ‘Rock And Roll Stew’, I think of tearing down my recording equipment after a Dead show in Oakland. Healy used to play that song for the house music after the show.