RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 5th
5 shows
26 tapes
Years
1995
27k
PlaybackListensHours
48h3k411
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69697
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.7k503
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k135
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.8k238
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.8k357
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k496
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k141
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k289
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h933104
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h2k234
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k202
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k196
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.8k222
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k272
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.4k623
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k192
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h16k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h84074
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.3k540
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.3k563
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k371
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.3k253
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.8k665
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k532
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h51765
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h15522
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h52740
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1990
12/27/90
Tuning
1:23
Scarlet Begonias
10:19
Fire On The Mountain
14:31
Estimated Prophet
14:29
Comes A Time
7:58
Drums
6:40
Drums > (with Hamza el-Din)
6:59
Space
8:32
I Need A Miracle
5:27
The Wheel
4:18
Throwing Stones
8:22
Turn On Your Lovelight
8:55
It's All Over Now, Baby Blue
6:56
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] March 16, 2023
2:49:57
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 16, 2023
SHNID:
gd1990-12-27.164129.UltraMatrix.sbd.air-check.cm.miller.f.flac1644
Source:
Ultramatrix SBD (In-House Broadcast) > Cassette Master (Sony TC-D5M/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This source has a correct bit rate -- Drums with Hamza El Din -- Tape was labeled "Air Check AD-DA" -- This was a test run for the NYE broadcast -- The deck was patched off a Sony PCM recording rig -- Tape flips covered by an ultramatrix cassette master -- This is 164051 2496 > 1644
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] March 16, 2023
2:49:56
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 16, 2023
SHNID:
gd1990-12-27.164051.ultramatrix.air-check.miller.flac2496
Source:
Ultramatrix SBD (In-House Broadcast) > Cassette Master (Sony TC-D5M/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This source has a correct bit rate -- Drums with Hamza El Din -- Tape was labeled "Air Check AD-DA" -- This was a test run for the NYE broadcast -- The deck was patched off a Sony PCM recording rig -- Tape flips covered by an ultramatrix cassette master
Transferrer: Charlie Miller
2:48:12
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-27.138519.ultra.matrix.sbd.miller.flac16
Source:
Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Drums with Hamza El Din -- Two sets of master were used to make this show complete -- This is 138473 24 bit - 16 bit
Transferrer: Charlie Miller
2:48:12
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-12-27.138473.sbd.miller.flac24
Source:
Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Drums with Hamza El Din -- Two sets of master were used to make this show complete
Taper: Paul Tumolo
2:53:10
SBD
Rating:
8.75 / 10 ratings
Taper:
Paul Tumolo
Transferrer:
Charlie Miller and Neil Sturtevant
SHNID:
gd90-12-27.set1-akg-set2-sbd.miller.21928.sbeok.shnf
Source:
Soundboard and Audience Composite
Lineage:
Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM ->Dat (Sony R500) -> Samplitude v7.02 Professional -> SHNSet Two: SBD -> Dat -> SHN
Taper Notes:
View NotesSet One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant
Transferrer: Bill Tetzeli
2:53:08
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1990-12-27.aud-sbd.tumolo.miller.tetzeli.fix-21928.76115.sbeok.flac16
Source:
Fix of shnid 21928
Taper Notes:
View NotesJust some minor surgery here - I used the AUD from archive.org (shnid 28385) to patch in a brief gap in space in order to make the transition between CDs 2 and 3 seamless. There was also a gap from :22 to :42 in the right channel of space which I monized by pasting in the left channel. SHNs were converted to FLACs, shntool used to clean up SBEs. Bill Tetzeli ([email protected]) 7:57 PM 7/18/2006
Transferrer: Tony Gardner
1:44:49
SBD
Transferrer:
Tony Gardner
SHNID:
gd1990-12-27.set2-fixed.sbd.8193.sbefail.shnf
Source:
SBD(matrix)>DAT>CDR
Taper Notes:
View NotesEAC (secure mode with proper offsets) and shn conversion by Tony G ([email protected]) 03/11/02 COMMENTS: during the "Ultra-Matrix" mix, the microphones that are usually used to capture "audience ambience/reactions" were left on for the entire show, so this is actually a "SBD + AUD" recording; there is a pause between Hamza el_Din and "Space" due to equipment being plugged in and Hamza'a percussion set removed from the stage; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 16-bit / 96 kHz digital realm processing at Serafin Station Fire The remaining wave file was then transferred to become the updated d1tr03. While examining the latter track, I noticed a millisecond gap at 5:18.410 and corrected the gap. There was no music missing, so the edit corrected the lapse. The updated tracks were then converted back to shn using mkw.
Taper: JC Mahoney, Dan O'Neill;
1:43:26
Rating:
8.00 / 2 ratings
Taper:
JC Mahoney, Dan O'Neill;
Transferrer:
Charlie Miller
SHNID:
gd90-12-27.fob-akg-mahoney-oneill.miller.28385.sbeok.shnf
Source:
Audience: AKG 461's
Lineage:
FOB AKG 460/CK61 (ORTF) > Mike Grace Early Preamp > Dat Master (Casio DA-7/48k) > Dat (Sony R500) > Behringer UltraMatch SRC2000 > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN
Taper Notes:
View Notesset2; FOB AKG 460/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN ; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
Taper: Marcus Buick & Rob Darroch
2:53:19
Rating:
10.00 / 1 rating
Taper:
Marcus Buick & Rob Darroch
Transferrer:
John Ammons and photoleon
SHNID:
gd1990-12-27.138040.BK4011.Schoeps.FOB.Darroch.Katzeff.Buick.Ammons.fix.t-flac16
Source:
<b>flac16/48kHz</b>; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick;
Lineage:
Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 44.1 kHz, Set 2 at 16 bit 48kHz; the fixed version is all 48kHz
Taper Notes:
View NotesThere were a bunch of rigs FOB during set 1, and it was quite casual. Mics on stands were not a problem. During set break, this punk kid with Schoeps (nice to be about 20 and going to shows with your $8,000 taping rig!) didn't completely break down his stand and put the gear away. He left the tripod open so the stand was a couple feet high and draped a coat over the mics. Well, this caught someone's attention, and the bust swept through big time, first getting him and then searching all bags in the vicinity. Everyone was at least busted to some degree, although bits and pieces of rigs made it out before the search. Ultimately Marcus, Rick, and I were able to meet in seats just off the floor shortly before set 2 was ready to start. There we assembled the "back up rig" - listed in the lineage for set 2. The lights went down while we were still to the edge of the floor, but we worked our way back to the original blanket as they were still tuning up. You can hear rumbling noises as Marcus uncoils the mics from the back pack as Rick is starting the deck. When the mics are fulling extended and stable at Marcus' forehead level, the first notes of Scarlet are seconds away. So to get that Comes A Time after such high stress was a monumental thing indeed. - John. Notes: A patch from shnid 076115 was used before tuning, Set II (0:00 - 1:24) & in Drums (1:35 - 6:57) crossfades were added to smooth the transitions. I softened the rumbling on the mics, as they were uncoiled, just a touch. I could have removed much more, but I felt that would be wrong as its as much apart of the show as the music is. No music was effected. - Joe. Grateful to: Rob Darroch, Rick Katzeff & Marcus Buick for recording this show. Grateful to: John Ammons for providing the DAT clones. Grateful to: Charlie Miller for his efforts & sharing shnid 076115 & Bill Tetzeli's additional work on it. last Comes a Time 7/8/87 TOO tease before INAM
Taper: Marcus Buick;Rob Darroch;Rick Katzeff
2:53:19
Taper:
Marcus Buick;Rob Darroch;Rick Katzeff
Transferrer:
John Ammons and Joel Noel
SHNID:
gd1990-12-27.138040.BK4011.Schoeps.FOB.Darroch.Katzeff.Buick.Ammons.flac1648
Source:
<b>flac16/48kHz</b>; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick;
Lineage:
Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave. By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Set 1 is 16 bit 44.1 kHz, Set 2 is 16 bit 48kHz
Taper Notes:
View NotesThere were a bunch of rigs FOB during set 1, and it was quite casual. Mics on stands were not a problem. During set break, this punk kid with Schoeps (nice to be about 20 and going to shows with your $8,000 taping rig!) didn't completely break down his stand and put the gear away. He left the tripod open so the stand was a couple feet high and draped a coat over the mics. Well, this caught someone's attention, and the bust swept through big time, first getting him and then searching all bags in the vicinity. Everyone was at least busted to some degree, although bits and pieces of rigs made it out before the search. Ultimately Marcus, Rick, and I were able to meet in seats just off the floor shortly before set 2 was ready to start. There we assembled the "back up rig" - listed in the lineage for set 2. The lights went down while we were still to the edge of the floor, but we worked our way back to the original blanket as they were still tuning up. You can hear rumbling noises as Marcus uncoils the mics from the back pack as Rick is starting the deck. When the mics are fulling extended and stable at Marcus' forehead level, the first notes of Scarlet are seconds away. So to get that Comes A Time after such high stress was a monumental thing indeed. - John. Notes: A patch from shnid 076115 was used before tuning, Set II (0:00 - 1:24) & in Drums (1:35 - 6:57) crossfades were added to smooth the transitions. I softened the rumbling on the mics, as they were uncoiled, just a touch. I could have removed much more, but I felt that would be wrong as its as much apart of the show as the music is. No music was effected. - Joe.
Taper: Chris Dusio
2:40:44
Taper:
Chris Dusio
Transferrer:
Chris Dusio
SHNID:
gd1990-12-27.136761.dusio.flac16
Source:
<b/>flac16: </b> Recorded by Chris DusioAT835's>SonyD6>That's Metal Cassette>ZoomF8>Audacity
Taper: Jeff Bowen
2:42:03
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1990-12-27.127387.nak300.bowen.flac16
Source:
Source: Nakamichi CM-300x3; 2 CP-4 Shotgun Capsules + 1 CP-1; Cardioid Capsule > Boss BX-4 Mixer > Sony WM-D6C (MX-S 100 Masters);
Lineage:
Cassette Masters > Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 112; Recorded/Transferred By: Jeff Bowen
Taper Notes:
View NotesTapers Notes: This was (I think) the first show that I used the Nakamichi three-mic mix to record with. There might be a bit of mixing fluctuations in the first set as I adjusted center mic in the mixer. Hamza El Din was awesome to see (and hear) during "Drums". I think that was Ollin Arrageed that he played. It sure sounded like the tapes of the Egypt shows from ’78. I still can’t believe that my friend Jack, who was taping next to me, stopped his D5 during the Hamza El Din portion of the show! I thought that was awesome. He disagreed.
Taper: Da Weez
1:31:38
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-12-27.116109.NeumannKMF4.daweez.d5scott.flac16
Source:
Set 2 source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: ** With Hamza El Din --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------