Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1990
Sources
Taper: Don Pearson and Dan Healy
3:06:22
SBD
Rating:
8.00 / 2 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 14, 2020
SHNID:
gd1990-12-12.149736.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jerry starts Peggy-O before and after Queen Jane Approximately -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
3:06:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1990-12-12.149544.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] April 14, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Jerry starts Peggy-O before and after Queen Jane Approximately -- Multiple sets of masters were used to make this show complete
Transferrer: Kevin Tobin
3:03:58
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1990-12-12.142548.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (44/16) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 06-JUL-2018 - Trader Little Helper - Tagged 06-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
3:05:26
SBD
Rating:
8.86 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-12-12.sbd.miller.109289.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Jerry starts Peggy-O before and after Queen Jane -- Thanks to David Feldstein for his help with this project -- This is the only circulating copy without any analog gens
Transferrer: Charlie Miller
1:08:11
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-12.sbd-set1.miller.87461.sbeok.flac16
Source:
SBD -> Dat (48k) D
Lineage:
Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesNotes: -- Set 1 only -- Jerry starts Peggy-O before and after Queen Jane
Transferrer: Matrix by photoleon
3:07:37
SBD
Transferrer:
Matrix by photoleon
SHNID:
gd1990-12-12.140146.MTX.PhotoLeon.LL.t-flac16
Source:
Two Source Matrix by PhotoLeon: Source #1 Recording Info: SBD -> Dat (48k) and Source #2 Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB)
Taper Notes:
View NotesMatrix created in Audacity 2.0.6 Notes: - This is how I remember it.
Transferrer: Kevin Tobin
3:04:52
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1990-12-12.mtx.tobin.87659.sbeok.flac16
Source:
SBD + AUD Matrix 3 Source Mix (60%-SBD/40%-AUD)
Taper Notes:
View NotesAudio Source Information SBD1 (shnid=87461) (first set only) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller [email protected] September 25, 2007 Notes: -- Set 1 only -- Jerry starts Peggy-O before and after Queen Jane SBD2 (shnid=87372) (second set only) DAT From The Collection of Todd Evans Healy DAT > PCM > DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Edited and Mastered By Jamie Waddell on the GEMS Edit Station Track'd, Cdwave Flac'd Level 8 TLH A **GEMS** Production www.shnflac.net September 2007 AUD (shnid=32020) (complete show) Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski ([email protected]) 1st night of 3 night run, sound and band starts out rough but both get rolling quickly! --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 13-OCT-2007 --------------------------------------------------------- Audio Patches: 1) Before Touch Of Grey, 1 minute and 07.232 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Loose Lucy and Mexicali, 54.923 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) At the end of Dark Star, 04.905 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Also at the end of Dark Star, 14.871 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) At the end of Drums, 35.704 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 6) At the end of Stella Blue, 01.241 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. The audience ran about 2% fast (1 second per minute) and was aligned to the individual DATs. Otherwise besides a few minor patches all 3 sources were fun to work with. Brokedown House Production
Taper: DAT From The Collection of Todd Evans
1:57:12
SBD
Taper:
DAT From The Collection of Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1990-12-12.sbd-set2.gems.87372.sbeok.flac16
Source:
Healy DAT > PCM > DAT
Lineage:
DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
Source 9 of 17
3:03:59
SBD
Rating:
8.88 / 35 ratings
SHNID:
gd90-12-12.sbd.zei.2030.sbeok.shnf
Source:
SBD> D-> CDR-> EAC> SHN
Taper Notes:
View NotesSBD> D-> CDR-> EAC> SHN; Ripped by John Zei
Taper: Rick Katzeff via the Rich Gastwirt Collection
3:07:11
Taper:
Rick Katzeff via the Rich Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-12-12.140071.FOB.Schoep.Katzeff.Gastwirt.Miller.Noel.t-flac.16
Source:
<b>flac16/48kHz</b>; Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB); Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wave > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notesatch info: - source #120137 (AKG451) supplies - s1t10; 02:43 - 02:53 - s2t05; 03:27 - 03:38 - s2t06; 11:22 - 11:32 Notes: - First digital AUD in circulation (12/01/17) - last Denver, CO show - 07/14/81 (3,439 days) - levels get situated in ToG. I smoothed out the bumps a bit. - extremely minor hit of static in s2t11. I left it alone. - Jerry singin' "I'll shine my light in the cool Colorado rain." In the state where I had been hanging my hat, still gives me chills. - Paonia's Purple Paralyzer was my dance partner for this run. She led.
Taper: Mike Darby
3:03:58
Taper:
Mike Darby
Transferrer:
Kevin Tobin and Keo
SHNID:
gd1990-12-12.142547.pp-aud.darby.tobin.flac1644
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16) Patching at the beginning of Terrapin Station and Stella Blue. Speedwise the audience was a very fast when compared to other recordings - .9 seconds per minute. Brokedown House Production
Taper: Chuck Miller
3:05:48
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1990-12-12.127359.josephsonC640.chuckm.flac16
Source:
Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1)
Lineage:
Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES X-Click, Paragraphic EQ & Ultramaximizer) Tracking & processing: CD Wave Editor > Trader's Little Helper (SBE check, FLAC & FLAC fingerprint) > AudioShell tag editor
Taper Notes:
View NotesRecorded, transfered, processed and distributed by Chuck Miller ([email protected])
Taper: Mike Darby
2:57:16
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-12-12.AKG451.Darby.120137.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:And Another Huge Thanks out to Mr. Darby for recording and sharing his source for this start of this run of shows!Another excellent recording and share from the Darby collection and an awesome performance from the Grateful Dead! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:57:16
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-12-12.AKG451.Darby.120136.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:And Another Huge Thanks out to Mr. Darby for recording and sharing his source for this start of this run of shows!Another excellent recording and share from the Darby collection and an awesome performance from the Grateful Dead! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Matrix by Kevin Tobin
3:04:52
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1990-12-12.dts.tobin.87696.sbeok.flac
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesAudio Source Information SBD1 (shnid=87461) (first set only) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller [email protected] September 25, 2007 Notes: -- Set 1 only -- Jerry starts Peggy-O before and after Queen Jane SBD2 (shnid=87372) (second set only) DAT From The Collection of Todd Evans Healy DAT > PCM > DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Edited and Mastered By Jamie Waddell on the GEMS Edit Station Track'd, Cdwave Flac'd Level 8 TLH A **GEMS** Production www.shnflac.net September 2007 AUD (shnid=32020) (complete show) Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski ([email protected]) 1st night of 3 night run, sound and band starts out rough but both get rolling quickly! --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 13-OCT-2007 --------------------------------------------------------- Audio Patches: 1) Before Touch Of Grey, 1 minute and 07.232 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Loose Lucy and Mexicali, 54.923 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) At the end of Dark Star, 04.905 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Also at the end of Dark Star, 14.871 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) At the end of Drums, 35.704 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 6) At the end of Stella Blue, 01.241 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. The audience ran about 2% fast (1 second per minute) and was aligned to the individual DATs. Otherwise besides a few minor patches all 3 sources were fun to work with. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Transferrer: Patching by Kevin Tobin
3:04:52
Rating:
10.00 / 1 rating
Transferrer:
Patching by Kevin Tobin
SHNID:
gd1990-12-12.aud-patched.tobin.87660.sbeok.flac
Source:
Sennheiser K3U/ME-80 Mics with patches
Taper Notes:
View NotesAUD (shnid=32020) (complete show) Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski ([email protected]) 1st night of 3 night run, sound and band starts out rough but both get rolling quickly! Set 1 was patched with: SBD1 (shnid=87461) (first set only) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller [email protected] September 25, 2007 Notes: -- Set 1 only -- Jerry starts Peggy-O before and after Queen Jane Set 2 was patched with: SBD2 (shnid=87372) (second set only) DAT From The Collection of Todd Evans Healy DAT > PCM > DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Edited and Mastered By Jamie Waddell on the GEMS Edit Station Track'd, Cdwave Flac'd Level 8 TLH A **GEMS** Production www.shnflac.net September 2007 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-OCT-2007 --------------------------------------------------------- Audio Patches: 1) Before Touch Of Grey, 1 minute and 07.232 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Loose Lucy and Mexicali, 54.923 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) Also at the end of Dark Star, 14.871 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) At the end of Drums, 35.704 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. The audience ran about 2% fast (1 second per minute) and was aligned to the individual DATs. Otherwise besides a few minor patches all 3 sources were fun to work with. Brokedown House Production
Taper: Dean Grabski
3:01:55
Rating:
9.71 / 8 ratings
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1990-12-12.senn.grabski.32020.sbefail.flac16
Source:
Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master
Lineage:
Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC
Taper Notes:
View NotesRecorded front row taper section Recorded and transferred by Dean Grabski 1st night of 3 night run, sound and band starts out rough but both get rolling quickly!