Bands
Featured
Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1990
Sources
Taper: Don Pearson and Dan Healy
3:06:22
SBD
Rating:
8.00 / 2 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 14, 2020
SHNID:
gd1990-12-12.149736.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jerry starts Peggy-O before and after Queen Jane Approximately -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
3:06:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1990-12-12.149544.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] April 14, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Jerry starts Peggy-O before and after Queen Jane Approximately -- Multiple sets of masters were used to make this show complete
Transferrer: Kevin Tobin
3:03:58
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1990-12-12.142548.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (44/16) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 06-JUL-2018 - Trader Little Helper - Tagged 06-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
3:05:26
SBD
Rating:
8.86 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-12-12.sbd.miller.109289.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Jerry starts Peggy-O before and after Queen Jane -- Thanks to David Feldstein for his help with this project -- This is the only circulating copy without any analog gens
Transferrer: Charlie Miller
1:08:11
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-12.sbd-set1.miller.87461.sbeok.flac16
Source:
SBD -> Dat (48k) D
Lineage:
Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesNotes: -- Set 1 only -- Jerry starts Peggy-O before and after Queen Jane
Transferrer: Matrix by photoleon
3:07:37
SBD
Transferrer:
Matrix by photoleon
SHNID:
gd1990-12-12.140146.MTX.PhotoLeon.LL.t-flac16
Source:
Two Source Matrix by PhotoLeon: Source #1 Recording Info: SBD -> Dat (48k) and Source #2 Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB)
Taper Notes:
View NotesMatrix created in Audacity 2.0.6 Notes: - This is how I remember it.
Transferrer: Kevin Tobin
3:04:52
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1990-12-12.mtx.tobin.87659.sbeok.flac16
Source:
SBD + AUD Matrix 3 Source Mix (60%-SBD/40%-AUD)
Taper Notes:
View NotesAudio Source Information SBD1 (shnid=87461) (first set only) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller [email protected] September 25, 2007 Notes: -- Set 1 only -- Jerry starts Peggy-O before and after Queen Jane SBD2 (shnid=87372) (second set only) DAT From The Collection of Todd Evans Healy DAT > PCM > DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Edited and Mastered By Jamie Waddell on the GEMS Edit Station Track'd, Cdwave Flac'd Level 8 TLH A **GEMS** Production www.shnflac.net September 2007 AUD (shnid=32020) (complete show) Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski ([email protected]) 1st night of 3 night run, sound and band starts out rough but both get rolling quickly! --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 13-OCT-2007 --------------------------------------------------------- Audio Patches: 1) Before Touch Of Grey, 1 minute and 07.232 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Loose Lucy and Mexicali, 54.923 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) At the end of Dark Star, 04.905 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Also at the end of Dark Star, 14.871 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) At the end of Drums, 35.704 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 6) At the end of Stella Blue, 01.241 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. The audience ran about 2% fast (1 second per minute) and was aligned to the individual DATs. Otherwise besides a few minor patches all 3 sources were fun to work with. Brokedown House Production
Taper: DAT From The Collection of Todd Evans
1:57:12
SBD
Taper:
DAT From The Collection of Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1990-12-12.sbd-set2.gems.87372.sbeok.flac16
Source:
Healy DAT > PCM > DAT
Lineage:
DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
Source 9 of 17
3:03:59
SBD
Rating:
8.88 / 35 ratings
SHNID:
gd90-12-12.sbd.zei.2030.sbeok.shnf
Source:
SBD> D-> CDR-> EAC> SHN
Taper Notes:
View NotesSBD> D-> CDR-> EAC> SHN; Ripped by John Zei
Taper: Rick Katzeff via the Rich Gastwirt Collection
3:07:11
Taper:
Rick Katzeff via the Rich Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-12-12.140071.FOB.Schoep.Katzeff.Gastwirt.Miller.Noel.t-flac.16
Source:
<b>flac16/48kHz</b>; Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB); Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wave > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notesatch info: - source #120137 (AKG451) supplies - s1t10; 02:43 - 02:53 - s2t05; 03:27 - 03:38 - s2t06; 11:22 - 11:32 Notes: - First digital AUD in circulation (12/01/17) - last Denver, CO show - 07/14/81 (3,439 days) - levels get situated in ToG. I smoothed out the bumps a bit. - extremely minor hit of static in s2t11. I left it alone. - Jerry singin' "I'll shine my light in the cool Colorado rain." In the state where I had been hanging my hat, still gives me chills. - Paonia's Purple Paralyzer was my dance partner for this run. She led.
Taper: Mike Darby
3:03:58
Taper:
Mike Darby
Transferrer:
Kevin Tobin and Keo
SHNID:
gd1990-12-12.142547.pp-aud.darby.tobin.flac1644
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16) Patching at the beginning of Terrapin Station and Stella Blue. Speedwise the audience was a very fast when compared to other recordings - .9 seconds per minute. Brokedown House Production
Taper: Chuck Miller
3:05:48
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1990-12-12.127359.josephsonC640.chuckm.flac16
Source:
Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1)
Lineage:
Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES X-Click, Paragraphic EQ & Ultramaximizer) Tracking & processing: CD Wave Editor > Trader's Little Helper (SBE check, FLAC & FLAC fingerprint) > AudioShell tag editor
Taper Notes:
View NotesRecorded, transfered, processed and distributed by Chuck Miller ([email protected])
Taper: Mike Darby
2:57:16
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-12-12.AKG451.Darby.120137.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:And Another Huge Thanks out to Mr. Darby for recording and sharing his source for this start of this run of shows!Another excellent recording and share from the Darby collection and an awesome performance from the Grateful Dead! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:57:16
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-12-12.AKG451.Darby.120136.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:And Another Huge Thanks out to Mr. Darby for recording and sharing his source for this start of this run of shows!Another excellent recording and share from the Darby collection and an awesome performance from the Grateful Dead! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Matrix by Kevin Tobin
3:04:52
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1990-12-12.dts.tobin.87696.sbeok.flac
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesAudio Source Information SBD1 (shnid=87461) (first set only) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller [email protected] September 25, 2007 Notes: -- Set 1 only -- Jerry starts Peggy-O before and after Queen Jane SBD2 (shnid=87372) (second set only) DAT From The Collection of Todd Evans Healy DAT > PCM > DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Edited and Mastered By Jamie Waddell on the GEMS Edit Station Track'd, Cdwave Flac'd Level 8 TLH A **GEMS** Production www.shnflac.net September 2007 AUD (shnid=32020) (complete show) Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski ([email protected]) 1st night of 3 night run, sound and band starts out rough but both get rolling quickly! --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 13-OCT-2007 --------------------------------------------------------- Audio Patches: 1) Before Touch Of Grey, 1 minute and 07.232 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Loose Lucy and Mexicali, 54.923 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) At the end of Dark Star, 04.905 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Also at the end of Dark Star, 14.871 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) At the end of Drums, 35.704 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 6) At the end of Stella Blue, 01.241 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. The audience ran about 2% fast (1 second per minute) and was aligned to the individual DATs. Otherwise besides a few minor patches all 3 sources were fun to work with. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Transferrer: Patching by Kevin Tobin
3:04:52
Rating:
10.00 / 1 rating
Transferrer:
Patching by Kevin Tobin
SHNID:
gd1990-12-12.aud-patched.tobin.87660.sbeok.flac
Source:
Sennheiser K3U/ME-80 Mics with patches
Taper Notes:
View NotesAUD (shnid=32020) (complete show) Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski ([email protected]) 1st night of 3 night run, sound and band starts out rough but both get rolling quickly! Set 1 was patched with: SBD1 (shnid=87461) (first set only) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller [email protected] September 25, 2007 Notes: -- Set 1 only -- Jerry starts Peggy-O before and after Queen Jane Set 2 was patched with: SBD2 (shnid=87372) (second set only) DAT From The Collection of Todd Evans Healy DAT > PCM > DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Edited and Mastered By Jamie Waddell on the GEMS Edit Station Track'd, Cdwave Flac'd Level 8 TLH A **GEMS** Production www.shnflac.net September 2007 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-OCT-2007 --------------------------------------------------------- Audio Patches: 1) Before Touch Of Grey, 1 minute and 07.232 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Loose Lucy and Mexicali, 54.923 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) Also at the end of Dark Star, 14.871 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) At the end of Drums, 35.704 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. The audience ran about 2% fast (1 second per minute) and was aligned to the individual DATs. Otherwise besides a few minor patches all 3 sources were fun to work with. Brokedown House Production
Taper: Dean Grabski
3:01:55
Rating:
9.71 / 8 ratings
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1990-12-12.senn.grabski.32020.sbefail.flac16
Source:
Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master
Lineage:
Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC
Taper Notes:
View NotesRecorded front row taper section Recorded and transferred by Dean Grabski 1st night of 3 night run, sound and band starts out rough but both get rolling quickly!