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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1990
10/28/90
Touch Of Grey
6:48
Walkin' Blues
6:43
Candyman
8:15
Box Of Rain
7:15
Mexicali Blues>
6:06
Maggie's Farm (Tape Flip After Song)
5:24
Althea
7:03
Cassidy
7:31
Tennessee Jed
8:27
Stander On The Mountain
7:36
Set Break
0:08
Victim Or The Crime>
9:03
Eyes Of The World>
10:47
Estimated Prophet>
10:20
Uncle John's Band>
9:02
Drums>
9:57
Spa..ce>
9:19
The Other One>
7:44
Wharf Rat>
8:35
sugar Magnolia
8:23
Encore Break
1:15
Knockin On Heaven's Door
7:56
Crowd
0:12
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:45:21
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-10-28.141694.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- Some brief PA static in Sugar Magnolia (right channel only) -- This file set is 16 bit
Transferrer: Charlie Miller
2:45:21
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-10-28.141605.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- Some brief PA static in Sugar Magnolia (right channel only)
Source 3 of 12
2:45:00
SBD
Rating:
8.16 / 26 ratings
SHNID:
gd90-10-28.sbd.jamphan.3264.sbeok.shnf
Source:
SBD> DATx3
Taper Notes:
View NotesSBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan
Taper: Jim Vita
2:42:33
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-10-28.167634.nak700.blend.vita.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dan Liff (RIP) and Doug Lamarre for the Neumann RSM 190i-S source which supplies a 0:07 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Jim Vita
2:42:33
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-10-28.167633.nak700.blend.vita.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dan Liff (RIP) and Doug Lamarre for the Neumann RSM 190i-S source which supplies a 0:07 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Tim Dalton
2:44:22
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1990-10-28.144200.nak300-cp4.dalton.miller.sirmick.flac1648
Source:
Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for lending his source Thanks to Charlie Miller for the transfer. edited and mastered SIRMick December 2018
Taper: Dan Liff
2:41:57
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1990-10-28.139119.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
Taper: Floater
2:43:49
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1990-10-28.Nak300CP4.Floater.Keo.114395.Flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesComments:Another Thank You out to Floater for the source tapes and another excellent 90 show from Europe!As always,ENJOY!
Taper: Floater
2:43:49
Rating:
10.00 / 1 rating
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1990-10-28.Nak300CP4.Floater.Keo.114394.Flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View NotesComments:Another Thank You out to Floater for the source tapes and another excellent 90 show from Europe!As always,ENJOY!
Taper: Dean Grabski
2:45:03
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1990-10-28.113591.sennme80.grabski.flac16
Source:
RECORDING
Lineage:
Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2
Taper Notes:
View NotesSet 1 tape flip is after Maggie's Farm (crossfaded) Set 2 tape flip is 08:29 CD 2 track 5 (crossfaded) CD 2 track 5 08:29 through end of CD 2 is from end of set 1 tape (Maxell Metal Vertex 90) Recorded from lower rows of balcony Set 1 Maxell Metal Vertex tape - Set 2 TDK MA-XG Metal tape Original Sony TC-D5M used for transfer is in mint condition tape heads are cleaned at every tape flip
Taper: Alf Houck and Robert Wright
2:42:58
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-28.nak300.houck-wright.gmb.90833.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: - Discs 2 and 3 are seamless. - No patch source used for tape flips, crossfades applied after Maggie's Farm and during Space.
Taper: Andrew F
2:41:08
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1990-10-28.nak300.andrewf.83696.sbeok.sbeok.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > MAC
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
Taper Notes:
View Notes- The balcony was close to the stage, so the sound is decent. - Watch out for some loud distortion during Space. - The tape-flip occurs at 03:55.356 in Space, which I've mended together. - The break between Disc Two and Disc Three is seamless. - Soundforge was used to make fades and clean up around the tape flips.