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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1990
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:35:40
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 9, 2023
SHNID:
gd1990-10-20.165833.UltraMatrix.sbd.cm.miller.t-flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Patches needed due to issues with the ultra box feed -- Tape flips also covered with Ultra DAT -- This is 165742 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:35:40
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller charliemiller87@ear
SHNID:
gd1990-10-20.165742.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Patches needed due to issues with the ultra box feed -- Tape flips also covered with Ultra DAT
Taper: ANON
2:33:00
SBD
Taper:
ANON
Transferrer:
Mastering by Jim Blackwood, gsarchivist at LL; with help from Jason Chastain and Jamie Waddell
SHNID:
gd1990-10-20.150273.sbd.ANON.blackwood.flac1644
Source:
Soundboard
Taper Notes:
View Notes- stunning quality
Transferrer: hansokolow
2:37:14
SBD
Rating:
9.50 / 4 ratings
Transferrer:
hansokolow
SHNID:
gd1990-10-20.mtx.hansokolow.98728.flac16
Source:
matrix of SBD: shnid=12931 and DAUD: shnid=90641 using ProTools
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid=12931 DSBD: Healy mix>MD>D>CD This show was broadcast by German FM radio, and FM's do circulate. -This is NOT the old FM-Bootleg- ------------------------------- DAUD: shnid=90641 Source: Audience Master Cassette Nakamichi 300's Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper's Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 6, 2008 Green Mountain Bros. ------------------------------- hansokolow's notes: I lived in Germany as an exchange student in '88-'89, and had visited Berlin in January of '89. No one would have believed that the Berlin wall would come down in October, or that the country would be unified soon after. Though I wasn't lucky enough to attend any of the Europe shows, this one really resonates for me, because of what was happening at the time, incredible world events. Particularly Samson and Delilah, Ship of Fools, and Throwing Stones all have powerful lyrics and themes that speak to the times. And the playing throughout is pretty phenomenal: the introspective Dark Star is spread out over Drums and Space and is filled with mystery. I took a stab at the 10/19 show as well, but did not come out at all right, so sorry, but don't expect to see a matrix of that one by me. In general there are a lot of effects on the vocals and the drums in this show, mostly it's an echo effect. Sometimes things sound a bit muddy, but I made sure the matrixing process wasn't amplifying the effect. Also, I EQed out a very strong hiss on the AUD. Digibuzzing in Jack Straw on the DSBD at 2:36 for less than a second, which I cut out. Crowd noise missing from the DSBD between Walking Blues and FOTD, between FOTD and B. T. Wind, between Jack-A-Roe and Masterpiece, and between Masterpiece and Let It Grow. Due to a tapeflip, there is crowd noise missing from the AUD after Black-Throated Wind, as well as the first 15 seconds of Jack-A-Roe. There was a split-second glitch on the AUD in the intro to Masterpiece at 0:38 that I cut out. There is a jump in the crowd noise on the AUD in Space at 2:02 that I left in. There is a pop at 2:39 in Space, but it's on both sources, so I left it. I put the NFA crowd chant and the encore at the end of disc one, for weirdos like me who still use cds. But of course, it's seamless if you want to put it back together.
Source 5 of 19
2:33:11
SBD
Rating:
8.50 / 25 ratings
SHNID:
gd90-10-20.dsbd-matrix.dieter.12931.sbefail.shnf
Source:
DSBD: Healy mix>MD>D>CD
Taper Notes:
View NotesDSBD: Healy mix>MD>D>CD
Transferrer: Terry Rogers and Matt Vernon
2:32:43
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Terry Rogers and Matt Vernon
SHNID:
gd1990-10-20.sbd.rogers-vernon.8245.shnf
Source:
SBD > ? > CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn (seekable)
Taper Notes:
View NotesCOMMENTS This show was broadcast by German FM radio, and FM's do circulate. Notes: 1. shntool confirms tracks on sector boundaries 2. cool edit used to clean up small gaps at track boundaries 3. setlist from deadlists.com up'd to jerry's kids 3/02
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] December 19, 2025
2:41:35
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2025
SHNID:
gd1990-10-20.175704.bk4011.master.bradt.miller.flac1644
Source:
(FOB) B&K 4011 > Neumann Power Supply > DAT Master (48k)
Lineage:
Transfer Info: DAT Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- There was no mic info but it sounds like shnid=138476 -- Thanks to Bill Bradt and Kathy Weir Bradt for the tapes
Taper: Jim Vita
2:37:10
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-10-20.167632.nak700.blend.vita.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Lance Deal and jwpetty for the Schoeps CMC5 MK21 source which supplies a 0:13 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Jim Vita
2:37:10
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-10-20.167631.nak700.blend.vita.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Lance Deal and jwpetty for the Schoeps CMC5 MK21 source which supplies a 0:13 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2024
Taper: G
2:37:30
Rating:
10.00 / 1 rating
Taper:
G
Transferrer:
Willer
SHNID:
gd1990-10-20.153737.sonyECM.G.willer.flac1644
Source:
Sony ECM-150 -> Sony TCD-D5
Lineage:
Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac
Taper: Doug Lamarre
2:32:16
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-20.144901.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Doug Lamarre
2:32:16
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-20.144900.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Dave Flaschner
2:38:23
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1990-10-20.144552.cmc4.flac1648
Source:
Schoeps MK4 > Schoeps CMC4 > VMS52UB > Sony SBM-1 > Panasonic SV-255
Lineage:
DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View NotesThanks to Dave Flaschner for the DATs Transfer & edits by Jeff Mitchell ([email protected]) Seeded to etree 2019-01-03
Taper: Jeff Silberman
2:38:42
Taper:
Jeff Silberman
Transferrer:
Rob Berger and Doug Lamarre and Dan Liff
SHNID:
gd1990-10-20.139112.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: aud dat master > dat> dat; Doug Lamarre’s clone via Dan Liff r.i.p; taped by Jeff Silberman; neumann U89 > sonosax 5000 > sony tcd-d10 pro; transferred & seeded by Rob Berger
Taper: Mark Teitelbaum
2:39:50
Taper:
Mark Teitelbaum
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-10-20.138476.BK4011.fob.Teitelbaum.Ammons.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Mark Teitelbaum Recording: B&K 4011 (ORTF) > Neumann power supply > Panasonic SV255; FOB w/ stand; John Ammons
Lineage:
Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Joe Noel Edits: (re)Track & Pack: Flac > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Set 1 is 48kHz, Set 2 is 44.1kHz
Taper Notes:
View Notesnotes: - s1t01 - mic bump softened. - Dark Star + Drums > Space = 35:00 - Bill Kreutzmann is Schlagzeug!
Taper: Lance Deal
2:38:39
Taper:
Lance Deal
Transferrer:
Will Petty
SHNID:
gd1990-10-20.131473.cmc521.deal.flac16
Source:
Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5)
Taper: Floater
2:35:17
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1990-10-20.Nak300CP4.Floater.Keo.115552.Flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesComments:Another BIG thanks to Floater for sharing his source tapes to work on for aLL! This is another excellent sounding master from this European tour and highlights for me are the "Eyes Of The World" and the "Dark Star"!As always ENJOY!
Taper: Floater
2:35:16
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1990-10-20.Nak300CP4.Floater.Keo.115551.Flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View NotesComments:Another BIG thanks to Floater for sharing his source tapes to work on for aLL! This is another excellent sounding master from this European tour and highlights for me are the "Eyes Of The World" and the "Dark Star"!As always ENJOY!
Taper: Alf Houck and Robert Wright
2:35:40
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-20.nak300.houck-wright.gmb.90641.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300's Cardioids > Marantz
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: Discs 2 and 3 are seamless. Patch source shn 12931 used for tape flips before Jack-A-Roe and during Drums.