Bands
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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h893126
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h51874
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.4k724
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.4k847
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.8k370
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3k372
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k152
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.4k267
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85195
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k224
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k158
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k174
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k219
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k291
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k561
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.6k344
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.3k593
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79066
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k552
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k629
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k434
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k234
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.5k988
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.7k464
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41549
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9214
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1990
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.164131.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss -- This is 160432 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.161123.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.160432.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss
Taper: Anon
2:42:00
SBD
Taper:
Anon
Transferrer:
Mastering by Jim Blackwood with help from Jason Chastain Track, FLAC, and pack by Steve Gravel
SHNID:
gd1990-10-19.157674.sbd.anon.gems.flac16
Source:
Soundboard DAT
Taper Notes:
View NotesOriginally aired on Dead Legs - Program #29 (2022-05-15) - "ICC '90, Night One" http://www.deadlegs.live Originally shared to www.shnflac.net in August 2022 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Bill Kreutzmann - drums Mickey Hart - drums Bruce Hornsby - keyboards, vocals Vince Welnick - keyboards, vocals 16 Bit 44.1 kHz FLAC Level 8
Source 5 of 11
2:41:42
SBD
Rating:
9.00 / 20 ratings
SHNID:
gd90-10-19.dsbd-matrix.dieter.12892.sbeok.shnf
Source:
DSBD: Healy mix>MD>D>CD
Taper Notes:
View NotesDSBD: Healy mix>MD>D>CD; seeded to abgd by dieter
Transferrer: Terry Rogers and Matt Vernon
2:41:43
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Terry Rogers and Matt Vernon
SHNID:
gd1990-10-19.sbd.rogers-vernon.8199.shnf
Source:
[D]SBD > ? > CDR > EAC(secure) > Cool Edit (see notes) > mkwact(seekable)
Taper Notes:
View NotesNotes: 1. d3t5 had static and digital clicks in a few places that were cleaned up with Cool Edit. there still remains some minor diginoise near 1:53 and 1:56 2. shntool confirms tracks on sector boundaries
Taper: Doug Lamarre
2:42:35
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-19.144895.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Doug Lamarre
2:42:35
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-19.144894.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Lance Deal
2:54:04
Rating:
9.00 / 2 ratings
Taper:
Lance Deal
Transferrer:
Will Petty
SHNID:
gd1990-10-19.131475.cmc521.deal.flac16
Source:
Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5)
Taper: Greg Holtz
2:43:45
Taper:
Greg Holtz
Transferrer:
B. Green and Evan K.
SHNID:
gd1990-10-19.aud.holtz.GEMS.93854.flac16
Lineage:
MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8
Taper Notes:
View NotesThis is an excellent pull. Huge thanks to Greg for another fine source. Tape flips crossfaded where applicable, plugins to flavor, EQ to spice. Enjoy. -Discs 2 and 3 are seamless. - Masters provided by Greg Holtz (AKA Garageboy) - Transfer and edit by Bgreen - QC, Tracking and Flac'D by Evan K. (AKA spaceboy)
Taper: Alf Houck and Robert Wright
2:45:04
Rating:
8.00 / 1 rating
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-19.nak300.houck-wright.gmb.90094.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300�s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: Discs 2 and 3 are seamless. Patch source shn12892 used for tape flips after Mexicali Blues and during Drums. Pause before encore on both sources, crossfade was applied.