Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1990
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.164131.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss -- This is 160432 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.161123.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.160432.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss
Taper: Anon
2:42:00
SBD
Taper:
Anon
Transferrer:
Mastering by Jim Blackwood with help from Jason Chastain Track, FLAC, and pack by Steve Gravel
SHNID:
gd1990-10-19.157674.sbd.anon.gems.flac16
Source:
Soundboard DAT
Taper Notes:
View NotesOriginally aired on Dead Legs - Program #29 (2022-05-15) - "ICC '90, Night One" http://www.deadlegs.live Originally shared to www.shnflac.net in August 2022 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Bill Kreutzmann - drums Mickey Hart - drums Bruce Hornsby - keyboards, vocals Vince Welnick - keyboards, vocals 16 Bit 44.1 kHz FLAC Level 8
Source 5 of 11
2:41:42
SBD
Rating:
9.00 / 20 ratings
SHNID:
gd90-10-19.dsbd-matrix.dieter.12892.sbeok.shnf
Source:
DSBD: Healy mix>MD>D>CD
Taper Notes:
View NotesDSBD: Healy mix>MD>D>CD; seeded to abgd by dieter
Transferrer: Terry Rogers and Matt Vernon
2:41:43
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Terry Rogers and Matt Vernon
SHNID:
gd1990-10-19.sbd.rogers-vernon.8199.shnf
Source:
[D]SBD > ? > CDR > EAC(secure) > Cool Edit (see notes) > mkwact(seekable)
Taper Notes:
View NotesNotes: 1. d3t5 had static and digital clicks in a few places that were cleaned up with Cool Edit. there still remains some minor diginoise near 1:53 and 1:56 2. shntool confirms tracks on sector boundaries
Taper: Doug Lamarre
2:42:35
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-19.144895.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Doug Lamarre
2:42:35
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-19.144894.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Lance Deal
2:54:04
Rating:
9.00 / 2 ratings
Taper:
Lance Deal
Transferrer:
Will Petty
SHNID:
gd1990-10-19.131475.cmc521.deal.flac16
Source:
Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5)
Taper: Greg Holtz
2:43:45
Taper:
Greg Holtz
Transferrer:
B. Green and Evan K.
SHNID:
gd1990-10-19.aud.holtz.GEMS.93854.flac16
Lineage:
MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8
Taper Notes:
View NotesThis is an excellent pull. Huge thanks to Greg for another fine source. Tape flips crossfaded where applicable, plugins to flavor, EQ to spice. Enjoy. -Discs 2 and 3 are seamless. - Masters provided by Greg Holtz (AKA Garageboy) - Transfer and edit by Bgreen - QC, Tracking and Flac'D by Evan K. (AKA spaceboy)
Taper: Alf Houck and Robert Wright
2:45:04
Rating:
8.00 / 1 rating
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-19.nak300.houck-wright.gmb.90094.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300�s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: Discs 2 and 3 are seamless. Patch source shn12892 used for tape flips after Mexicali Blues and during Drums. Pause before encore on both sources, crossfade was applied.