Bands
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Bands
Grateful Dead
Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1990
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.164131.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss -- This is 160432 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.161123.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.160432.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss
Taper: Anon
2:42:00
SBD
Taper:
Anon
Transferrer:
Mastering by Jim Blackwood with help from Jason Chastain Track, FLAC, and pack by Steve Gravel
SHNID:
gd1990-10-19.157674.sbd.anon.gems.flac16
Source:
Soundboard DAT
Taper Notes:
View NotesOriginally aired on Dead Legs - Program #29 (2022-05-15) - "ICC '90, Night One" http://www.deadlegs.live Originally shared to www.shnflac.net in August 2022 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Bill Kreutzmann - drums Mickey Hart - drums Bruce Hornsby - keyboards, vocals Vince Welnick - keyboards, vocals 16 Bit 44.1 kHz FLAC Level 8
Source 5 of 11
2:41:42
SBD
Rating:
9.00 / 20 ratings
SHNID:
gd90-10-19.dsbd-matrix.dieter.12892.sbeok.shnf
Source:
DSBD: Healy mix>MD>D>CD
Taper Notes:
View NotesDSBD: Healy mix>MD>D>CD; seeded to abgd by dieter
Transferrer: Terry Rogers and Matt Vernon
2:41:43
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Terry Rogers and Matt Vernon
SHNID:
gd1990-10-19.sbd.rogers-vernon.8199.shnf
Source:
[D]SBD > ? > CDR > EAC(secure) > Cool Edit (see notes) > mkwact(seekable)
Taper Notes:
View NotesNotes: 1. d3t5 had static and digital clicks in a few places that were cleaned up with Cool Edit. there still remains some minor diginoise near 1:53 and 1:56 2. shntool confirms tracks on sector boundaries
Taper: Doug Lamarre
2:42:35
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-19.144895.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Doug Lamarre
2:42:35
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-19.144894.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Lance Deal
2:54:04
Rating:
9.00 / 2 ratings
Taper:
Lance Deal
Transferrer:
Will Petty
SHNID:
gd1990-10-19.131475.cmc521.deal.flac16
Source:
Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5)
Taper: Greg Holtz
2:43:45
Taper:
Greg Holtz
Transferrer:
B. Green and Evan K.
SHNID:
gd1990-10-19.aud.holtz.GEMS.93854.flac16
Lineage:
MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8
Taper Notes:
View NotesThis is an excellent pull. Huge thanks to Greg for another fine source. Tape flips crossfaded where applicable, plugins to flavor, EQ to spice. Enjoy. -Discs 2 and 3 are seamless. - Masters provided by Greg Holtz (AKA Garageboy) - Transfer and edit by Bgreen - QC, Tracking and Flac'D by Evan K. (AKA spaceboy)
Taper: Alf Houck and Robert Wright
2:45:04
Rating:
8.00 / 1 rating
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-19.nak300.houck-wright.gmb.90094.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300�s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: Discs 2 and 3 are seamless. Patch source shn12892 used for tape flips after Mexicali Blues and during Drums. Pause before encore on both sources, crossfade was applied.