Bands
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Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h45061
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.1k337
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.7k362
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k369
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k371
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k166
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.5k932
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h931105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.3k276
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5k585
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k164
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k197
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k233
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.5k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k211
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k255
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.6k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.8k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41241
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k486
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.9k643
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k362
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k191
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k214
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k234
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h77094
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h8312
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22617
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h342
7d1037
30d62737
2 shows
2 tapes
1990
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.164131.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss -- This is 160432 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.161123.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss
Taper: Recorded by Don Pearson and Dan Healy
2:45:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-10-19.160432.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by Ultramatrix DAT -- The recording levels during the encore were low causing some hiss
Taper: Anon
2:42:00
SBD
Taper:
Anon
Transferrer:
Mastering by Jim Blackwood with help from Jason Chastain Track, FLAC, and pack by Steve Gravel
SHNID:
gd1990-10-19.157674.sbd.anon.gems.flac16
Source:
Soundboard DAT
Taper Notes:
View NotesOriginally aired on Dead Legs - Program #29 (2022-05-15) - "ICC '90, Night One" http://www.deadlegs.live Originally shared to www.shnflac.net in August 2022 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Bill Kreutzmann - drums Mickey Hart - drums Bruce Hornsby - keyboards, vocals Vince Welnick - keyboards, vocals 16 Bit 44.1 kHz FLAC Level 8
Source 5 of 11
2:41:42
SBD
Rating:
9.00 / 20 ratings
SHNID:
gd90-10-19.dsbd-matrix.dieter.12892.sbeok.shnf
Source:
DSBD: Healy mix>MD>D>CD
Taper Notes:
View NotesDSBD: Healy mix>MD>D>CD; seeded to abgd by dieter
Transferrer: Terry Rogers and Matt Vernon
2:41:43
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Terry Rogers and Matt Vernon
SHNID:
gd1990-10-19.sbd.rogers-vernon.8199.shnf
Source:
[D]SBD > ? > CDR > EAC(secure) > Cool Edit (see notes) > mkwact(seekable)
Taper Notes:
View NotesNotes: 1. d3t5 had static and digital clicks in a few places that were cleaned up with Cool Edit. there still remains some minor diginoise near 1:53 and 1:56 2. shntool confirms tracks on sector boundaries
Taper: Doug Lamarre
2:42:35
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-19.144895.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Doug Lamarre
2:42:35
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1990-10-19.144894.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019
Taper: Lance Deal
2:54:04
Rating:
9.00 / 2 ratings
Taper:
Lance Deal
Transferrer:
Will Petty
SHNID:
gd1990-10-19.131475.cmc521.deal.flac16
Source:
Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5)
Taper: Greg Holtz
2:43:45
Taper:
Greg Holtz
Transferrer:
B. Green and Evan K.
SHNID:
gd1990-10-19.aud.holtz.GEMS.93854.flac16
Lineage:
MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8
Taper Notes:
View NotesThis is an excellent pull. Huge thanks to Greg for another fine source. Tape flips crossfaded where applicable, plugins to flavor, EQ to spice. Enjoy. -Discs 2 and 3 are seamless. - Masters provided by Greg Holtz (AKA Garageboy) - Transfer and edit by Bgreen - QC, Tracking and Flac'D by Evan K. (AKA spaceboy)
Taper: Alf Houck and Robert Wright
2:45:04
Rating:
8.00 / 1 rating
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-19.nak300.houck-wright.gmb.90094.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300�s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: Discs 2 and 3 are seamless. Patch source shn12892 used for tape flips after Mexicali Blues and during Drums. Pause before encore on both sources, crossfade was applied.