RELISTENTOTHE Grateful Dead
Re
1990
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1990
9/18/90
Tuning
1:05
Mississippi Half-Step Uptown Toodleloo
8:51
New Minglewood Blues
9:59
Loser
8:26
Picasso Moon
6:52
Tuning
2:06
Row Jimmy
12:33
Desolation Row
13:19
To Lay Me Down
10:02
The Promised Land
5:31
Tuning
2:24
Eyes Of The World
17:33
Estimated Prophet
12:51
Foolish Heart
7:51
Jam
10:46
Drums
5:24
Space
5:41
Space
6:49
The Other One
8:49
The Wheel
4:24
Sugar Magnolia
6:05
SSDD
7:09
Knockin’ On Heaven's Door
9:30
FIN
View on archive.org
Sources
Transferrer: hansokolow
3:04:36
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-18.mtx.hansokolow.96156.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes----------------------------------- This is a matrix, done by hansokolow in ProTools, of the following digital sources: DSBD: shnid=79022 SBD -> Dat (44.1k) ----------------------------------- DAUD: shnid=9772 Primary Source: DFOB MAD>D>CD Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). Tapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers) Secondary Source: 20th row FOB B&K4011's> DAT; DAT> SHN via M1> Zoltrix> Cooledit2k> CDWAV> MKW Secondary Source used to patch two master dat dropouts in Promised Land and two in Eyes. Each dropout was approx. one second in length. Dropouts patched/crossfaded in soundforge. ----------------------------------- My Notes: One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well. Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process. Every disc I make is seamless for longer media. I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that. With analog sources there is always some wavering. Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats. These are smoothed over and when mixed with another source, undetectable. There still may be occasional phasing, particularly in the vocals and the cymbals. Believe me that I do everything I can to minimize problems like that. That includes cutting out spots of diginoise and blips and things. Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out. When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track. I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe. I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years. Thanks, brothers and sisters. -Tano ([email protected])
Taper: Rick Katzeff via the Rich Gastwirt Collection
3:06:50
Taper:
Rick Katzeff via the Rich Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-09-18.139520.FOB.Schoeps.Katzeff.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - The taper's recording information is based on source #9772 & #132709, which raised some questions. If you listen to the taper narrative that starts the second set of (9/20 - #132709), then compare the voice to the unfortunate comment made by the taper at the very beginning of s1t03 (Loser - 0:01 - #9772), they are the same. Confirmation is based on previous transfers I have edited, where the taper made the exact remark. Its well documented that both Katzeff & Tom Darien recorded from the same FOB seats for this entire run with the assistance of "Barry the security guard". The same utterance can be heard on Darien's recording, amongst other banter. That said source #9772 could not have been recorded by Dave Bratman/Brotman as stated in the database. Unless he wants to be credited with the inappropriate observation. One other note. Bratman/Brotman has listed his recording location as Section 2, row 15, seat 1. That, according to SeatGeek, is OTS & some mighty powerful mics that can pick up the Katzeff comment several hundred feet away during a rock concert. Plus, the Garden as long as I have been a New Yorker has always listed the floor section by letter (A,B,C,etc). - The transfer is the upgrade & it kills! - This source may be a clone. - Rich's DAT was water damaged, parts of 9772 were used to restore damaged segments. - 9772 was speed corrected & converted to 48(Hz) - Never ending daydream * Hornsby on accordion
Taper: Mr. Currier
2:54:56
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1990-09-18.AKG451.Currier.Keo.131909.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier and company for recording and sharing their source for this show!Some higher recording levels present for the first set and a hour and twenty minutes long and a very sweet second set as well, though missing most of the "Drums" portion.All and all another excellent share from Mr. Currier's master collection and the Grateful Dead's 1990 fall tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Mr. Currier
3:04:53
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1990-09-18.AKG451.Currier.Keo.131908.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier and company for recording and sharing their source for this show!Some higher recording levels present for the first set and a hour and twenty minutes long and a very sweet second set as well, though missing most of the "Drums" portion!All and all another excellent share from Mr. Currier's master collection and the Grateful Dead's 1990 fall tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!