RELISTENTOTHE Grateful Dead
Re
1990
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Bands
Grateful Dead
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Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1990
9/18/90
Tuning
0:56
Mississippi Half-Step Uptown Toodleloo
8:58
New Minglewood Blues
10:07
Loser
8:32
Picasso Moon
9:42
Row Jimmy
13:02
Desolation Row
13:47
To Lay Me Down >
9:32
Promised Land
5:40
Tuning
0:38
Eyes Of The World >
17:38
Estimated Prophet >
12:59
Foolish Heart >
18:51
Drums >
11:20
Space >
7:12
The Other One >
8:46
The Wheel >
4:26
Sugar Magnolia
10:11
Encore Break
2:12
Knockin' on Heaven's Door
9:27
FIN
View on archive.org
Sources
Transferrer: hansokolow
3:04:36
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-18.mtx.hansokolow.96156.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes----------------------------------- This is a matrix, done by hansokolow in ProTools, of the following digital sources: DSBD: shnid=79022 SBD -> Dat (44.1k) ----------------------------------- DAUD: shnid=9772 Primary Source: DFOB MAD>D>CD Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). Tapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers) Secondary Source: 20th row FOB B&K4011's> DAT; DAT> SHN via M1> Zoltrix> Cooledit2k> CDWAV> MKW Secondary Source used to patch two master dat dropouts in Promised Land and two in Eyes. Each dropout was approx. one second in length. Dropouts patched/crossfaded in soundforge. ----------------------------------- My Notes: One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well. Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process. Every disc I make is seamless for longer media. I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that. With analog sources there is always some wavering. Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats. These are smoothed over and when mixed with another source, undetectable. There still may be occasional phasing, particularly in the vocals and the cymbals. Believe me that I do everything I can to minimize problems like that. That includes cutting out spots of diginoise and blips and things. Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out. When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track. I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe. I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years. Thanks, brothers and sisters. -Tano ([email protected])
Taper: Rick Katzeff via the Rich Gastwirt Collection
3:06:50
Taper:
Rick Katzeff via the Rich Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-09-18.139520.FOB.Schoeps.Katzeff.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - The taper's recording information is based on source #9772 & #132709, which raised some questions. If you listen to the taper narrative that starts the second set of (9/20 - #132709), then compare the voice to the unfortunate comment made by the taper at the very beginning of s1t03 (Loser - 0:01 - #9772), they are the same. Confirmation is based on previous transfers I have edited, where the taper made the exact remark. Its well documented that both Katzeff & Tom Darien recorded from the same FOB seats for this entire run with the assistance of "Barry the security guard". The same utterance can be heard on Darien's recording, amongst other banter. That said source #9772 could not have been recorded by Dave Bratman/Brotman as stated in the database. Unless he wants to be credited with the inappropriate observation. One other note. Bratman/Brotman has listed his recording location as Section 2, row 15, seat 1. That, according to SeatGeek, is OTS & some mighty powerful mics that can pick up the Katzeff comment several hundred feet away during a rock concert. Plus, the Garden as long as I have been a New Yorker has always listed the floor section by letter (A,B,C,etc). - The transfer is the upgrade & it kills! - This source may be a clone. - Rich's DAT was water damaged, parts of 9772 were used to restore damaged segments. - 9772 was speed corrected & converted to 48(Hz) - Never ending daydream * Hornsby on accordion
Taper: Mr. Currier
2:54:56
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1990-09-18.AKG451.Currier.Keo.131909.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier and company for recording and sharing their source for this show!Some higher recording levels present for the first set and a hour and twenty minutes long and a very sweet second set as well, though missing most of the "Drums" portion.All and all another excellent share from Mr. Currier's master collection and the Grateful Dead's 1990 fall tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Mr. Currier
3:04:53
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1990-09-18.AKG451.Currier.Keo.131908.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier and company for recording and sharing their source for this show!Some higher recording levels present for the first set and a hour and twenty minutes long and a very sweet second set as well, though missing most of the "Drums" portion!All and all another excellent share from Mr. Currier's master collection and the Grateful Dead's 1990 fall tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!