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June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1990
9/18/90
Mississippi Half-Step Uptown Toodleloo
9:21
New Minglewood Blues
10:07
Loser
8:32
Picasso Moon
9:42
Row Jimmy
13:02
Desolation Row
13:47
To Lay Me Down ->
9:33
The Promised Land
5:42
Eyes Of The World ->
17:51
Estimated Prophet ->
12:59
Foolish Heart ->
18:52
Drums ->
11:18
Space ->
7:10
The Other One ->
8:43
The Wheel ->
4:27
Sugar Magnolia
11:38
Knockin' On Heaven's Door
10:01
FIN
View on archive.org
Sources
Taper: Don Pearson
3:03:56
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-09-18.147781.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Tape flips patched with a Dat Master -- This file set is 16 bit @ 44.1
Taper: Don Pearson
3:03:56
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-09-18.147622.ultramatrix.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Tape flips patched with a Dat Master
Transferrer: Charlie Miller
3:02:45
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-09-18.sbd.miller.fix-79022.86952.sbeok.flac16
Source:
SBD -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Fixed drop-out in Foolish Heart with SBD Cass Master
Transferrer: Charlie Miller
3:02:42
SBD
Rating:
9.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-09-18.sbd.miller.79022.sbeok.flac16
Source:
SBD -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesNotes: -- 2nd Set is seamless
Transferrer: Charlie Miller and Bill Tetzeli
2:53:38
SBD
Transferrer:
Charlie Miller and Bill Tetzeli
SHNID:
gd1990-09-18.sbd.miller.tetzeli.fix-12885.35162.reflac.flac16
Source:
SBD->Cm->Dat->CD->Cool Edit Pro->CD>EAC>SHN
Taper Notes:
View NotesCharlie used cool edit pro v1.2 to remove numerous gaps and cuts, and he normalized each disc (before tracking) to 98%. Bill deleted the overlap between the CDs to make the transition seamless, and used the AUD on archive.org to patch in a couple of seconds at the end of Picasso Moon, and eliminated a 53 second repeat starting at 5:03 on TOO. SteveSw removed the REPLAYGAIN flags from the files.
Transferrer: Matrix by Joe Noel
3:02:58
SBD
Transferrer:
Matrix by Joe Noel
SHNID:
gd1990-09-18.138069.mtx.photoleon.t-flac16
Source:
Matrix by photoleon; Ambient Recording by Tom Darian; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; From Section A Row 19, seat 2 FOB - near center; transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700; and SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
Transferrer: hansokolow
3:04:36
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-18.mtx.hansokolow.96156.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes----------------------------------- This is a matrix, done by hansokolow in ProTools, of the following digital sources: DSBD: shnid=79022 SBD -> Dat (44.1k) ----------------------------------- DAUD: shnid=9772 Primary Source: DFOB MAD>D>CD Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). Tapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers) Secondary Source: 20th row FOB B&K4011's> DAT; DAT> SHN via M1> Zoltrix> Cooledit2k> CDWAV> MKW Secondary Source used to patch two master dat dropouts in Promised Land and two in Eyes. Each dropout was approx. one second in length. Dropouts patched/crossfaded in soundforge. ----------------------------------- My Notes: One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well. Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process. Every disc I make is seamless for longer media. I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that. With analog sources there is always some wavering. Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats. These are smoothed over and when mixed with another source, undetectable. There still may be occasional phasing, particularly in the vocals and the cymbals. Believe me that I do everything I can to minimize problems like that. That includes cutting out spots of diginoise and blips and things. Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out. When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track. I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe. I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years. Thanks, brothers and sisters. -Tano ([email protected])
Source 8 of 21
2:54:37
SBD
Rating:
7.68 / 20 ratings
SHNID:
gd90-09-18.sbd.miller.12885.sbeok.shnf
Source:
SBD>Cm>Dat>CD>WAV>SHN
Taper Notes:
View NotesLineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller
Source 9 of 21
2:54:11
SBD
SHNID:
gd1990-09-18.sbd.richey.11811.sbeok.shnf
Source:
SBD>DAT MASTER>DATX2>CDR
Lineage:
CDR>EAC>MKW>SHN
Taper: Master Digital Audience Recording by Dave Brotman & Jeff Metchick
3:11:21
Taper:
Master Digital Audience Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition 2020) August 22, 2020
SHNID:
gd1990-09-18.150544.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
Source:
(FOB) Schoeps CMC3/MK4 (ORTF) > M1000 Cables > Oade PS > Master Dat (Panasonic SV-250/48k). Location: Sec A Row 19 Seat 01 (FOB, mics on stand @ 6'5")
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - upgrade to shnid 9772 - lineage & location is confirmed by taper & j cards. * Hornsby on accordion
Taper: Tim Dalton
3:08:30
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1990-09-18.144893.nak300.cp4.dalton.miller.sirmick.flac1648
Source:
Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for another fine recording Thanks To Charlie miller for the transfer ediyed and mastered SIRMick February 2019
Taper: Ron Ackerman
3:02:38
Rating:
8.00 / 1 rating
Taper:
Ron Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-09-18.141167.OTS.AKG.Ackerman.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
Taper Notes:
View NotesPatch info: - shnid #139520 (Schoeps) supplies - s2t06; 0:04 - 0:41 Notes: - portion of this show were officially released as Road Trips Vol 2 No. 1 & So Many Roads * Hornsby on accordion
Taper: Rick Katzeff via the Rich Gastwirt Collection
3:06:50
Taper:
Rick Katzeff via the Rich Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-09-18.139520.FOB.Schoeps.Katzeff.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - The taper's recording information is based on source #9772 & #132709, which raised some questions. If you listen to the taper narrative that starts the second set of (9/20 - #132709), then compare the voice to the unfortunate comment made by the taper at the very beginning of s1t03 (Loser - 0:01 - #9772), they are the same. Confirmation is based on previous transfers I have edited, where the taper made the exact remark. Its well documented that both Katzeff & Tom Darien recorded from the same FOB seats for this entire run with the assistance of "Barry the security guard". The same utterance can be heard on Darien's recording, amongst other banter. That said source #9772 could not have been recorded by Dave Bratman/Brotman as stated in the database. Unless he wants to be credited with the inappropriate observation. One other note. Bratman/Brotman has listed his recording location as Section 2, row 15, seat 1. That, according to SeatGeek, is OTS & some mighty powerful mics that can pick up the Katzeff comment several hundred feet away during a rock concert. Plus, the Garden as long as I have been a New Yorker has always listed the floor section by letter (A,B,C,etc). - The transfer is the upgrade & it kills! - This source may be a clone. - Rich's DAT was water damaged, parts of 9772 were used to restore damaged segments. - 9772 was speed corrected & converted to 48(Hz) - Never ending daydream * Hornsby on accordion
Source 14 of 21
3:02:53
SHNID:
gd1990-09-18.152738.mtx.seamons.ht130.flac16
Source:
Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 4, 2021
Taper: Mr. Currier
2:54:56
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1990-09-18.AKG451.Currier.Keo.131909.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier and company for recording and sharing their source for this show!Some higher recording levels present for the first set and a hour and twenty minutes long and a very sweet second set as well, though missing most of the "Drums" portion.All and all another excellent share from Mr. Currier's master collection and the Grateful Dead's 1990 fall tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Mr. Currier
3:04:53
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1990-09-18.AKG451.Currier.Keo.131908.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier and company for recording and sharing their source for this show!Some higher recording levels present for the first set and a hour and twenty minutes long and a very sweet second set as well, though missing most of the "Drums" portion!All and all another excellent share from Mr. Currier's master collection and the Grateful Dead's 1990 fall tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: M.Laurentus
3:04:00
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1990-09-18.124767.AT835.Fix.laurentis.flac16
Source:
Taper: M. Laurentus; Loge/Taper Section Sec 56D,Row A,Seat 12; AT835B's- AT 8202’s-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: M Laurentus
3:06:05
Taper:
M Laurentus
SHNID:
gd1990-09-18.at835b.laurentus.fix-96934.97021.flac16
Source:
AT835B's > AT 8202's > SONY TCD-5M-Cassette
Lineage:
MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC
Taper Notes:
View NotesI do not believe that D1T10 (the promised land) was ever shared as part of this source.
Taper: M Laurentus
2:58:31
Taper:
M Laurentus
SHNID:
gd1990-09-18.at835b.laurentus.96934.flac16
Source:
AT835B's > AT 8202â?Ts > SONY TCD-5M > MAC
Lineage:
MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC
Taper: tdarian
3:00:00
Rating:
9.33 / 3 ratings
Taper:
tdarian
Transferrer:
Mike French
SHNID:
gd1990-09-18.bk4011.tdarian.french.88968.sbeok.flac16
Source:
B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center
Lineage:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master
Taper Notes:
View Notes"My primary crowd control weapon: Backstage passes to send the loud mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side " 20th anniversary of James Marshall Hendrix's death
Source 21 of 21
3:05:21
Rating:
9.20 / 10 ratings
SHNID:
gd90-09-18.schoeps-fob.sacks.9772.sbeok.shnf
Source:
MAD(FOB Schoeps)>D>CD >WAV>SHN.