Bands
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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h812114
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h53977
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.8k641
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k343
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h7.3k976
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k353
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.8k352
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k254
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h84093
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k211
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k149
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k177
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k214
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.1k568
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k166
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.4k317
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h13.6k1.9k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.9k530
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h71164
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k537
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k603
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.4k425
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k958
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k397
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h39447
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10115
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31123
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1990
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:52:28
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 23, 2022
SHNID:
gd1990-09-11.161383.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Patch source recorded by Dave Brotman -- This is 158746 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:52:28
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 23, 2022
SHNID:
gd1990-09-11.158746.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Patch source recorded by Dave Brotman
Transferrer: Charlie Miller
2:52:30
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-09-11.122145.sbd.miller.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help pitch correcting both sources
Transferrer: Charlie Miller
2:52:30
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-09-11.122144.sbd.miller.flac24
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help pitch correcting both sources
Transferrer: Matrix by Dave Usborne
2:53:34
SBD
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-09-11.137116.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne;Soundboard (shnid:122145) Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Audience (shnid:011808)Source: FOB(Nak. 300's > D-5) > CM >?? > CDR >There maybe another Cass. gen. in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
Taper Notes:
View NotesTagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 10-25-2016
Source 6 of 11
2:46:01
SBD
Rating:
7.33 / 19 ratings
SHNID:
gd90-09-11.sbd-matrix.wiley.11809.sbeok.shnf
Source:
(Healy Mix)SBD>DAT>C>DAT>CDR>WAV>SHN
Taper Notes:
View Notes(Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley
Taper: Dave Brotman & Jeff Metchick Master Digital Recording
2:58:46
Rating:
8.00 / 1 rating
Taper:
Dave Brotman & Jeff Metchick Master Digital Recording
Transferrer:
Charlie Miller Transfer Edited & Mastered by Joe Noel
SHNID:
gd1990-09-11.146063.FOB.BK4011.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics on stand @ 6')
Lineage:
Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - Thanks to Dave & Jeff for sharing their master DAT - Thanks to Charlie for the quality transfer - Thanks to Ted for helping things along - Mickey Hart's 47th Birthday - a healthy jam emerges from Spoonful
Taper: Rich Berner
1:04:01
Taper:
Rich Berner
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1990-09-11.142423.s1.FOB.BK.Berner.Ammons.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 1 Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV
Taper Notes:
View NotesNotes: - dc offset removed - let the dust settle on this one.
Taper: Mr. Currier
2:58:23
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1990-09-11.AKG451.Currier.Keo.121665.Flac1644
Source:
Master Audience Recorded By MR. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show! Lots of crowd noise to start and settles down into the second set.The drums starts right before the tape flip and also cuts inside to save room on tape for the second half of set 2,The encore break and Encore added from tape 1's end. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:58:23
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1990-09-11.AKG451.Currier.Keo.121664.Flac2496
Source:
Master Audience Recorded By MR. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show! Lots of crowd noise to start and settles down into the second set.The drums starts right before the tape flip and also cuts inside to save room on tape for the second half of set 2,The encore break and Encore added from tape 1's end. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Source 11 of 11
2:46:20
Rating:
9.71 / 7 ratings
SHNID:
gd90-09-11.fob-nak300.wiley.11808.sbeok.shnf
Source:
FOB(Nak. 300's>D-5)>CM>?>CDR>WAV>SHN
Taper Notes:
View NotesFOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley