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Today In History
June 8th
Years
1995
29.8k
PlaybackListensHours
48h53971
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k133
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k301
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k266
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.9k822
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.4k681
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k189
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78686
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k159
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h989129
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k186
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k190
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.9k237
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8k860
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k195
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k226
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.5k3k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k396
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.7k862
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k488
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k317
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k171
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.8k473
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k376
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h62887
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10814
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h16913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1990
7/19/90
Crowd/Tuning
1:05
Jack Straw
5:30
They Love Each Other
8:00
Desolation Row
12:50
Row Jimmy
11:20
Picasso Moon (Tape Flip After Song)
7:47
Althea >
8:09
Promised Land, Set Break
5:07
Tuning
1:56
Victim Or The Crime >
7:55
Foolish Heart >
9:08
Playing In The Band >
9:21
China Doll >
5:24
Uncle John's Band >
9:10
Drum..s > (Tape Flip Near End)
11:47
Space >
12:35
All Along The Watchtower >
7:52
Black Peter >
8:59
Not Fade Away >
9:44
NFA..Chant (End added From Set 1 Tape)
3:01
U.S. Blues
6:01
FIN
View on archive.org
Sources
Taper: Don Pearson
2:47:22
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-07-19.147777.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Two different sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:47:22
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-07-19.147566.sbd.ultramatrix.pearson.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Two different sets of masters were used to make this show complete
Taper: Joani Walkerand Paul Scotton
2:49:30
SBD
Rating:
9.00 / 5 ratings
Taper:
Joani Walkerand Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1990-07-19.sbd.walker-scotton.miller.95783.sbeok.flac16
Source:
SBD -> Dat Master (48k)
Lineage:
Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes -- Most other circulating copies actually have a Hi-Fi VHS gen in them
Transferrer: Charlie Miller
2:46:24
SBD
Rating:
9.40 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-07-19.sbd.miller.32354.sbeok.flac16
Source:
SBD -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: -- Seamless transition between discs 2 and 3. -- I think this sounds a little better than what circulates.
Transferrer: Matrix by Dave Usborne
2:50:08
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-07-19.132854.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
Taper Notes:
View NotesMatrix by dusborne 03-11-2015 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 03-11-2015
Transferrer: Bill Tetzeli
2:46:23
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1990-07-19.sbd.garcia420.tetzeli.fix-2177.34617.reflac.flac16
Source:
Fix of shnid 2177
Taper Notes:
View Notes------------------------------------------------------------------------------------- Fix of shnid 2177 I made the transition between CDs 2 and 3 seamless and cleaned up the resulting SBEs with shntool. I also converted the nonseekable SHNs to FLAC. Many thanks to whomever did the the DAT>CD transfer for providing the overlap that made this fix possible. There is a short segment in the transition between drums and space where the volume is almost inaudible. This is not a fade, it's part of the original recording. It seemed an appropriate place to split the tracks. Also, there is a short burst of static at 11:59 in d2t06. Although this is right where the splice was made, it's part of the original recording, in both segments of redundant material. Bill Tetzeli ([email protected]) 6:40 PM 4/8/2006 -------------------------------------------------------------------------------------
Source 7 of 18
2:46:53
SBD
Rating:
9.37 / 38 ratings
SHNID:
gd90-07-19.dsbd.garcia420.2177.sbeok.shnf
Source:
Soundboard
Lineage:
DSBRD> DAT> CD-R> EAC> SHN
Taper Notes:
View NotesDSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd
Taper: Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
2:53:02
Taper:
Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-07-19.142346.FOB.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted for sharing his library with us. - Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show - Thanks to Charlie for the coordinating efforts & the transfer.
Source 9 of 18
2:51:30
Rating:
10.00 / 1 rating
SHNID:
gd1990-07-19.156403.mtx.photoleon.flac16
Source:
Matrix created (Adobe Audition) by Joe Noel November 23, 2021
Taper Notes:
View NotesNotes; - s2t01 is source 2 only for first 01:03 - Source 3 (147777) was pitch corrected Thanks to; - Rick Katzeff & Marco Fanari for the FOB recording - Dave Brotman for the FOB recording - Don Pearson for the SBD recording - Charlie Miller for the transfers - Jack Schlottman & John Ammons for the critique.
Taper: Allen Ryals
2:42:05
Taper:
Allen Ryals
Transferrer:
Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-19.154265.mac.billtmcdee.t.flac1648
Source:
Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands Patch Source: gd1990-07-19.AKG451.Darby.117699.Flac2448
Taper: Allen Ryals
2:42:05
Taper:
Allen Ryals
Transferrer:
Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-19.154264.mac.billtmcdee.t.flac2496
Source:
Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands Patch Source: gd1990-07-19.AKG451.Darby.117699.Flac2448
Taper: Steve Hill
2:42:42
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1990-07-19.Nak100sSenn421.Hill.Keo.131316.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Another excellent share from the Hill collection of masters and the Grateful Dead's 1990 Summer Tour!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Steve Hill
2:42:41
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1990-07-19.Nak100sSenn421.Hill.Keo.131315.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Another excellent share from the Hill collection of masters and the Grateful Dead's 1990 Summer Tour!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Dave Cohen and Justin Lee
2:46:48
Taper:
Dave Cohen and Justin Lee
SHNID:
gd1990-07-19.nak300.cohenlee.118905.flac16
Source:
Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
Taper: Robert Mullen
2:43:14
Rating:
10.00 / 1 rating
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1990-07-19.118893.aud.dak5245-pzm.flac
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesComments: These were the only shows I was able to get to in 1990. After a great first night they changed it up a bit and still had another wonderful show. (IMHO) These were some of the last shows before the band lost Brent 7 days later and we really enjoyed some of the "out there" stuff during the space section by him at these "Indy" shows. Enjoy the recordings folks. Please: Convert to lossy format only for personal use. Please: Do Not Buy or Sell This Recording. Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. Please: Relax and Enjoy!
Taper: Mike Darby
2:42:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-19.AKG451.Darby.117700.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge,Huge thanks out to Mr. Darby for recording and sharing his source for this show! Another excellent recording and performance from the Darby collection!Included is a scan of Mr. Darby's ticket stub and a scan of mine! As always ENJOY!
Taper: Mike Darby
2:42:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-19.AKG451.Darby.117699.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge,Huge thanks out to Mr. Darby for recording and sharing his source for this show! Another excellent recording and performance from the Darby collection!Included is a scan of Mr. Darby's ticket stub and a scan of mine! As always ENJOY!
Taper: Greg Holtz
2:43:53
Rating:
8.67 / 3 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1990-07-19.fob.nak100.holtz.jaz.105263.flac16
Source:
(FOB Sec B Row 17 DFC) Nakamichi CM-100's with CP-1 caps -> Sony WM-D6
Lineage:
Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename