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Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1990
7/19/90
Tuning
2:27
Jack Straw
6:31
The Other One
8:36
Desolation Row
13:44
Playin' in the Band reprise
11:59
Big River
8:27
When I Paint My Masterpiece
7:24
Promised Land
5:09
Tuning
1:08
Victim Or The Crime >
7:55
Foolish Heart >
9:14
Playin' in the Band
9:24
Me & My Uncle
5:26
Uncle John's Band >
9:12
Drums >
12:37
Space >
12:14
All Along The Watchtower >
7:53
Brokedown Palace (encore)
9:03
Not Fade Away
9:52
Encore Break
3:34
U.S. Blues
5:33
FIN
View on archive.org
Sources
Taper: Don Pearson
2:47:22
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-07-19.147777.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Two different sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:47:22
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-07-19.147566.sbd.ultramatrix.pearson.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Two different sets of masters were used to make this show complete
Taper: Joani Walkerand Paul Scotton
2:49:30
SBD
Rating:
9.00 / 5 ratings
Taper:
Joani Walkerand Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1990-07-19.sbd.walker-scotton.miller.95783.sbeok.flac16
Source:
SBD -> Dat Master (48k)
Lineage:
Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes -- Most other circulating copies actually have a Hi-Fi VHS gen in them
Transferrer: Charlie Miller
2:46:24
SBD
Rating:
9.40 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-07-19.sbd.miller.32354.sbeok.flac16
Source:
SBD -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: -- Seamless transition between discs 2 and 3. -- I think this sounds a little better than what circulates.
Transferrer: Matrix by Dave Usborne
2:50:08
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-07-19.132854.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
Taper Notes:
View NotesMatrix by dusborne 03-11-2015 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 03-11-2015
Transferrer: Bill Tetzeli
2:46:23
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1990-07-19.sbd.garcia420.tetzeli.fix-2177.34617.reflac.flac16
Source:
Fix of shnid 2177
Taper Notes:
View Notes------------------------------------------------------------------------------------- Fix of shnid 2177 I made the transition between CDs 2 and 3 seamless and cleaned up the resulting SBEs with shntool. I also converted the nonseekable SHNs to FLAC. Many thanks to whomever did the the DAT>CD transfer for providing the overlap that made this fix possible. There is a short segment in the transition between drums and space where the volume is almost inaudible. This is not a fade, it's part of the original recording. It seemed an appropriate place to split the tracks. Also, there is a short burst of static at 11:59 in d2t06. Although this is right where the splice was made, it's part of the original recording, in both segments of redundant material. Bill Tetzeli ([email protected]) 6:40 PM 4/8/2006 -------------------------------------------------------------------------------------
Source 7 of 18
2:46:53
SBD
Rating:
9.37 / 38 ratings
SHNID:
gd90-07-19.dsbd.garcia420.2177.sbeok.shnf
Source:
Soundboard
Lineage:
DSBRD> DAT> CD-R> EAC> SHN
Taper Notes:
View NotesDSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd
Taper: Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
2:53:02
Taper:
Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-07-19.142346.FOB.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted for sharing his library with us. - Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show - Thanks to Charlie for the coordinating efforts & the transfer.
Source 9 of 18
2:51:30
Rating:
10.00 / 1 rating
SHNID:
gd1990-07-19.156403.mtx.photoleon.flac16
Source:
Matrix created (Adobe Audition) by Joe Noel November 23, 2021
Taper Notes:
View NotesNotes; - s2t01 is source 2 only for first 01:03 - Source 3 (147777) was pitch corrected Thanks to; - Rick Katzeff & Marco Fanari for the FOB recording - Dave Brotman for the FOB recording - Don Pearson for the SBD recording - Charlie Miller for the transfers - Jack Schlottman & John Ammons for the critique.
Taper: Allen Ryals
2:42:05
Taper:
Allen Ryals
Transferrer:
Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-19.154265.mac.billtmcdee.t.flac1648
Source:
Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands Patch Source: gd1990-07-19.AKG451.Darby.117699.Flac2448
Taper: Allen Ryals
2:42:05
Taper:
Allen Ryals
Transferrer:
Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-19.154264.mac.billtmcdee.t.flac2496
Source:
Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands Patch Source: gd1990-07-19.AKG451.Darby.117699.Flac2448
Taper: Steve Hill
2:42:42
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1990-07-19.Nak100sSenn421.Hill.Keo.131316.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Another excellent share from the Hill collection of masters and the Grateful Dead's 1990 Summer Tour!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Steve Hill
2:42:41
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1990-07-19.Nak100sSenn421.Hill.Keo.131315.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Another excellent share from the Hill collection of masters and the Grateful Dead's 1990 Summer Tour!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Dave Cohen and Justin Lee
2:46:48
Taper:
Dave Cohen and Justin Lee
SHNID:
gd1990-07-19.nak300.cohenlee.118905.flac16
Source:
Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
Taper: Robert Mullen
2:43:14
Rating:
10.00 / 1 rating
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1990-07-19.118893.aud.dak5245-pzm.flac
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesComments: These were the only shows I was able to get to in 1990. After a great first night they changed it up a bit and still had another wonderful show. (IMHO) These were some of the last shows before the band lost Brent 7 days later and we really enjoyed some of the "out there" stuff during the space section by him at these "Indy" shows. Enjoy the recordings folks. Please: Convert to lossy format only for personal use. Please: Do Not Buy or Sell This Recording. Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. Please: Relax and Enjoy!
Taper: Mike Darby
2:42:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-19.AKG451.Darby.117700.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge,Huge thanks out to Mr. Darby for recording and sharing his source for this show! Another excellent recording and performance from the Darby collection!Included is a scan of Mr. Darby's ticket stub and a scan of mine! As always ENJOY!
Taper: Mike Darby
2:42:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-19.AKG451.Darby.117699.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge,Huge thanks out to Mr. Darby for recording and sharing his source for this show! Another excellent recording and performance from the Darby collection!Included is a scan of Mr. Darby's ticket stub and a scan of mine! As always ENJOY!
Taper: Greg Holtz
2:43:53
Rating:
8.67 / 3 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1990-07-19.fob.nak100.holtz.jaz.105263.flac16
Source:
(FOB Sec B Row 17 DFC) Nakamichi CM-100's with CP-1 caps -> Sony WM-D6
Lineage:
Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename