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1990
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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1990
7/19/90
Tuning
1:12
Jack Straw
6:25
They Love Each Other
8:40
Desolation Row
13:42
Row Jimmy
10:10
tuning
1:05
Picasso Moon
8:29
Althea ->
7:20
The Promised Land
5:06
Tuning
2:10
Victim Or The Crime ->
7:56
Foolish Heart ->
9:14
Playing In The Band ->
9:24
China Doll ->
5:26
Uncle John's Band ->
9:12
Drums ->
8:59
Space ->
15:50
All Along The Watchtower ->
7:55
Black Peter ->
9:01
Not Fade Away
14:01
U.S. Blues
5:31
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
2:50:08
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-07-19.132854.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
Taper Notes:
View NotesMatrix by dusborne 03-11-2015 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 03-11-2015
Transferrer: Bill Tetzeli
2:46:23
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1990-07-19.sbd.garcia420.tetzeli.fix-2177.34617.reflac.flac16
Source:
Fix of shnid 2177
Taper Notes:
View Notes------------------------------------------------------------------------------------- Fix of shnid 2177 I made the transition between CDs 2 and 3 seamless and cleaned up the resulting SBEs with shntool. I also converted the nonseekable SHNs to FLAC. Many thanks to whomever did the the DAT>CD transfer for providing the overlap that made this fix possible. There is a short segment in the transition between drums and space where the volume is almost inaudible. This is not a fade, it's part of the original recording. It seemed an appropriate place to split the tracks. Also, there is a short burst of static at 11:59 in d2t06. Although this is right where the splice was made, it's part of the original recording, in both segments of redundant material. Bill Tetzeli ([email protected]) 6:40 PM 4/8/2006 -------------------------------------------------------------------------------------
Taper: Allen Ryals
2:42:05
Taper:
Allen Ryals
Transferrer:
Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-19.154265.mac.billtmcdee.t.flac1648
Source:
Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands Patch Source: gd1990-07-19.AKG451.Darby.117699.Flac2448
Taper: Allen Ryals
2:42:05
Taper:
Allen Ryals
Transferrer:
Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-19.154264.mac.billtmcdee.t.flac2496
Source:
Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands Patch Source: gd1990-07-19.AKG451.Darby.117699.Flac2448
Taper: Robert Mullen
2:43:14
Rating:
10.00 / 1 rating
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1990-07-19.118893.aud.dak5245-pzm.flac
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesComments: These were the only shows I was able to get to in 1990. After a great first night they changed it up a bit and still had another wonderful show. (IMHO) These were some of the last shows before the band lost Brent 7 days later and we really enjoyed some of the "out there" stuff during the space section by him at these "Indy" shows. Enjoy the recordings folks. Please: Convert to lossy format only for personal use. Please: Do Not Buy or Sell This Recording. Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. Please: Relax and Enjoy!