Greatest Story Ever Told | 1990-07-08 | Grateful Dead

gd1990-07-08.141773.sbd.miller.flac2496

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- Some static in the left channel that can be heard during quiet parts

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

3:06:45

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1990-07-08.138704.5-1.tobin.flac1648

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2017 - Trader Little Helper
- Tagged 30-JUN-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

Transferrer: DTS mix by Kevin Tobin

3:06:41

DTS mix by Kevin Tobin

gd1990-07-08.138703.dts.tobin.flac16

gd1990-07-08.138702.mtx.tobin.flac16

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2017 - Trader Little Helper
- Tagged 30-JUN-2017 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

View NotesSBD + AUD Matrix 2 Source Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2017 - Trader Little Helper
- Tagged 30-JUN-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

Transferrer: Patched and pitch corrected soundboard by Kevin Tobin

3:06:41

Patched and pitch corrected soundboard by Kevin Tobin

gd1990-07-08.138701.upg-sbd.tobin.flac16

<i>Patched/Pitch Corrected Soundboard</i> (original shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore - pitch correction and patches by Kevin Tobin

gd1990-07-08.135742.set2.sbd.jc.flac24

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2017 - Trader Little Helper
- Tagged 30-JUN-2017 - Tag&Rename
---------------------------------------------------------
Some major patching including all of the encore. Speedwise the soundboard was extremely fast when compared to other recordings - 2.50 seconds per minute.

Brokedown House Production

Transferrer: jchastain

SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > > TLH

gd1990-07-08.135741.set2.sbd.jc.flac16

View NotesPatches:
Estimated Prophet:
   00:00 - 00:10 with shnid:16157 
Space:
   10:26 - 10:59 with shnid:16157
Knockin' On Heaven's Door:
   00:00 - 00:10 with shnid:97714
   07:33 - 08:09 with shnid:97714
   08:44 - 10:33 with shnid: 130549 (ending crowd noise)


This was in a collection of tapes being given away on craigslist. 

Cassette generation is based on insert in cassette. 

Thanks to John for the tapes and arfarf for the guidance, ears and support.

jchastain, 5/13/16

Transferrer: jchastain

SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH

gd90-07-08.sbd.brame.16157.sbeok.shnf

View NotesPatches:
Estimated Prophet:
   00:00 - 00:10 with shnid:16157 
Space:
   10:26 - 10:59 with shnid:16157
Knockin' On Heaven's Door:
   00:00 - 00:10 with shnid:97714
   07:33 - 08:09 with shnid:97714
   08:44 - 10:33 with shnid: 130549 (ending crowd noise)


This was in a collection of tapes being given away on craigslist. 

Cassette generation is based on insert in cassette. 

Thanks to John for the tapes and arfarf for the guidance, ears and support.

jchastain, 5/13/16

Source 9 of 18

SBD> C(?)> CDR

Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

View NotesSBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore

Taper: Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

3:11:15

Taper:

Charlie Miller and Joe Noel

gd1990-07-08.142686.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648

<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman Recording: Set I: (FOB*) Schoeps CMC3 MK4 (ORTF) > DAT. 10 rows FOB; Set II: (FOB) Schoeps CMC MK2y > Jenson 16 PS > DAT (Panasonic sv250). Mics spread 9'5" on stands @ 7'5", row LL; DFC; Charlie Miller

Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper: Executive Crew, Eddie Wahba, Kyle Holbrook, Tom Pinney

3:07:05

Taper:

Executive Crew, Eddie Wahba, Kyle Holbrook, Tom Pinney

Kyle Holbrook

gd1990-07-08.168022.cm300-cp4.holbrook.flac2448

microphones: Nakamichi cm300 w/cp4 shotgun capsules (third inline out of mic deck) recorder: Sony TC-D5M|Maxell XLII-S x2 w/Dolby B

transfer: Nakamichi 680zx > Benchmark AD2k > Marantz PMD-661 processing: Audacity|cdwaveditor|TLH flac8|foobar2000 tagger

Executive Crew, Eddie Wahba, Kyle Holbrook, Tom Pinney

View Notes** Spliced near end (deck got accidentally paused)

Taper: Executive Crew, Eddie Wahba, Kyle Holbrook, Tom Pinney

3:07:05

Taper:

Kyle Holbrook

gd1990-07-08.168021.cm300-cp4.holbrook.flac1644

microphones: Nakamichi cm300 w/cp4 shotgun capsules (third inline out of mic deck) recorder: Sony TC-D5M|Maxell XLII-S x2 w/Dolby B

transfer: Nakamichi 680zx > Benchmark AD2k > Marantz PMD-661 processing: Audacity|cdwaveditor|TLH flac8|foobar2000 tagger

gd1990-07-08.149331.DAK-OTS.boedicker.flac1644

View Notes** Spliced near end (deck got accidentally paused)

Taper: Dave Boedicker

Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-89 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

View NotesNotes:

1)Tape Flip After "Mexicali Blues"(Fades Out At End,No Music Missed On Next Song "Tom Thumb Blues")

2)Tape Flip During "Terrapin Station"

3)Tape Flip After "Black Peter"(Smooth Fade Out After End Of Song With Fade In To "Throwing Stones")

Warts And All.

Enjoy!!

Taper: Rick Katzeff

John Ammons and Joe Noel

gd1990-07-08.138452.OTS-FOB.Schoeps.Katzeff.Ammons.Noel.t-flac16

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

gd1990-07-08.Nak100sSenn421.Hill.Keo.130549.Flac1644

View NotesNotes:
- Crosby, Stills and Nash opened
- Katzeff makes the move between sets & the sound is dialed in for set II
- Terrapin segues into Drums via a short jam
- Knockin', as good as it gets

Taper: Steve Hill

gd1990-07-08.Nak100sSenn421.Hill.Keo.130548.Flac2496

View NotesComments:Another Huge Thanks out to Steve Hill
for recording his source for this show!Some higher 
recording levels to start in the first set, some 
tape pauses between songs for the first set and
the encore break.Recording levels get lower as 
second set progress's.All and all another excellent
share from the Hill collection of masters!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Steve Hill

gd1990-07-08.nak300.bleich-sirmick.109665.sbeok.flac16

View NotesComments:Another Huge Thanks out to Steve Hill
for recording his source for this show!Some higher 
recording levels to start in the first set, some 
tape pauses between songs for the first set and
the encore break.Recording levels get lower as 
second set progress's.All and all another excellent
share from the Hill collection of masters!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: John Bleich

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac

mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

View Notes- patches:

Jam 2:44 - 3:48
Space 5:14 - 8:10

patch source - aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac (shnid 97714) 

Comments:

- Crosby, Stills And Nash opened

Thanks to John for transferring his masters for me to work on

edited and mastered
SIRMick
September 2010

Taper: Greg Holtz

Brian Green and SIRMick

gd1990-07-08.nak300.holtz.lmpp.97714.sbeok.flac16

aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac

mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16