The Music Never Stopped | 1990-07-06 | Grateful Dead

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Compton Terrace Amphitheatre

Internationales Congress Centrum

Internationales Congress Centrum

San Francisco, California

Autzen Stadium, U. of Oregon

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Deer Creek Music Center

Deer Creek Music Center

Carter-Finley Stadium

Sandstone Ampitheatre

Bonner Springs, KS, USA

Autzen Stadium, U. of Oregon

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Cal State Dominguez Hills

Cal State Dominguez Hills

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Hartford Civic Center

Hartford Civic Center

Don Pearson and Dan Healy

Sources

Taper: Don Pearson and Dan Healy

3:11:38

SBD

Taper:

All Transfers and Mastering by Charlie Miller [email protected] August 19, 2021

gd1990-07-06.154443.UltraMatrix.sbd.cm.miller.t.flac16

UltraMatrix SBD > Cassette Master (TDK SA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24

Don Pearson and Dan Healy

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Joe B. Jones for the pitch correction settings
-- This is 153082 2496 > 1644

Taper: Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller [email protected] August 19, 2021

gd1990-07-06.153082.ulramatrix.miller.flac2496

UltraMatrix SBD > Cassette Master (TDK SA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Joe B. Jones for the pitch correction settings

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

SBD

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

gd1990-07-06.167048.mtx.tobin.flac1644

SBD + AUD Matrix 2 Source Mix (44/16)

View NotesrBrain Pro was used for 96/24 > 44/16 encoding.

Brokedown House Production

Transferrer: SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin

SBD

SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin

gd1990-07-06.167047.mtx.tobin.flac2496

SBD + AUD Matrix 2 Source Mix (96/24)

gd90-07-06.sbd.miller.12770.sbeok.shnf

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 01-MAR-2024 - Trader Little Helper
- Tagged 01-MAR-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Source 5 of 21

SBD> Dat> Sonic Solutions> CD

gd1990-07-06.sbd.fishman.9009.sbeok.shnf

View NotesSBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller

Transferrer: JR Fishman

SBD>C>C>DAT>CD>EAC>CDRWAV>WAV>SHN

gd1990-07-06.sbd.zei.2255.shnf

View NotesFootnotes: 

(1) - Some digital noise in 1st 30 seconds (on "Fishman" DAT master)
(2) - Also known as "Kentucky Jam" in "View From the Vault 2" GDM Video/DVD/CD Release 
(3) - From Schoeps CMC34 Source (volume level change)


Transcribed by 
JR Fishman
[email protected]
New York, New York
3/25/2002

Notes: 

Cool Edit Pro was used for speed correction.  
Original DAT master was approximately slow by 1% to 1.5%.

Transferrer: John Zei

Taper: Dave Brotman

Charlie Miller and Joe Noel

gd1990-07-06.143600.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648

Dave Brotman Master DAT Recording: Set I: (FOB) Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k) Set II: (FOB) Schoeps CMC5/MK21 (spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k)

Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

View NotesEdited & Mastered by Joe Noel
Flac 16/48 > Audacity > 16/48
November 06, 2018

Notes:
- Master DAT courtesy of Dave Brotman
- Thanks to Charlie for coordinating this effort & the transfer
- Bruce Hornsby & The Range Opened
- A monstrous jam out of He's Gone.

Taper: Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

3:18:05

Taper:

Charlie Miller and Joe Noel

gd1990-07-06.142685.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648

<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Schoeps CMC3 MK4 > Jensen 16 PS > DAT (Panasonic sv250); set I though pre drums mics are hand held, post drums mics are on a stand @ 6'2"; Charlie Miller

Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

View NotesNotes:
- Master DAT courtesy of Ted Mattes
- Thanks to Charlie for coordinating this effort & the transfer 
- Bruce Hornsby & The Range Opened
- upgrade of shnid 131218
- A monstrous jam out of He's Gone.

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1990-07-06.167050.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 01-MAR-2024 - Trader Little Helper
- Tagged 01-MAR-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Patched and pitch corrected audience (44/16) by Kevin Tobin

Patched and pitch corrected audience (44/16) by Kevin Tobin

gd1990-07-06.167046.PandP-aud.tobin.flac1644

Patched and pitch corrected audience (44/16)

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 01-MAR-2024 - Trader Little Helper
- Tagged 01-MAR-2024 - Tag&Rename
---------------------------------------------------------
During the 1st Set, patch tuning between songs that included first notes of Easy to Love You and Desolation Row. Patched close to the start of Drums. This recording was a bit fast - about .75 second per minute. rBrain Pro was used for 96/24 > 44/16 encoding.

Brokedown House Production

Transferrer: Patch and pitch correction by Kevin Tobin

Patch and pitch correction by Kevin Tobin

gd1990-07-06.167045.PandP-aud.tobin.flac2496

Patched and pitch corrected audience (96/24)

gd1990-07-06.134928.bltz.flac2496

View NotesDuring the 1st Set, patch tuning between songs that included first notes of Easy to Love You and Desolation Row. Patched close to the start of Drums. This recording was a bit fast - about .75 second per minute.

Brokedown House Production

Taper: bltz

Source: Schoep CMC 34 Cardioids, O.R.T.F. -> SV255, Section 13-3, Row P, Center. DAT Master -> Clone -> Apogee 701/Beta -> Nak BX125 -> Maxell MX90 (Set 1), TDK MA110 (Set 2) -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24

gd1990-07-06.131219.cmc52S.deal.jwpetty.flac16

View NotesOriginal Master Rescue Project.  This, however, is not technically an original master, it is a Master-off-DAT. Judge your choice to download accordingly, while considering it a lesser, perhaps second-growth vintage.

Notes: 
Ok, sounds like a huge stadium, because its a huge stadium (Capacity 47,925).  There seems to be a lot of almost-sub-sonic wind going on in this front-of-board DAT master throughout, so your feet, kidneys, or eardrums might tickle. A bit sedate and southern, like a hot day. Superb Easy to Love You - Peggy-O.

"Jerry's midi solo on Ramble. China Cat > Rider. 'Kentucky Jam' - shades of 6/18/74. cool-tempo jazz at the end of A&A." -- doug_the_dude on Archive.org.

Taper: Lance Deal

Source info: Schoeps CMC 52 S (spread 8'/Taper Section)> Pro-Link cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 4, 2014 by jwpetty

Transferrer: jwpetty

gd1990-07-06.131218.cmc34.fob.jwpetty.flac16

Source info: FOB/Schoeps CMC 34's (ortf)> DAT> 1:1 clone DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 4, 2014 by Will Petty

Taper: Steve Hill

gd1990-07-06.Nak100sSenn421.Hill.Keo.130512.Flac1644

Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

gd1990-07-06.Nak100sSenn421.Hill.Keo.130511.Flac2496

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!There are a few areas
with some higher recording levels but all and all another
excellent recording from the Hill collection of masters
and the Grateful Dead's Summer 1990 Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Steve Hill

Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

gd1990-07-06.Nak300CP4.Baker.Keo.126122.Flac1644

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!There are a few areas
with some higher recording levels but all and all another
excellent recording from the Hill collection of masters
and the Grateful Dead's Summer 1990 Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Baker

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

gd1990-07-06.Nak300CP4.Baker.Keo.126121.Flac2496

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this 
show!Another excellent share from the Baker
collection of masters and the Grateful Dead's
summer 1990 tour!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!

Taper: Baker

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

gd1990-07-06.fob.nak300.holtz.jaz.102291.flac16

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this 
show!Another excellent share from the Baker
collection of masters and the Grateful Dead's
summer 1990 tour!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!

Taper: Greg Holtz

Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5

Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8

Taper: Unknown

tascam da20mkII>spdif>edirol ua25>usb>audacity