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Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h64287
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k226
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.2k394
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k298
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k464
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.4k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k307
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k141
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k201
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h73281
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k178
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.1k366
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k145
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k177
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.6k521
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k231
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k253
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.4k2.8k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k926
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h43546
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6.9k914
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.3k812
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.3k301
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k191
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k210
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k272
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h918123
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13117
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28516
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h392
7d1076
30d59434
2 shows
2 tapes
1990
6/24/90
tuning
2:10
Help on the Way ->
4:10
Slipknot! ->
4:07
Franklin's Tower
9:36
When I Paint My Masterpiece
6:04
Loose Lucy
9:29
Just a Little Light
7:00
Picasso Moon
8:41
Candyman
7:24
Let It Grow
11:54
tuning
0:34
Foolish Heart ->
9:30
Man Smart (Women are Smarter)
8:47
Standing on the Moon
10:30
Box of Rain
4:54
Estimated Prophet ->
13:04
He's Gone ->
12:13
Drums ->
9:38
Space ->
8:32
The Other One ->
8:39
Wharf Rat ->
9:37
Sugar Magnolia
8:56
encore break
0:56
Brokedown Palace
5:56
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:04:09
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-24.141862.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Three sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
3:04:09
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-24.141784.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Three sets of master were used to make this show complete
Transferrer: hansokolow
3:02:54
SBD
Rating:
8.00 / 3 ratings
Transferrer:
hansokolow
SHNID:
gd1990-06-24.mtx.hansokolow.108329.flac16
Source:
Matrix of these sources: SBD: shnid=12092 // DAUD: shnid=94258
Source 4 of 15
3:13:25
SBD
Rating:
8.52 / 24 ratings
Source:
sbd>mc>dat>cdr
Taper Notes:
View Notessbd>mc>dat>cdr; Unkown seeder
Taper: Mark Severson
3:02:50
Taper:
Mark Severson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-06-24.163870.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps CMC4 MK21 source which supplies a 0:10 patch in "He's Gone" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Mark Severson
3:02:50
Taper:
Mark Severson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-06-24.163869.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps CMC4 MK21 source which supplies a 0:10 patch in "He's Gone" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Dave Brotman
3:02:21
Taper:
Dave Brotman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-24.143538.OTS.Schoeps.Brotman.Miller.Noel.t-flac1648
Source:
Dave Brotman (OTS) Recording: (Schoeps CMC4/MK21 > Oade Pre-Amp > Dat (Panasonic SV-250/48k)
Lineage:
Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesEdited & Mastered by Joe Noel Flac 16/48 > Audacity > Flac 16/48 November 02, 2018 Notes: - DAT master courtesy of Dave Brotman. - Thanks to Charlie for the transfer & coordinating. - Little Feet opened. - Welcome to the Phil Zone.
Taper: Ted Mattes
3:01:31
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-24.141895.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording (OTS): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Little Feet opened - Welcome to the Phil Zone
Source 9 of 15
3:08:29
SHNID:
gd1990-06-24.156401.mtx.photoleon.flac16
Source:
Matrix created in Adobe Audition by Joe Noel November 29, 2021
Taper Notes:
View NotesNotes: - First 02:46 of Set I is Source 2 only - The last :03 seconds of Wharf Rat is Source 1 only. - shnid 141862 was pitch corrected. - Little Feet opened - Welcome to the Phil Zone Thanks to; - Dave Brotman for the OTS recording - Marcus Buick, John Ammons & Rick Katzeff for the FOB recording - Don Pearson & Dan Healy for the SBD recording. - John Ammons for the (FOB) transfer. - Charlie Miller for the (SBD/OTS) transfers. - Jack Schlottman & John Ammons for the critique.
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:54:49
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-06-24.147810.mac.billtmcdee.t.flac2496
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:54:49
Rating:
8.00 / 1 rating
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-06-24.147809.mac.billtmcdee.t.flac1648
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Rick Katzeff, Marcus Buick & John Ammons
3:05:03
Taper:
Rick Katzeff, Marcus Buick & John Ammons
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-06-24.141255.FOB.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac1648
Taper: d5scott
2:42:01
Taper:
d5scott
Transferrer:
d5scott
SHNID:
gd1990-06-24.beyerm160.d5scott.106896.flac16
Source:
Master audience recording with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes).
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Gerry Gordon
3:02:39
Rating:
10.00 / 2 ratings
Taper:
Gerry Gordon
Transferrer:
Keith Litzenberger
SHNID:
gd1990-06-24.sennME80.wklitz.94258.flac16
Source:
Sennheiser ME-80's>Technics SVM-D1 (DAT, Front Of Taper's Section)
Lineage:
Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Taper Notes:
View NotesRecorded by Gerry Gordon using Keith Litzenberger's gear
Source 15 of 15
3:05:01
Rating:
7.33 / 6 ratings
Source:
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
Taper Notes:
View NotesDigital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section