gd1990-06-23s1t06 | 1990-06-23 | Grateful Dead

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Compton Terrace Amphitheatre

Internationales Congress Centrum

Internationales Congress Centrum

San Francisco, California

Autzen Stadium, U. of Oregon

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Deer Creek Music Center

Deer Creek Music Center

Carter-Finley Stadium

Sandstone Ampitheatre

Bonner Springs, KS, USA

Autzen Stadium, U. of Oregon

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Cal State Dominguez Hills

Cal State Dominguez Hills

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Hartford Civic Center

Hartford Civic Center

gd1990-06-23.141861.UltraMatrix.sbd.cm.miller.flac1644

Sources

Transferrer: Charlie Miller

UltraMatrix SBD > Cassette Master (TDK MA-X)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

gd1990-06-23.141774.sbd.miller.flac2496

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This file set is 16 bit

Transferrer: Charlie Miller

UltraMatrix SBD > Cassette Master (TDK MA-X)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

gd1990-06-23.aud.ladner.10261.sbeok.shnf

View NotesNotes:
-- Two sets of master were used to make this show complete

Source 3 of 19

SBD>Cm>Dat>Samplitude>CD. Seeded by Charlie Miller via Neo_Levo to candyman and abgd.

gd1990-06-23.mtx.hansokolow.108310.flac16

View NotesSBD>Cm>Dat>Samplitude>CD. Seeded by Charlie Miller via Neo_Levo to candyman and abgd.

Transferrer: hansokolow

Matrix by Hansokolow using ProTools of these sources: SBD: shnid=28690 // DAUD: shnid=88105

Source 5 of 19

gd90-06-23.sbd.ladner.28690.sbeok.shnf

SBD-matrix>CM>DAT>CDR>WAV>SHN - see info file for more details. Upgrade over previous SBD source.

Scott Clugston, Charlie Miller

View NotesSource:  SBD-matrix>CM>DAT>CDR>WAV>SHN - see info file for more details.  Upgrade over previous SBD source.

Taper: Mark Severson

gd1990-06-23.163868.nak700.severson.miller.clugston.flac2496

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes for the Schoeps CMC4 MK21 source which supplies a 0:10 patch in "Uncle John's Band"
- Pitch corrected

Mastered by Scott Clugston
January 2020

Taper: Mark Severson

gd1990-06-23.163867.nak700.severson.miller.clugston.flac1648

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes for the Schoeps CMC4 MK21 source which supplies a 0:10 patch in "Uncle John's Band"
- Pitch corrected

Mastered by Scott Clugston
January 2020

Taper: Dave Brotman

gd1990-06-23.143537.FOB.s2.Schoeps.Brotman.Miller.Noel.t-flac1648

Dave Brotman (FOB) Recording: (FOB) Schoeps CMC5/MK2S (spaced 9ft stand 5'10" off to right 2ft) > M1000 Cables > Dat (Panasonic SV-255/48k)

Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Charlie Miller and Joe Noel

View NotesEdited & Mastered by Joe Noel
Flac 16/48 > Audacity > Flac 16/48
November 02, 2018

Notes:
- DAT master courtesy of Dave Brotman.
- Thanks to Charlie for the transfer & coordinating.
- Little Feet opened
- Welcome to the Phil Zone

Taper: Ted Mattes

gd1990-06-23.141894.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648

<b>flac16/48kHz</b>; Ted Mattes Recording (FOB): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller

Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

gd1990-06-23.akg-nak.miller.99648.sbeok.flac16

View NotesNotes:
- Master DAT courtesy of Ted Mattes
- Little Feet opened
- Welcome to the Phil Zone

Taper: Charlie Miller

Nakamichi 100/CP4 + AKG C1000S -> Boss BX-4 -> Cassette Master (Sony WM-D6C) -> Cassette

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16

View NotesPatch Info:
Sennheiser ME-80 -> Dat -> FLAC (shnid=88105) supplies:
Uncle John's Band (4:26 - 5:26)

Notes:
-- Set 2 is seamless
-- This was one of the many 4 mic mixes that I did
-- Recorded front row center of the taper's section
-- Mic stand was about 8-9 feet high
-- My masters were lost many years ago
-- Thanks to Mike Dolgushkin for lending me has 1st gen tape made off my master
-- Sadly, Mike's tape was a very poor transfer off of my master
-- Thanks to Joe B. Jones for his help with the insane pitch correction

Source 11 of 19

2:57:59

gd1990-06-23.156400.mtx.photoleon.flac16

Matrix created in Adobe Audition by Joe Noel November 24, 2021

gd1990-06-23.152691.FOBSchoepsMattesMillerNoelreMaster.t-flac1648

View NotesNotes:
- Thanks to Rick Katzeff, Marco Fanari, Marcus Buick, John Ammons & Kevin Hughes
- Thanks to Ted Mattes for sharing his clone
- Thanks to Dave Brotman for the Spaced, FOB recording
- Thanks to Don Pearson & Dan Healy for the SBD recording.
- Thanks to Charlie Miller for the transfers.
- Thanks to Jack Schlottman & John Ammons for the critique.
- First 03:21 of Set I is Source 1 only
- First 02:55 of Set II is Source 2 only
- Last 01:13 of Set II is Source 3 only
- shnid 152691 has incorrect recording & taper info.
- Sadly, Ted was not in Eugene.
- I have personally confirmed the linage & taper creds with Ted, Marcus & John.
- Little Feet opened
- Welcome to the Phil Zone

Taper: Ted Mattes

reMaster of shnid 141894 Source: (FOB)Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250) Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

reMaster Notes (June 24, 2021); - reMaster done with Adobe Audition. - levels improved (normalized) & evened out.

Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

2:46:34

Taper:

Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

gd1990-06-23.147808.mac.billtmcdee.t.flac2496

Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette

Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722

Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

View NotesMany thanks to:
Kenny Watts for the 722
Kevin Klopp for loaning me his mic stands

Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

2:46:34

Taper:

gd1990-06-23.147807.mac.billtmcdee.t.flac1648

Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette

Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722

Lenny Stubbe and Craig Hillwig

View NotesMany thanks to:
Kenny Watts for the 722
Kevin Klopp for loaning me his mic stands

A TFB production

Transferrer: Lenny Stubbe and Craig Hillwig

2:54:11

Transferrer:

gd1990-06-23.124302.mk2s.hillwig-stubbe.flac1648

<b>flac16/48kHz</b>; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand;

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper: Craig Hillwig

gd1990-06-23.124301.mk2s.hillwig-stubbe.flac16

Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand;

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

gd1990-06-23.121911.BeyerM160.d5scott.flac16

View Notes- last TLEO 05/06/89 (75 shows)
- DAT was paused during encore break
- Little Feat opened
- setlist notes courtesy of deadbase.com
- 48 khz version exists

Seeded to etree on:

04/01/2013

Transferrer: D5scott

Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes;

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

gd1990-06-23.sennME80.gordon.88105.sbeok.flac16

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: G. Gordon

Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master

Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC

Source 19 of 19

gd90-06-23.nak.rob.6945.sbefail.shnf

3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern