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June 7th
Years
1995
29.8k
PlaybackListensHours
48h893126
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h51874
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.4k724
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.4k847
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.8k370
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3k372
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k152
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.4k267
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85195
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k224
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k158
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k174
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k219
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k291
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k561
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.6k344
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.3k593
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79066
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k552
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k629
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k434
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k234
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.5k988
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.7k464
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41549
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9214
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1990
6/15/90
Helps On The Way
1:46
Slipknot
3:46
Franklin's Tower
5:43
Minglewood Blues
11:43
Just A Little Light
9:14
Stagger Lee
6:56
Desolation Row
8:48
Ramle On Rose
13:45
Hell In A Bucket
8:49
gd90-06-15d1t10.mp3
7:05
Scarlet Begonias
1:30
Fire On The Mountain
11:34
Blow Away
16:09
Women Are Smarter
9:27
He's Gone
12:49
Drums
16:12
Space
5:23
Jam
11:33
The Other One
8:03
Wharf Rat
8:50
Around & Around
9:17
Knockin On Heavens Door
10:27
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:30:52
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.143855.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is the longest Grateful Dead show I attended (2nd Set is over 2 hours long)
Transferrer: Charlie Miller
3:30:53
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.143854.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is the longest Grateful Dead show I attended (2nd Set is over 2 hours long)
Transferrer: Charlie Miller
3:23:14
SBD
Rating:
8.80 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.sbd.miller.106144.flac16
Source:
SBD -> Dat -> CD
Lineage:
CD -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the patch source
Transferrer: Bill Tetzeli
3:20:29
SBD
Rating:
8.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1990-06-15.sbd.ladner.tetzeli.fix-8570.35161.reflac.flac16
Source:
Fix of shnid 8570
Taper Notes:
View Notes--------------------------------------------------------------------------------------- Fix of shnid 8570 I added a few seconds to the original AUD patch at the end of d2t05 in CE Pro and crossfaded the section just before the two booming drum sounds that announce the beginning of the drum set, making the transition between CDs 2 and 3 seamless. The SHNs were converted to FLAC and SBEs were fixed using shntool. Fade tracks were added to the end of CD 2 and the beginning of CD 3 for those burning to CD. For seamless play, simply remove the fade tracks. Bill Tetzeli ([email protected]) 11:24 PM 6/4/2006 ------------------------------------------------------
Source 5 of 12
3:20:32
SBD
Rating:
8.44 / 18 ratings
SHNID:
gd90-06-15.sbd.ladner.8570.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo
Taper: Dave Brotman & Jeff Metchick Master Digital Recording
3:24:28
Taper:
Dave Brotman & Jeff Metchick Master Digital Recording
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1990-06-15.146443.FOB.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255) Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1" Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250) Location: front row tapers section
Lineage:
Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesEdited & Mastered by Joe Noel Flac 16/48 > Audacity > 16/48 May 18, 2019 Patch info: - shnid #7762 (Nak 300) supplies - s2t12; 4:15 - end Notes: - Thanks to Dave Brotman & Jeff Metchick for recording the show. - Thanks to Charlie for the transfer. - Grateful to Jill & Rob R for suppling the patch source. - Thanks to Ted Mattes for being the catalyst. - There is some very minor static in the recording that has been left alone. It does not effect any of the music - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Taper: Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
3:24:22
Taper:
Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-15.142345.OTS.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250): mics spaced 9' on a stand at 6'5"; front row OTS; Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - The safety copy courtesy of Ted Mattes - Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show - Thanks to Charlie for coordinating & transferring - Grateful to Jill & Rob R for suppling the patch source - This is the same source as shnid 138464 only both sets - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Source 8 of 12
3:26:15
SHNID:
gd1990-06-15.146936.photoLeon.MTX.t-flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesNotes: - Thanks to Dave Brotman & Jeff Metchick for recording the show. - Thanks to Charlie for the transfer. - Grateful to Jill & Rob R for suppling the patch source. - Thanks to Charlie for the Ultra Matrix Cassette Master & transfer - Thanks to Ted Mattes for being the catalyst. - There is some very minor static in the recording that doesn't effect any music, therefore it has been left alone. - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome. - This is the longest Grateful Dead show I & Charlie attended (2nd Set is 2 hours plus) - first 02:08 of s1t01 is AUD only - first 01:48 of s2t01 is SBD only
Taper: Unknown
2:04:07
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-06-15.138464.s2.ots.Scheops.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- patch supplies (source #7762 - Digital Audience - Jill & Rob R) d3t13 - 3:55 - end - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Taper: Fitzy
3:14:43
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-06-15.Nak300CP4.Fitzy.Keo.126233.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* 8 Seconds Of Music Or so Misssing Near the 34 Second Mark I Left As Is ** Aprroximately 10 Seconds Of Music Missing From Tape Flip *** Patched From Chris Ladner's Source shnid:7762 Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! This run of shows was very long leading to the second set tape needing to flipped again to the end of tape 1 and for this source unfortunately cuts the ending of the show.Hopefully someday more sources appear for this show.Another excellent share from the Fitzy collection of masters and the Grateful Dead!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
3:02:25
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-06-15.Nak300CP4.Fitzy.Keo.126232.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* 8 Seconds Of Music Or so Misssing Near the 34 Second Mark I Left As Is ** Aprroximately 10 Seconds Of Music Missing From Tape Flip Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! This run of shows was very long leading to the second set tape needing to flipped again to the end of tape 1 and for this source unfortunately cuts the ending of the show.Hopefully someday more sources appear for this show in the 24 bit realm for patches at the end.Another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1990 Tour!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Source 12 of 12
3:18:49
Rating:
8.67 / 6 ratings
SHNID:
gd90-06-15.naks.jill-rob.7762.sbeok.shnf
Taper Notes:
View Notes3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner