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June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1990
6/15/90
tuning
0:52
Scarlet Begonias ->
12:04
Fire On The Mountain ->
15:54
Blow Away
9:32
Women Are Smarter
12:55
He's Gone ->
16:19
Drums ->
6:11
Space ->
11:04
The Other One ->
8:12
Wharf Rat ->
8:48
Around & Around
9:19
encore break
4:24
Knockin' On Heaven's Door
8:33
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:30:52
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.143855.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is the longest Grateful Dead show I attended (2nd Set is over 2 hours long)
Transferrer: Charlie Miller
3:30:53
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.143854.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is the longest Grateful Dead show I attended (2nd Set is over 2 hours long)
Transferrer: Charlie Miller
3:23:14
SBD
Rating:
8.80 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.sbd.miller.106144.flac16
Source:
SBD -> Dat -> CD
Lineage:
CD -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the patch source
Transferrer: Bill Tetzeli
3:20:29
SBD
Rating:
8.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1990-06-15.sbd.ladner.tetzeli.fix-8570.35161.reflac.flac16
Source:
Fix of shnid 8570
Taper Notes:
View Notes--------------------------------------------------------------------------------------- Fix of shnid 8570 I added a few seconds to the original AUD patch at the end of d2t05 in CE Pro and crossfaded the section just before the two booming drum sounds that announce the beginning of the drum set, making the transition between CDs 2 and 3 seamless. The SHNs were converted to FLAC and SBEs were fixed using shntool. Fade tracks were added to the end of CD 2 and the beginning of CD 3 for those burning to CD. For seamless play, simply remove the fade tracks. Bill Tetzeli ([email protected]) 11:24 PM 6/4/2006 ------------------------------------------------------
Source 5 of 12
3:20:32
SBD
Rating:
8.44 / 18 ratings
SHNID:
gd90-06-15.sbd.ladner.8570.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo
Taper: Dave Brotman & Jeff Metchick Master Digital Recording
3:24:28
Taper:
Dave Brotman & Jeff Metchick Master Digital Recording
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1990-06-15.146443.FOB.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255) Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1" Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250) Location: front row tapers section
Lineage:
Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesEdited & Mastered by Joe Noel Flac 16/48 > Audacity > 16/48 May 18, 2019 Patch info: - shnid #7762 (Nak 300) supplies - s2t12; 4:15 - end Notes: - Thanks to Dave Brotman & Jeff Metchick for recording the show. - Thanks to Charlie for the transfer. - Grateful to Jill & Rob R for suppling the patch source. - Thanks to Ted Mattes for being the catalyst. - There is some very minor static in the recording that has been left alone. It does not effect any of the music - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Taper: Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
3:24:22
Taper:
Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-15.142345.OTS.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250): mics spaced 9' on a stand at 6'5"; front row OTS; Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - The safety copy courtesy of Ted Mattes - Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show - Thanks to Charlie for coordinating & transferring - Grateful to Jill & Rob R for suppling the patch source - This is the same source as shnid 138464 only both sets - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Source 8 of 12
3:26:15
SHNID:
gd1990-06-15.146936.photoLeon.MTX.t-flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesNotes: - Thanks to Dave Brotman & Jeff Metchick for recording the show. - Thanks to Charlie for the transfer. - Grateful to Jill & Rob R for suppling the patch source. - Thanks to Charlie for the Ultra Matrix Cassette Master & transfer - Thanks to Ted Mattes for being the catalyst. - There is some very minor static in the recording that doesn't effect any music, therefore it has been left alone. - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome. - This is the longest Grateful Dead show I & Charlie attended (2nd Set is 2 hours plus) - first 02:08 of s1t01 is AUD only - first 01:48 of s2t01 is SBD only
Taper: Unknown
2:04:07
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-06-15.138464.s2.ots.Scheops.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- patch supplies (source #7762 - Digital Audience - Jill & Rob R) d3t13 - 3:55 - end - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Taper: Fitzy
3:14:43
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-06-15.Nak300CP4.Fitzy.Keo.126233.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* 8 Seconds Of Music Or so Misssing Near the 34 Second Mark I Left As Is ** Aprroximately 10 Seconds Of Music Missing From Tape Flip *** Patched From Chris Ladner's Source shnid:7762 Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! This run of shows was very long leading to the second set tape needing to flipped again to the end of tape 1 and for this source unfortunately cuts the ending of the show.Hopefully someday more sources appear for this show.Another excellent share from the Fitzy collection of masters and the Grateful Dead!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
3:02:25
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-06-15.Nak300CP4.Fitzy.Keo.126232.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* 8 Seconds Of Music Or so Misssing Near the 34 Second Mark I Left As Is ** Aprroximately 10 Seconds Of Music Missing From Tape Flip Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! This run of shows was very long leading to the second set tape needing to flipped again to the end of tape 1 and for this source unfortunately cuts the ending of the show.Hopefully someday more sources appear for this show in the 24 bit realm for patches at the end.Another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1990 Tour!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Source 12 of 12
3:18:49
Rating:
8.67 / 6 ratings
SHNID:
gd90-06-15.naks.jill-rob.7762.sbeok.shnf
Taper Notes:
View Notes3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner