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June 11th
Years
1995
30.1k
PlaybackListensHours
48h50068
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.9k244
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.1k272
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.3k172
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k419
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9k1.1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k319
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k239
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h944106
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k198
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.3k615
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k149
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k246
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.3k263
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k220
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k243
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h14.4k1.9k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.9k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h32034
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.7k482
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.8k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k248
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k173
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k194
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k155
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h60177
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8113
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h38824
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h574
7d1076
30d59534
2 shows
2 tapes
1990
6/15/90
01 Tuning
1:16
02 Help On The Way
3:50
03 Slipknot!
5:46
04 Franklin's Tower
11:52
05 New Minglewood Blues
9:14
06 Just A Little Light
7:05
07 Stagger Lee
8:59
08 Desolation Row
13:54
09 Ramble On Rose
8:46
10 Hell In A Bucket
7:18
11 Tuning
2:40
12 Scarlet Begonias
12:06
13 Fire On The Mountain
15:57
14 Blow Away
9:33
15 Man Smart (Woman Smarter)
12:58
16 He's Gone
16:22
17 Drums
6:30
18 Space
10:49
19 The Other One
8:13
20 Wharf Rat
8:49
21 Around And Around
9:15
22 Encore Break
3:38
23 Knockin' On Heaven's Door
9:35
24 Post Show Music
6:27
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:30:52
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.143855.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is the longest Grateful Dead show I attended (2nd Set is over 2 hours long)
Transferrer: Charlie Miller
3:30:53
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.143854.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is the longest Grateful Dead show I attended (2nd Set is over 2 hours long)
Transferrer: Charlie Miller
3:23:14
SBD
Rating:
8.80 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-06-15.sbd.miller.106144.flac16
Source:
SBD -> Dat -> CD
Lineage:
CD -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the patch source
Transferrer: Bill Tetzeli
3:20:29
SBD
Rating:
8.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1990-06-15.sbd.ladner.tetzeli.fix-8570.35161.reflac.flac16
Source:
Fix of shnid 8570
Taper Notes:
View Notes--------------------------------------------------------------------------------------- Fix of shnid 8570 I added a few seconds to the original AUD patch at the end of d2t05 in CE Pro and crossfaded the section just before the two booming drum sounds that announce the beginning of the drum set, making the transition between CDs 2 and 3 seamless. The SHNs were converted to FLAC and SBEs were fixed using shntool. Fade tracks were added to the end of CD 2 and the beginning of CD 3 for those burning to CD. For seamless play, simply remove the fade tracks. Bill Tetzeli ([email protected]) 11:24 PM 6/4/2006 ------------------------------------------------------
Source 5 of 12
3:20:32
SBD
Rating:
8.44 / 18 ratings
SHNID:
gd90-06-15.sbd.ladner.8570.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo
Taper: Dave Brotman & Jeff Metchick Master Digital Recording
3:24:28
Taper:
Dave Brotman & Jeff Metchick Master Digital Recording
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1990-06-15.146443.FOB.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255) Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1" Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250) Location: front row tapers section
Lineage:
Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesEdited & Mastered by Joe Noel Flac 16/48 > Audacity > 16/48 May 18, 2019 Patch info: - shnid #7762 (Nak 300) supplies - s2t12; 4:15 - end Notes: - Thanks to Dave Brotman & Jeff Metchick for recording the show. - Thanks to Charlie for the transfer. - Grateful to Jill & Rob R for suppling the patch source. - Thanks to Ted Mattes for being the catalyst. - There is some very minor static in the recording that has been left alone. It does not effect any of the music - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Taper: Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
3:24:22
Taper:
Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-15.142345.OTS.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250): mics spaced 9' on a stand at 6'5"; front row OTS; Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - The safety copy courtesy of Ted Mattes - Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show - Thanks to Charlie for coordinating & transferring - Grateful to Jill & Rob R for suppling the patch source - This is the same source as shnid 138464 only both sets - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Source 8 of 12
3:26:15
SHNID:
gd1990-06-15.146936.photoLeon.MTX.t-flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesNotes: - Thanks to Dave Brotman & Jeff Metchick for recording the show. - Thanks to Charlie for the transfer. - Grateful to Jill & Rob R for suppling the patch source. - Thanks to Charlie for the Ultra Matrix Cassette Master & transfer - Thanks to Ted Mattes for being the catalyst. - There is some very minor static in the recording that doesn't effect any music, therefore it has been left alone. - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome. - This is the longest Grateful Dead show I & Charlie attended (2nd Set is 2 hours plus) - first 02:08 of s1t01 is AUD only - first 01:48 of s2t01 is SBD only
Taper: Unknown
2:04:07
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-06-15.138464.s2.ots.Scheops.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- patch supplies (source #7762 - Digital Audience - Jill & Rob R) d3t13 - 3:55 - end - He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam. - Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.
Taper: Fitzy
3:14:43
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-06-15.Nak300CP4.Fitzy.Keo.126233.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* 8 Seconds Of Music Or so Misssing Near the 34 Second Mark I Left As Is ** Aprroximately 10 Seconds Of Music Missing From Tape Flip *** Patched From Chris Ladner's Source shnid:7762 Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! This run of shows was very long leading to the second set tape needing to flipped again to the end of tape 1 and for this source unfortunately cuts the ending of the show.Hopefully someday more sources appear for this show.Another excellent share from the Fitzy collection of masters and the Grateful Dead!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
3:02:25
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-06-15.Nak300CP4.Fitzy.Keo.126232.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* 8 Seconds Of Music Or so Misssing Near the 34 Second Mark I Left As Is ** Aprroximately 10 Seconds Of Music Missing From Tape Flip Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! This run of shows was very long leading to the second set tape needing to flipped again to the end of tape 1 and for this source unfortunately cuts the ending of the show.Hopefully someday more sources appear for this show in the 24 bit realm for patches at the end.Another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1990 Tour!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Source 12 of 12
3:18:49
Rating:
8.67 / 6 ratings
SHNID:
gd90-06-15.naks.jill-rob.7762.sbeok.shnf
Taper Notes:
View Notes3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner