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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1990
6/10/90
Bertha
6:47
Jack Straw
5:46
[a bullshit lie]
2:24
Dire Wolf
4:37
Wang Dang Doodle
7:22
Row Jimmy
11:31
Picasso Moon
8:49
Tennessee Jed ->
7:46
Promised Land
4:45
crowd - tuning
2:50
Box of Rain ->
5:05
Eyes of the World ->
15:00
Playing in the Band ->
8:27
Crazy Fingers -> Playin' Jam ->
10:22
Drums ->
7:23
Space ->
8:47
Gimme Some Lovin' ->
6:49
Standing on the Moon ->
10:29
Throwing Stones ->
9:06
Not Fade Away ->
7:30
NFA chant
2:17
The Last Time
5:48
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:38:29
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 20, 2020
SHNID:
gd1990-06-10.149727.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:38:29
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 20, 2020
SHNID:
gd1990-06-10.149621.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: Chris Ladner, Peter Braverman
2:30:47
SBD
Transferrer:
Chris Ladner, Peter Braverman
SHNID:
gd1990-06-10.147940.sbd.ladner-braverman.flac1644
Source:
SBD/Matrix > DAT > CDR > WAV > SHN > FLAC (See additional notes.)
Taper Notes:
View NotesThis is a re-cutting of Chris Ladner's original seed 6937. I have converted to FLAC, normalized, and fixed trackings. The source is not pristine, but it is more than acceptable until a new mastering comes along. Known issues: Dropout in Tennessee Jed at 1:29 spliced from Mike Lai's audience source There is a very brief jam on Playing in the Band right after Crazy Fingers. It's less than a minute so I didn't bother tracking it separately. Original seeds to Chris from Charlie Miller. Seeded by Peter Braverman 11/1/19
Transferrer: Dan Haugh
2:31:32
SBD
Rating:
7.33 / 6 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-06-10.mtx.dan.30369.sbeok.flac16
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View Notes------------------------------------------------------------ Source Info Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) ------------------------------------------------------------ Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - Shn conversion done 14-MAR-2004 - FLAC conversion done 08-AUG-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Remix and FLAC conversion done 10-AUG-2005 ------------------------------------------------------------ Notes The SBD source was missing between song cheers on several songs in the first set. No music was missing. In a few spots a patch with the AUD source was used to maintain a smooth flowing sound. D1T04 Dropout in SBD patched with AUD. This is smooth and most likely undetectible. D1T05 Small tick/pop right at the track mark (not a track ID problem) on the AUD was removed. The SBD was trimmed to match. This is smooth and most likely undetectible. D1T06 Interference from a walkie-talkie can be heard, which is very strange. Disc 2 and 3 can be seamlessly reassembled. ---------------------------------------------------------
Transferrer: Matrix by Dan Haugh
2:31:33
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Matrix by Dan Haugh
SHNID:
gd1990-06-10..mtx.haugh.30361.sbeok.flac16
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View Notes------------------------------------------------------------ Source Info Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) ------------------------------------------------------------ Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - Shn conversion done 14-MAR-2004 - FLAC conversion done 08-AUG-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. ------------------------------------------------------------ Notes D1t06 Interference from a walkie-talkie can be heard, which is very strange. The SBD source was missing between song cheers on several songs in the first set. No music was missing. In a few spots a patch with the AUD source was used to maintain a smooth flowing sound. Disc 2 and 3 can be seamlessly reassembled.
Source 6 of 18
2:31:31
SBD
Rating:
8.90 / 44 ratings
SHNID:
gd90-06-10.sbd-matrix.miller-ladner.6937.sbeok.shnf
Source:
SBD/Matrix > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller
Taper: Dave Brotman
2:39:40
Taper:
Dave Brotman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-10.143345.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648
Source:
Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k)
Lineage:
DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Dave Brotman. - Thanks to Charlie for the transfer & coordinating.
Taper: Sean Weber-Small
2:39:16
Rating:
8.00 / 1 rating
Taper:
Sean Weber-Small
Transferrer:
Joe Noel and Ted Mattes and Charlie Miller
SHNID:
gd1990-06-10.142579.FOB.Schoeps.Weber-Small.Mattes.Miler.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>;Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250). Mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller
Lineage:
DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes. - Thanks to Sean Weber-Small for recording the show. - Thanks to Charlie for making this all happen. - Sean recording this show with Ted's rig.
Taper: FOB Recording by Jonathan Mow
2:35:51
Rating:
10.00 / 1 rating
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 14, 2020
SHNID:
gd1990-06-10.150585.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143345 (FOB Schoeps CMC4/MK2S) supplies - s1t04; 00:17 - 01:27 - s1t05; 03:32 - end - s1t06; start - 00:07 - s1t08; 06:50 - 08:43 - s2t06; 07:16 - end - s2t07; start - 01:56 - s2t12; all - s2t13; start - 00:21 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Charlie Miller for the transfer - Thanks to Ted Mattes for putting the project together - Thanks to Dave Brotman, et al., for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - most of the patchwork is to fulfill the completest in me, not a lot of music was erected by tape flips or pauses
Taper: FOB Recording by Jonathan Mow
2:35:51
Rating:
10.00 / 1 rating
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 14, 2020
SHNID:
gd1990-06-10.150620.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143345 (FOB Schoeps CMC4/MK2S) supplies - s1t04; 00:17 - 01:27 - s1t05; 03:32 - end - s1t06; start - 00:07 - s1t08; 06:50 - 08:43 - s2t06; 07:16 - end - s2t07; start - 01:56 - s2t12; all - s2t13; start - 00:21 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Charlie Miller for the transfer - Thanks to Ted Mattes for putting the project together - Thanks to Dave Brotman, et al., for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - most of the patchwork is to fulfill the completest in me, not a lot of music was erected by tape flips or pauses - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020
Taper: OldNeumanntapr
2:39:40
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1990-06-10.168425.3xnakcm300.ont.flac1644
Source:
OTS; Nakamichi CM-300s x3; Two CP-4 Shotgun Capsules + One CP-3 Super Omni Mixed With Radio Shack Mixer >Aiwa HD-X1 DAT >Sony WM-D6C (Patch) [TDK MA110s]
Lineage:
MA110 Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Track Splits, Balance Channel Levels, Minor Edits [Tape Flips], Fades, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 [August 2024]
Taper Notes:
View NotesOldNeumanntapr Notes: This was my 'Last Time' recording the Dead at Cal Expo. It was a really long drive from San Luis Obispo County, but I really enjoyed that venue. For these shows I elected to patch my Sony WM-D6C into my friend John's Nakamichi CM300x3 rig, which I ended up buying from him later that year when he decided to purchase a set of Audio Technica AT-853a stealth microphones. This was the show where I met Bear Owsley. He came into the tapers section and borrowed a cable from my friend John, and John turned to me and said, "Do you know who this IS? This is Bear!" I said hi to him and he gave me a dirty look when I asked if he had any 'samples'! I remember that he was really short, and that he had a little leather case of some of the Grateful Dead-related jewelry that he had made and was selling. For some reason I could not find my ticket stub to the previous night's show, June 9, but I had two stubs from this show, June 10.
Source 12 of 18
2:42:35
SHNID:
gd1990-06-10.152180.nakcp702.flac2496
Source:
FOB Nakamichi CP-702 omni capsules, 12' spread > custom pre-amp/power supply > Dbx Type II noise reduction encoder > Sony TC-D5 cassette
Lineage:
Master cassette playback on Nakamichi Dragon > Dbx 224X-DS Type II noise reduction decoder > RME Fireface 800, 24-bit 96kHz
Taper Notes:
View NotesProcessing: - Minor level adjustments. - Right channel cut out several times, mostly between songs, due to cabling issues. This was repaired by copying left channel (effectively becoming mono) during those moments. - Both channels cut out for about 20 seconds during end of NFA chant. This silence has been edited out. - Waves L3 Ultramaximizer (minimal limiting, dithering, noise shaping). Additional notes: - Multiple recorders were chained off this recording setup. This particular master cassette is just one of them. - Cassette transfer made 2016-10-31. Mastering done 2021-04-01. - CP-702 are the omni capsules in the Nakamichi 700 mic system.
Taper: Da Weez
2:28:01
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-06-10.111344.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes-------------------------------------- R.I.P. Sandy - aka "Bigfoot" --------------------------------------
Taper: Keith Litzenberger
2:38:44
Rating:
4.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-06-10.schoeps.wklitz.97059.sbeok.flac16
Source:
Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger
Taper Notes:
View NotesIt's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in. * 2nd set was recorded on 90min DAT.., swapped tapes before Encore, so some of the audience chant is missing.
Taper: Alabama Bob
2:33:03
Rating:
6.00 / 1 rating
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1990-06-10.fob.alabamabob.andrewf.95449.flac16
Source:
FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Walkie-talkie interference heard thru P.A. during Row Jimmy. - Tennessee Jed, right patched over left (mono), 2:07 > 2:30. - Patch from ShnID-457, Box of Rain 0:00 > 1:24. - Patch from ShnID-6937, Space 1:33 > 1:51. - Disc break is seamless.
Transferrer: Dan Haugh
2:31:32
Rating:
5.00 / 3 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-06-10.dts.haugh.30373.sbeok.flacf
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: DAT > CDR > WAV > SHN AUD FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & the AUD sources. CEP2.0 used to adjust the volume for the SBD, FOB, CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. -3db was NOT applied to the rear channels. Both of the sources for the front and rear channels were left at their original levels. - Mixed by [email protected] - Shn conversion done 14-MAR-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Remix and FLAC conversion done 10-AUG-2005 --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -6db SBD Surround Left channel B&K 4011 Right channel B&K 4011 Sub/LFE Mixed to mono -5db SBD --------------------------------------------------------- Notes The SBD source was missing between song cheers on several songs in the first set. No music was missing. In a few spots a patch with the AUD source was used to maintain a smooth flowing sound. D1T04 Dropout in SBD patched with AUD. This is smooth and most likely undetectible. D1T05 Small tick/pop right at the track mark (not a track ID problem) on the AUD was removed. The SBD was trimmed to match. This is smooth and most likely undetectible. D1T06 Interference from a walkie-talkie can be heard, which is very strange. Disc 2 and 3 can be seamlessly reassembled. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. ---------------------------------------------------------
Transferrer: Dan Haugh
2:31:33
Rating:
10.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1990-06-10.dts.haugh.29669.sbeok.shnf
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesTech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & the AUD sources. CEP2.0 used to adjust the volume for the SBD, FOB, CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. -3db was NOT applied to the rear channels. Both of the sources for the front and rear channels were left at their original levels. - Mixed by [email protected] - Shn conversion done 14-MAR-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -3db SBD Surround Left channel B&K 4011 Right channel B&K 4011 Sub/LFE Mixed to mono -3db SBD --------------------------------------------------------- Notes D1t06 Interference from a walkie-talkie can be heard, which is very strange. The SBD source was missing between song cheers on several songs in the first set. No music was missing. In a few spots a patch with the AUD source was used to maintain a smooth flowing sound. Disc 2 and 3 can be seamlessly reassembled. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Unknown
3:06:37
Rating:
10.00 / 1 rating
Source:
daud>>sch mk4>>D>>CD