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1990
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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1990
6/10/90
crowd - tuning
1:50
Bertha
6:21
Jack Straw
6:06
[bullshit lie]
2:01
Dire Wolf
4:40
Wang Dang Doodle
7:21
Row Jimmy
11:10
Picasso Moon
7:14
Tennessee Jed
8:39
Promised Land
5:18
crowd - tuning
4:39
Box of Rain
5:09
Eyes of the World
15:00
Playing in the Band
8:26
Crazy Fingers -> Playin' Jam
10:24
Drums
7:58
Space
7:44
Gimme Some Lovin'
6:33
Standing on the Moon
10:28
Throwing Stones
9:09
Not Fade Away
7:29
NFA chant
1:27
The Last Time
7:29
FIN
View on archive.org
Sources
Transferrer: Dan Haugh
2:31:32
SBD
Rating:
7.33 / 6 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-06-10.mtx.dan.30369.sbeok.flac16
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View Notes------------------------------------------------------------ Source Info Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) ------------------------------------------------------------ Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - Shn conversion done 14-MAR-2004 - FLAC conversion done 08-AUG-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Remix and FLAC conversion done 10-AUG-2005 ------------------------------------------------------------ Notes The SBD source was missing between song cheers on several songs in the first set. No music was missing. In a few spots a patch with the AUD source was used to maintain a smooth flowing sound. D1T04 Dropout in SBD patched with AUD. This is smooth and most likely undetectible. D1T05 Small tick/pop right at the track mark (not a track ID problem) on the AUD was removed. The SBD was trimmed to match. This is smooth and most likely undetectible. D1T06 Interference from a walkie-talkie can be heard, which is very strange. Disc 2 and 3 can be seamlessly reassembled. ---------------------------------------------------------
Transferrer: Matrix by Dan Haugh
2:31:33
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Matrix by Dan Haugh
SHNID:
gd1990-06-10..mtx.haugh.30361.sbeok.flac16
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View Notes------------------------------------------------------------ Source Info Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) ------------------------------------------------------------ Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - Shn conversion done 14-MAR-2004 - FLAC conversion done 08-AUG-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. ------------------------------------------------------------ Notes D1t06 Interference from a walkie-talkie can be heard, which is very strange. The SBD source was missing between song cheers on several songs in the first set. No music was missing. In a few spots a patch with the AUD source was used to maintain a smooth flowing sound. Disc 2 and 3 can be seamlessly reassembled.
Taper: FOB Recording by Jonathan Mow
2:35:51
Rating:
10.00 / 1 rating
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 14, 2020
SHNID:
gd1990-06-10.150585.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143345 (FOB Schoeps CMC4/MK2S) supplies - s1t04; 00:17 - 01:27 - s1t05; 03:32 - end - s1t06; start - 00:07 - s1t08; 06:50 - 08:43 - s2t06; 07:16 - end - s2t07; start - 01:56 - s2t12; all - s2t13; start - 00:21 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Charlie Miller for the transfer - Thanks to Ted Mattes for putting the project together - Thanks to Dave Brotman, et al., for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - most of the patchwork is to fulfill the completest in me, not a lot of music was erected by tape flips or pauses
Taper: FOB Recording by Jonathan Mow
2:35:51
Rating:
10.00 / 1 rating
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 14, 2020
SHNID:
gd1990-06-10.150620.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143345 (FOB Schoeps CMC4/MK2S) supplies - s1t04; 00:17 - 01:27 - s1t05; 03:32 - end - s1t06; start - 00:07 - s1t08; 06:50 - 08:43 - s2t06; 07:16 - end - s2t07; start - 01:56 - s2t12; all - s2t13; start - 00:21 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Charlie Miller for the transfer - Thanks to Ted Mattes for putting the project together - Thanks to Dave Brotman, et al., for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - most of the patchwork is to fulfill the completest in me, not a lot of music was erected by tape flips or pauses - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020
Taper: OldNeumanntapr
2:39:40
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1990-06-10.168425.3xnakcm300.ont.flac1644
Source:
OTS; Nakamichi CM-300s x3; Two CP-4 Shotgun Capsules + One CP-3 Super Omni Mixed With Radio Shack Mixer >Aiwa HD-X1 DAT >Sony WM-D6C (Patch) [TDK MA110s]
Lineage:
MA110 Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Track Splits, Balance Channel Levels, Minor Edits [Tape Flips], Fades, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 [August 2024]
Taper Notes:
View NotesOldNeumanntapr Notes: This was my 'Last Time' recording the Dead at Cal Expo. It was a really long drive from San Luis Obispo County, but I really enjoyed that venue. For these shows I elected to patch my Sony WM-D6C into my friend John's Nakamichi CM300x3 rig, which I ended up buying from him later that year when he decided to purchase a set of Audio Technica AT-853a stealth microphones. This was the show where I met Bear Owsley. He came into the tapers section and borrowed a cable from my friend John, and John turned to me and said, "Do you know who this IS? This is Bear!" I said hi to him and he gave me a dirty look when I asked if he had any 'samples'! I remember that he was really short, and that he had a little leather case of some of the Grateful Dead-related jewelry that he had made and was selling. For some reason I could not find my ticket stub to the previous night's show, June 9, but I had two stubs from this show, June 10.
Source 12 of 18
2:42:35
SHNID:
gd1990-06-10.152180.nakcp702.flac2496
Source:
FOB Nakamichi CP-702 omni capsules, 12' spread > custom pre-amp/power supply > Dbx Type II noise reduction encoder > Sony TC-D5 cassette
Lineage:
Master cassette playback on Nakamichi Dragon > Dbx 224X-DS Type II noise reduction decoder > RME Fireface 800, 24-bit 96kHz
Taper Notes:
View NotesProcessing: - Minor level adjustments. - Right channel cut out several times, mostly between songs, due to cabling issues. This was repaired by copying left channel (effectively becoming mono) during those moments. - Both channels cut out for about 20 seconds during end of NFA chant. This silence has been edited out. - Waves L3 Ultramaximizer (minimal limiting, dithering, noise shaping). Additional notes: - Multiple recorders were chained off this recording setup. This particular master cassette is just one of them. - Cassette transfer made 2016-10-31. Mastering done 2021-04-01. - CP-702 are the omni capsules in the Nakamichi 700 mic system.
Transferrer: Dan Haugh
2:31:32
Rating:
5.00 / 3 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-06-10.dts.haugh.30373.sbeok.flacf
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: DAT > CDR > WAV > SHN AUD FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & the AUD sources. CEP2.0 used to adjust the volume for the SBD, FOB, CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. -3db was NOT applied to the rear channels. Both of the sources for the front and rear channels were left at their original levels. - Mixed by [email protected] - Shn conversion done 14-MAR-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Remix and FLAC conversion done 10-AUG-2005 --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -6db SBD Surround Left channel B&K 4011 Right channel B&K 4011 Sub/LFE Mixed to mono -5db SBD --------------------------------------------------------- Notes The SBD source was missing between song cheers on several songs in the first set. No music was missing. In a few spots a patch with the AUD source was used to maintain a smooth flowing sound. D1T04 Dropout in SBD patched with AUD. This is smooth and most likely undetectible. D1T05 Small tick/pop right at the track mark (not a track ID problem) on the AUD was removed. The SBD was trimmed to match. This is smooth and most likely undetectible. D1T06 Interference from a walkie-talkie can be heard, which is very strange. Disc 2 and 3 can be seamlessly reassembled. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. ---------------------------------------------------------
Transferrer: Dan Haugh
2:31:33
Rating:
10.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1990-06-10.dts.haugh.29669.sbeok.shnf
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesTech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & the AUD sources. CEP2.0 used to adjust the volume for the SBD, FOB, CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. -3db was NOT applied to the rear channels. Both of the sources for the front and rear channels were left at their original levels. - Mixed by [email protected] - Shn conversion done 14-MAR-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -3db SBD Surround Left channel B&K 4011 Right channel B&K 4011 Sub/LFE Mixed to mono -3db SBD --------------------------------------------------------- Notes D1t06 Interference from a walkie-talkie can be heard, which is very strange. The SBD source was missing between song cheers on several songs in the first set. No music was missing. In a few spots a patch with the AUD source was used to maintain a smooth flowing sound. Disc 2 and 3 can be seamlessly reassembled. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.