1990
Bands
Featured
Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1990
Sources
Transferrer: Bill Tetzeli
2:40:21
SBD
Rating:
8.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1990-06-09.sbd.miller.tetzeli.fix-6936.34398.sbeok.shnf
Source:
SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of <a href="http://db.etree.org/shn/6936">shn id 6936</a>
Taper Notes:
View Notes---------------------------------------------------------------------------------------- The following fix was made to this source: the transition between disks 2 and 3 was made seamless. Fades at the end of disk 2 and the beginning of disk 3 were reverse faded, identical splice points identified and splice point volume matched using the statistics tool, all in Cool Edit 2000. Shntool was used to correct resulting sector boundary errors. Bill Tetzeli, [email protected] 2/16/2006 ----------------------------------------------------------------------------------------
Taper: Rich Gastwirt
2:41:39
Taper:
Rich Gastwirt
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1990-06-09.145489.ultramatrix.gastwirt.miller.sirmick.flac16
Source:
Utramatrix > Dat (44k) - Provided by Rich Gastwirt
Lineage:
Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - DC offset removed. - For first 56 seconds of Set I there was a dropout in left channel so I've copied over from the right channel. - "Stella Blue" of "Black Muddy River" have small patches from Don Pearson's cassette master. Thanks to Rich Gastwirt for providing this source. Thanks to Charlie Miller for the transfer and the patch source. edited and mastered SIRMick February 2019
Taper: FOB Recording by Jonathan Mow
2:33:30
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 11, 2020
SHNID:
gd1990-06-09.150584.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143344 (Schoeps CMC4/MK2S, Spaced) supplies - s1t08; 07:03 - end - s1t09; start - 00:11 - s2t06; start - 03:46 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for the transfer - Thanks to Dave Brotman for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - post space the levels drop significantly, adjusting the levels created a notable hiss - an hr tool was applied, but the hiss remains, albeit less significant
Taper: FOB Recording by Jonathan Mow
2:33:30
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 11, 2020
SHNID:
gd1990-06-09.150619.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143344 (Schoeps CMC4/MK2S, Spaced) supplies - s1t08; 07:03 - end - s1t09; start - 00:11 - s2t06; start - 03:46 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for the transfer - Thanks to Dave Brotman for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - post space the levels drop significantly, adjusting the levels created a notable hiss - an hr tool was applied, but the hiss remains, albeit less significant - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020
Taper: OldNeumanntapr
2:41:07
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1990-06-09.168389.3xcm300.ont.flac1644
Source:
OTS; Nakamichi CM-300s x3; Two CP-4 Shotgun Capsules + One CP-3 Super Omni Mixed With Radio Shack Mixer >Aiwa HD-X1 DAT >Sony WM-D6C (Patch) [TDK MA110s]
Lineage:
MA110 Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Track Splits, Balance Chanel Levels, Minor Edits [Tape Flips], Fades) > downsample >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was the last time that I have been to Cal Expo to see the Dead, or any other band for that matter. I patched my Sony WM-D6C out of my friend John Lech's Aiwa DAT and ended up buying his Nakamichi CM 300 microphones later in 1990 when he sold them to buy smaller stealth mics. Cal Expo was a nice smaller outdoor amphitheater and the first time I saw the Dead there was in May of 1986, the weekend that the Chernobyl radiation cloud passed over northern California. (Funny the things that you remember.) the 1986 Cal Expo shows were my very first attempt at recording the Dead and those tapes were a dismal failure, between the rain, the acid, and the mismatched hand-help microphones and boom box that I was trying to record with. Harkening back to a Monty Python quote from 'The Holy Grail',..."I Got Better!"
Taper: Sean Weber-Small
2:44:00
Rating:
10.00 / 2 ratings
Taper:
Sean Weber-Small
Transferrer:
droncit
SHNID:
gd1990-06-09.134549.aud.fobaud.flac16
Source:
<b>flac16/48kHz</b>; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz
Taper Notes:
View Notescomments: FOBAUD provided the files to me (droncit); I just cut them into tracks using DC10 forensics (beta). There were a couple of instances of very loud sounds for fractions of a second. I decreased the gain on those so that they didn't determine the overall loudness, then renormalized Set I to -.5dB. Set II didn't have any spots like that, and was close enough to -.5dB that renormalization wasn't needed. No other processing done.