RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1990
6/9/90
Tuning
1:22
Let The Good Times Roll
3:55
Feel Like A Stranger
8:55
Peggy-O
9:35
Me And My Uncle >
2:47
Mexicali Blues
8:06
Loser
8:08
When I Paint My Masterpiece
6:46
Loose Lucy
9:49
Cassidy >
6:03
Don't Ease Me In
3:21
Victim Or The Crime >
8:34
Touch Of Grey >
7:07
Looks Like Rain >
8:26
Terrapin Station >
15:00
Drums >
6:22
Space >
7:03
Dear Mr. Fantasy >
6:09
Hey Jude >
5:01
All Along The Watchtower >
6:21
Stella Blue >
7:06
Turn On Your Lovelight
6:11
Encore Break
1:44
Black Muddy River
8:04
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:41:55
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 19, 2020
SHNID:
gd1990-06-09.149721.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View Notes Notes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:41:55
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 19, 2020
SHNID:
gd1990-06-09.149620.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Taper: Chuck Miller
2:40:18
SBD
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1990-06-09.josephson.miller.88197.sbeok.flac16
Source:
(AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C) Microphone configuration: Microphones split approx 30 feet (left and right side of the SBD), 7' up (on stands) Master format: Maxell MX 100 cassettes
Lineage:
Sony WMD-6C > Lunatec V3 (44.1 kHz, 16 bit, ANSR on) > m-Audio Delta 2496 (SPDIF) > WaveLab Digital editing: Steinberg CuBase (pre and post set fades, blend between d1t07 and d1t08) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller
Transferrer: Bill Tetzeli
2:40:21
SBD
Rating:
8.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1990-06-09.sbd.miller.tetzeli.fix-6936.34398.sbeok.shnf
Source:
SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of <a href="http://db.etree.org/shn/6936">shn id 6936</a>
Taper Notes:
View Notes---------------------------------------------------------------------------------------- The following fix was made to this source: the transition between disks 2 and 3 was made seamless. Fades at the end of disk 2 and the beginning of disk 3 were reverse faded, identical splice points identified and splice point volume matched using the statistics tool, all in Cool Edit 2000. Shntool was used to correct resulting sector boundary errors. Bill Tetzeli, [email protected] 2/16/2006 ----------------------------------------------------------------------------------------
Source 5 of 18
2:40:25
SBD
Rating:
8.46 / 16 ratings
SHNID:
gd90-06-09.sbd-matrix.miller-ladner.6936.sbeok.shnf
Source:
SBD (Matrix) > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller
Taper: Rich Gastwirt
2:41:39
Taper:
Rich Gastwirt
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1990-06-09.145489.ultramatrix.gastwirt.miller.sirmick.flac16
Source:
Utramatrix > Dat (44k) - Provided by Rich Gastwirt
Lineage:
Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - DC offset removed. - For first 56 seconds of Set I there was a dropout in left channel so I've copied over from the right channel. - "Stella Blue" of "Black Muddy River" have small patches from Don Pearson's cassette master. Thanks to Rich Gastwirt for providing this source. Thanks to Charlie Miller for the transfer and the patch source. edited and mastered SIRMick February 2019
Taper: Dave Brotman
2:43:41
Rating:
10.00 / 1 rating
Taper:
Dave Brotman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-09.143344.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648
Source:
Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k)
Lineage:
DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Dave Brotman. - Thanks to Charlie for the transfer & coordinating.
Taper: Sean Weber-Small
2:45:37
Rating:
8.00 / 1 rating
Taper:
Sean Weber-Small
Transferrer:
Joe Noel and Ted Mattes and Charlie Miller
SHNID:
gd1990-06-09.142578.FOB.Schoeps.Weber-Small.Mattes.Miler.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250) mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller
Lineage:
DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes. - Thanks to Sean Weber-Small for recording the show. - Thanks to Charlie for making this all happen. - Sean recording this show with Ted's rig. - upgrade to shnid 134549
Taper: FOB Recording by Jonathan Mow
2:33:30
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 11, 2020
SHNID:
gd1990-06-09.150584.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143344 (Schoeps CMC4/MK2S, Spaced) supplies - s1t08; 07:03 - end - s1t09; start - 00:11 - s2t06; start - 03:46 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for the transfer - Thanks to Dave Brotman for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - post space the levels drop significantly, adjusting the levels created a notable hiss - an hr tool was applied, but the hiss remains, albeit less significant
Taper: FOB Recording by Jonathan Mow
2:33:30
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 11, 2020
SHNID:
gd1990-06-09.150619.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143344 (Schoeps CMC4/MK2S, Spaced) supplies - s1t08; 07:03 - end - s1t09; start - 00:11 - s2t06; start - 03:46 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for the transfer - Thanks to Dave Brotman for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - post space the levels drop significantly, adjusting the levels created a notable hiss - an hr tool was applied, but the hiss remains, albeit less significant - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020
Taper: OldNeumanntapr
2:41:07
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1990-06-09.168389.3xcm300.ont.flac1644
Source:
OTS; Nakamichi CM-300s x3; Two CP-4 Shotgun Capsules + One CP-3 Super Omni Mixed With Radio Shack Mixer >Aiwa HD-X1 DAT >Sony WM-D6C (Patch) [TDK MA110s]
Lineage:
MA110 Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Track Splits, Balance Chanel Levels, Minor Edits [Tape Flips], Fades) > downsample >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was the last time that I have been to Cal Expo to see the Dead, or any other band for that matter. I patched my Sony WM-D6C out of my friend John Lech's Aiwa DAT and ended up buying his Nakamichi CM 300 microphones later in 1990 when he sold them to buy smaller stealth mics. Cal Expo was a nice smaller outdoor amphitheater and the first time I saw the Dead there was in May of 1986, the weekend that the Chernobyl radiation cloud passed over northern California. (Funny the things that you remember.) the 1986 Cal Expo shows were my very first attempt at recording the Dead and those tapes were a dismal failure, between the rain, the acid, and the mismatched hand-help microphones and boom box that I was trying to record with. Harkening back to a Monty Python quote from 'The Holy Grail',..."I Got Better!"
Taper: Sean Weber-Small
2:44:00
Rating:
10.00 / 2 ratings
Taper:
Sean Weber-Small
Transferrer:
droncit
SHNID:
gd1990-06-09.134549.aud.fobaud.flac16
Source:
<b>flac16/48kHz</b>; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz
Taper Notes:
View Notescomments: FOBAUD provided the files to me (droncit); I just cut them into tracks using DC10 forensics (beta). There were a couple of instances of very loud sounds for fractions of a second. I decreased the gain on those so that they didn't determine the overall loudness, then renormalized Set I to -.5dB. Set II didn't have any spots like that, and was close enough to -.5dB that renormalization wasn't needed. No other processing done.
Taper: Fitzy
2:37:43
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-06-09.Nak300CP4.Fitzy.Keo.126538.Flac1644
Source:
Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
2:37:43
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-06-09.Nak300CP4.Fitzy.Keo.126537.Flac2496
Source:
Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:28:50
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-06-09.111342.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes-------------------------------------- R.I.P. Sandy - aka "Bigfoot" --------------------------------------
Taper: Alabama Bob
2:34:25
Rating:
6.67 / 4 ratings
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1990-06-09.fob.alabamabob.andrewf.95251.flac16
Source:
2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Levels are a bit too hot during first part of Stranger. - Second Set disc break is seamless. - Patches from ShnID-23532 as follows: - Victim (tune-up) 0:00 > 1:21, and Space 0:22 > 0:54. - Two disc burn option: split between Touch and LLRain.
Taper: Michael Kutick
2:36:38
Taper:
Michael Kutick
Transferrer:
DAT > cassette > SHN transfer, splicing & tracking:Ken Adelman
SHNID:
gd1990-06-09.schoeps.kutick.adelman.29386.sbeok.shnf
Source:
Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN
Taper Notes:
View NotesTaping location was directly behind soundboard. Sony TC-K81 used for both recording and playback. Cassette flip splices & tracking via Sound Studio. A few other glitches - most notable of which is slightly munched tape near beginning of d2t01. But for a well-listened-to ten year old cassette, it sounds mighty good. Enjoy the music!
Source 18 of 18
2:46:10
Rating:
8.77 / 13 ratings
SHNID:
gd90-06-09.bk4011.nickspicks.23532.sbeok.flac
Source:
B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st
Taper Notes:
View NotesB&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC