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1990
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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1990
6/9/90
Let The Good Times Roll
4:32
Feel Like A Stranger
8:54
Peggy-O
9:52
Me And My Uncle >
2:47
Mexicali Blues
8:06
Loser
8:09
When I Paint My Masterpiece
7:03
Loose Lucy
9:48
Cassidy >
6:03
Don't Ease Me In
3:27
Victim Or The Crime >
8:42
Touch Of Grey >
7:04
Looks Like Rain >
8:27
Terrapin Station >
14:53
Drums >
6:24
Space >
7:06
Dear Mr. Fantasy >
6:09
Hey Jude >
5:01
All Along The Watchtower >
6:17
Stella Blue* >
7:09
Turn On Your Lovelight
7:57
Black Muddy River**
6:31
FIN
View on archive.org
Sources
Transferrer: Bill Tetzeli
2:40:21
SBD
Rating:
8.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1990-06-09.sbd.miller.tetzeli.fix-6936.34398.sbeok.shnf
Source:
SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of <a href="http://db.etree.org/shn/6936">shn id 6936</a>
Taper Notes:
View Notes---------------------------------------------------------------------------------------- The following fix was made to this source: the transition between disks 2 and 3 was made seamless. Fades at the end of disk 2 and the beginning of disk 3 were reverse faded, identical splice points identified and splice point volume matched using the statistics tool, all in Cool Edit 2000. Shntool was used to correct resulting sector boundary errors. Bill Tetzeli, [email protected] 2/16/2006 ----------------------------------------------------------------------------------------
Taper: Rich Gastwirt
2:41:39
Taper:
Rich Gastwirt
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1990-06-09.145489.ultramatrix.gastwirt.miller.sirmick.flac16
Source:
Utramatrix > Dat (44k) - Provided by Rich Gastwirt
Lineage:
Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - DC offset removed. - For first 56 seconds of Set I there was a dropout in left channel so I've copied over from the right channel. - "Stella Blue" of "Black Muddy River" have small patches from Don Pearson's cassette master. Thanks to Rich Gastwirt for providing this source. Thanks to Charlie Miller for the transfer and the patch source. edited and mastered SIRMick February 2019
Taper: FOB Recording by Jonathan Mow
2:33:30
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 11, 2020
SHNID:
gd1990-06-09.150584.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143344 (Schoeps CMC4/MK2S, Spaced) supplies - s1t08; 07:03 - end - s1t09; start - 00:11 - s2t06; start - 03:46 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for the transfer - Thanks to Dave Brotman for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - post space the levels drop significantly, adjusting the levels created a notable hiss - an hr tool was applied, but the hiss remains, albeit less significant
Taper: FOB Recording by Jonathan Mow
2:33:30
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 11, 2020
SHNID:
gd1990-06-09.150619.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 143344 (Schoeps CMC4/MK2S, Spaced) supplies - s1t08; 07:03 - end - s1t09; start - 00:11 - s2t06; start - 03:46 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for the transfer - Thanks to Dave Brotman for the patch source - pitch corrected - tape pauses & flips were cross faded where applicable, otherwise they were patched - post space the levels drop significantly, adjusting the levels created a notable hiss - an hr tool was applied, but the hiss remains, albeit less significant - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020
Taper: OldNeumanntapr
2:41:07
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1990-06-09.168389.3xcm300.ont.flac1644
Source:
OTS; Nakamichi CM-300s x3; Two CP-4 Shotgun Capsules + One CP-3 Super Omni Mixed With Radio Shack Mixer >Aiwa HD-X1 DAT >Sony WM-D6C (Patch) [TDK MA110s]
Lineage:
MA110 Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Track Splits, Balance Chanel Levels, Minor Edits [Tape Flips], Fades) > downsample >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was the last time that I have been to Cal Expo to see the Dead, or any other band for that matter. I patched my Sony WM-D6C out of my friend John Lech's Aiwa DAT and ended up buying his Nakamichi CM 300 microphones later in 1990 when he sold them to buy smaller stealth mics. Cal Expo was a nice smaller outdoor amphitheater and the first time I saw the Dead there was in May of 1986, the weekend that the Chernobyl radiation cloud passed over northern California. (Funny the things that you remember.) the 1986 Cal Expo shows were my very first attempt at recording the Dead and those tapes were a dismal failure, between the rain, the acid, and the mismatched hand-help microphones and boom box that I was trying to record with. Harkening back to a Monty Python quote from 'The Holy Grail',..."I Got Better!"
Taper: Sean Weber-Small
2:44:00
Rating:
10.00 / 2 ratings
Taper:
Sean Weber-Small
Transferrer:
droncit
SHNID:
gd1990-06-09.134549.aud.fobaud.flac16
Source:
<b>flac16/48kHz</b>; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz
Taper Notes:
View Notescomments: FOBAUD provided the files to me (droncit); I just cut them into tracks using DC10 forensics (beta). There were a couple of instances of very loud sounds for fractions of a second. I decreased the gain on those so that they didn't determine the overall loudness, then renormalized Set I to -.5dB. Set II didn't have any spots like that, and was close enough to -.5dB that renormalization wasn't needed. No other processing done.